Total Pageviews

Bebop Spoken There

Poncho Sanchez: "When I perform it's my life story." - (DownBeat October 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Thursday September 19

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Vieux Carré Jazzmen - Holystone, Whitley Road, Holystone NE27 0DA. Tel: 0191 266 6173. 1:00pm. Free.

Evening

Jazz

Alexito & Loco Machine - Revoluçion de Cuba, Cloth Market, Newcastle NE1 1EE. Tel: 0191 917 7076. 6:00pm. Free.

Jeremy McMurray & the Pocket Jazz Orchestra - Arc, Dovecot St., Stockton on Tees TS18 1LL. Tel: 01642 525199. 7:00pm. £12.00. + £0.10. bf. ‘Jazz & Tapas’ (booking essential). Guest: Alice Grace.

Bradley Johnston Quartet - St James' & St Basil's Church, Fenham Hall Drive, Fenham, Newcastle NE4 9EJ. 7:30pm. £8.00. (£4.00. student).

Sudden Jazz Quintet - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. Free (donations).

Eclectic - Tees Hot Club, Dorman’s Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 9:00pm. Free. Rick Laughlin (keys); Alan Thompson, Dan Johnson, Sue Ferris, Josh Bentham (saxes); Ian Halford (drums).

Maine Street Jazzmen - Sunniside Social Club, Hollywell Lane, Sunniside, Gateshead NE16 5NA. Tel: 0191 488 7347. 8:30pm. Free.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm. £2.50.

Blues/Soul/Funk

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Wednesday, August 07, 2013

CD Review: Mike Gibbs + Twelve Play Gil Evans

Mike Gibbs (composer, arranger & conductor), Finn Peters (alto saxophone & flute), Julian Siegel (tenor & soprano saxophones, bass clarinet), Lluis Mather (tenor & soprano saxophones, clarinet), Percy Pursglove (trumpet & flugelhorn), Robbie Robson (trumpet & flugelhorn), Joe Auckland (trumpet & flugelhorn), Mark Nightingale (trombone), Sarah Williams (bass trombone & tuba), Jim Rattigan (French horn), Hans Koller (piano), Michael Janisch (double bass) & Jeff Williams (drums)
(Review by Russell)
Mike Gibbs’ new CD commemorates the centenary of the birth of arranger/composer Gil Evans. The project, instigated by Gibbs and pianist Hans Koller, secured enthusiastic support from musician and Whirlwind Recordings label boss Michael Janisch.
Twelve of the finest musicians working on the British jazz scene were recruited to play a couple of gigs in London and then go into the studio for a day to document Gibbs’ labour of love. Ten tracks comprising of arrangements by Evans and Gibbs illustrate the fine art of the composer/arranger. Arrangements for the ensemble are typical Gil Evans; layered brass, a spotlight for the soloist (brass or reeds). Gibbs’ arrangements complement the American master’s approach, producing a cohesive narrative to Play Gil Evans.
The opening Bilbao Song (comp. Kurt Weill/arr. Evans) is a down beat affair. Evans’ Las Vegas Tango struts the boards, lifting the mood with magnificent solo contributions from Mark Nightingale (trombone) and Julian Siegel (tenor) framed by biting section work from the trumpets of Percy Pursglove, Robbie Robson and Joe Auckland.
Gibbs’ arrangement of Carla Bley’s distinctive Ida Lupino, re-points the tune, mindful to retain its allure. The rhythm section comes into its own on Sister Sadie (arr. Evans). A witty re-working of the Horace Silver standard swings effortlessly in the capable hands of Koller, bassist Janisch and ace American drummer Jeff Williams. Ornette Coleman’s Ramblin’ (arr. Gibbs) reminds the listener of the composer’s mainstream jazz roots and Gibbs’ arrangement underscores the tunes’ blues undercurrent heard to great effect in Finn Peters’ alto work. Evans’ playful arrangement of St Louis Blues features more from Peters, Janisch excels, as does the ensemble marshalled by the consistently excellent Williams. Evans’ treatment of Rodgers and Hart’s Wait till You See Her closes the CD in much the same way as the opening track - on a satisfying down beat note.
Mike Gibbs + Twelve will launch the album at Kings Place, London in October at the inaugural Whirlwind Recordings Festival. Play Gil Evans, engineered and edited by Alex Bonney and produced by Gibbs, Koller, Janisch and Bonney, is released August 12 on Whirlwind Recordings WR4639.                           

Russell.   

No comments :

Blog Archive

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance