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COVID-19

In the current climate we are doing our best to keep everyone up to date. All gigs, as we all know, are off.

However, good old YouTube has plenty to offer both old and new to help us survive whilst housebound. Plus now is a good time to stock up on your CDs.

Also, keep an eye out for live streaming sessions.

Alternatively, you could do as they do in Italy and sing from your balcony.

Today

As we all know there are no live gigs taking place in the immediate future. However, any links to jazz streaming that are deemed suitable - i.e. with a professional approach - will be considered for posting.

Saturday, August 24, 2013

Take it to the Bridge (second set) @ The Chillingham. August 21

Dave Weisser (trumpet, flugelhorn & vocals), Don Forbes (trumpet), Barrie Ascroft (keyboards), Ray Truscott (electric bass) & Norman Redhead (drums) + Dave Stephens (guitar)
(Review by Russell)
A prior commitment resulted in our late arrival at the Chilli. The boys in the band were taking “five”. Had the interval just commenced? When would the second set start? We were on Weisser Time, so it was anyone’s guess. Big Lamp Prince Bishop was the order at the bar – a quality beer, if ever there was one.
The second set flew by. Barrie Ascroft’s keyboards sounded good (less bright than usual), five string bassist Ray Truscott flew across the frets and Don Forbes’ bop trumpet poured forth a tidal wave of notes (all in the right order). Green Bossa, Tenderly and Estate formed the basis of the set and in typical fashion workshop leader Dave Weisser offered muted trumpet, warm flugel and well-crafted lyrics. Norman Redhead handled the bossa material with ease and, as is the way at the Chilli, guitarist Dave Stephens dropped in for one number. Stephens said he would be back. Here’s hoping he will return, we need to hear more.     
Russell.

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