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Bebop Spoken There

Dee Dee Bridgewater: “ Our world is becoming a very ugly place with guns running rampant in this country... and New Orleans is called the murder capital of the world right now ". Jazzwise, May 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16434 (and counting) posts since we started blogging 16 years ago. 314 of them this year alone and, so far, 26 this month (May 9).

From This Moment On ...

May

Fri 17: Dave Newton & Dean Stockdale @ The Lit & Phil, Newcastle. 1:00pm. SOLD OUT!
Fri 17: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 17: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 17: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 17: Castillo Nuevo Trio @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Fri 17: Strictly Smokin’ Big Band @ The Fire Station, Sunderland. 7:30pm. Album launch gig featuring Alan Barnes, Bruce Adams & Paul Booth!
Fri 17: Hot Club du Nord @ Seventeen Nineteen, Hendon, Sunderland. 7:30pm.

Sat 18: Jam session @ The Black Swan, Newcastle. 7:00-9:00pm. Free. Celebrating ‘10 years of the Jazz Jam!’. House trio: Alan Law, Paul Grainger, Tim Johnston. A Late Shows event.
Sat 18: SH#RP Collective @ Holy Name Parish Church Hall, Jesmond, Newcastle. 7:00-9:00pm. Tickets: £15.00. Bar available, BYO snacks. A Jesmond Community Festival event. All proceeds to Kabuyanda Charity (Ugandan health care).
Sat 18: Red Kites Jazz @ Staithes Café, Autumn Drive, Gateshead. 7:30pm.
Sat 18: Alligator Gumbo @ The Witham, Barnard Castle. 7:30pm.
Sat 18: Rockin’ Turner Brothers @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Sun 18: Papa G’s Amigos special summer Latin set @ The Schooner, Gateshead NE8 3AF. 9:00pm. Free.
Sat 18: Late Night Special with Ruth Lambert & special guests @ The Black Swan, Newcastle. 10:00pm-midnight. £5.00. (booking essential). Lambert & surprise jam session guests from down the years.

Sun 19: BTS Trombone Day @ Mark Hillery Arts Centre, Collingwood College, Durham University DH1 3LT. 11:00am-5:00pm. Free to British Trombone Society members (£10.00. & £5.00. to non-members). Recitals, workshops and mass blows.
Sun 19: Women Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. £25.00. Tutor: Andrea Vicari. Enquiries: learning@jazz.coop.
Sun 19: Ransom Van @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 19: Tweed River Jazz Band @ Barrels Ale House, Berwick. 7:00pm. Free.
Sun 19: Andrea Vicari Trio @ The Globe, Newcastle. 8:00pm.

Mon 20: Harmony Brass @ the Crescent Club, Cullercoats. 1:00pm. Free.
Mon 20: Michael Young Trio @ The Engine Room, Sunderland. 6:00-8:00pm. Free. Opus de Funk: Horace Silver.
Mon 20: Joe Steels-Ben Lawrence Quartet @ The Black Bull, Blaydon. 8:00pm. £8.00.

Tue 21: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law, Paul Grainger, John Bradford.

Wed 22: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 22: Alice Grace Vocal Masterclass @ The Glasshouse, Gateshead. 6:00pm. Free.
Wed 22: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 22: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 22: Daniel Erdmann’s Thérapie de Couple @ The Glasshouse, Gateshead. 8:00pm.

Thu 23: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 23: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 23: Castillo Nuevo Trio @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Thu 23: Immortal Onion + Rivkala @ Cobalt Studios, Newcastle. 7:00pm.
Thu 23: The Doris Day Story @ Phoenix Theatre, Blyth. 7:30pm.
Thu 23: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Jeremy McMurray (keys); Dan Johnson (tenor sax); Donna Hewitt (alto sax); Bill Watson (trumpet); Adrian Beadnell (bass).

Tuesday, September 14, 2021

Andy Hudson remembers George Wein

GEORGE WEIN 1925-2021
(George Wein (r)  on his 90th
birthday w. Andy Hudson)

As the Americans say…"Way to go" and to learn that my old friend and business partner had died in his sleep at 95 was still a shock as he had an indestructible air about him.

I met him first whilst putting together the Jazz Festival in Middlesbrough, of which most say "Oh that one with Ella and Oscar in it".  Paradoxically the only 2 acts on that enormous bill that were not George’s were Ella and Oscar, All the rest were from the "Newport" stable for that summer. As I have said before in this excellent publication, it was George that took me out of the North East to work with him on festivals elsewhere.

Some of my most magic moments were in the company of George and a few that I outline here concerned his great loves, apart from his late wife Joyce and music- they were WINE and ART.

