Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18957 (and counting) posts since we started blogging 18 years ago. 821 of them this year alone and, so far this month (Sept. 30.) 100.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Tue 06: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Murray Oak, Paul Grainger, John Bradford.
Tue 06: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 06: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. First night of two.

Wed 07: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free. Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 07: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. Second night of two.

Thu 08: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 08: Pete Tanton