George had a wonderful villa on the slopes outside Vence (S. of France) which I was generously invited to stay in during the summer months. On one occasion he was entertaining his "wine club friends" - Joyce was cooking - and the house wine for the dinner was Château Lafite 29. I did protest that I would not impose on his gathering and would gladly go into a Vence Bistro to eat….Mercifully he wouldn’t hear of it and so  I joined in with  the club along with the Ertegun Brothers    (Nesuhi and Ahmet), Bobby Short and the famous French-American sculptor, Arman. I’d like to feel that the quality of the wine would have led to inspirational conversation, which it may have done the only lasting effect I recall was a next morning headache.

On another occasion George’s generosity stretched to taking me and the other guests at his house to a private 10 course dinner at the Chanticleer Nice which is what these days would be known as a Tasting Menu, the chef was Jacques Maximin, at the time one of France’s leading chefs who also was the chef for state functions at the Élysée Palace. We each had the privilege of asking the chef a question and I was able to get out of him the secret of how a delicious dessert was made which changed flavour as you ate from left to right……… Not telling!

George and Joyce loved art, sculpture and classical music, particularly opera. Once George told me that Luciano Pavarotti was staying with them in Vence and George who was far from shy started to play and sing Nessun Dorma. Luciano stood up approached the piano and just said…."George – you need to practice more."

They had a lovely house in Connecticut where during residence George liked to have his original Renoir (one of the ladies in red) to look at. When I stayed there we all had to go back to New York, so George asked if I would help him. "Andy can you carefully pick up  the painting from the wall and follow me? "So I trudged along with $20 million worth of painting solidly gripped and followed him into a closet in the laundry room. He instructed me to place the picture flat down on a cotton sheet and then proceeded to tip a load of un-ironed washing onto it.

Looking quizzically at him he said, "Pick that picture up from over there and put it over the fireplace where you took the other from" I turned it to look at and it was a not-too-good copy of the Renoir.

Georges’s advanced security thinking was that the would-be art thief would unlikely to be an art expert and would just be told to pick up the red painting over the fireplace.

Jackson Pollock (he of the spotty early 20th century) was a painter much admired by Joyce and George and they collected a number of them. I used to make George giggle by often enquiring "How’s your load of old Pollocks". George was sufficiently Anglophilic to understand the humour.

George’s first encounter with England came in 1944, where he was a private in the allied forces that invaded France on D-Day. He told me that, happily, he never fired a shot in anger, but did play the piano in the mess - adding that may have been why the Germans capitulated.

I have not here dwelled upon the impresario and jazz/blues/soul and also folk music that he promoted so effectively as that will be reported elsewhere abundantly. Here rather I focussed on an interesting intelligent generous man who I was proud to call a friend. On his last trip to Europe on the new Queen Mary flagship, he had a chauffeur drive him up to Newcastle (via 2 Michelin Restaurants - hey! you need a stop off!) just to have dinner with me, meet my new wife and have a chat. We often laughed about people described by that old Jewish epithet of – when he came into a room…it was like someone just left! George was the opposite of that, although he was small in stature when he came into the room it was closer to an invasion of warmth, humour and good feelings.

In the spirit of how they lived, all of George’s artistic and valued treasures will revert to the George and Joyce Wein Foundation which will be dedicated to music and education in America

A fantastic heritage from people of care and conscience.

RIP George

Andy

4 comments :

Lance said...

Andy, that was a wonderful tribute. It painted a beautiful portrait of a gentleman. It is my deepest regret that I was unable to meet him at Blaydon but your fond memories of George make me feel that I knew him and, like most of the jazz world, I will mourn his passing. Thanks Andy.

Roly said...

Agreed Lance. Very touching to read. What a remarkable man.

Mike Farmer said...

George Wein was a great promoter but he was also a fine jazz pianist. In 1973 I saw him play in Central Park NY leading a quintet that contained James Spaulding on alto sax and Roland Prince on guitar and he surprised me how modern he sounded. I also saw his all-star band at a Berlin Jazz festival which included Ruby Braff cornet, Larry Ridley bass, Don Lamond drums and the legendary Joe Venuti who brought the house down with his feature Sophisticated Lady. The last time I saw Mr Wein was during the Middlesborough Jazz Festival when I was having lunch at the Motel I was staying at. He walked in with three ladies and they sat at the next table to mine. I felt honored to be in the same room. He will be missed by all jazz fans and musicians. R I P.

Unknown said...

Hi Andy, it's been a long time ......but I enjoyed your George Wein tribute .....thank you. Hope you are doing well. Ina

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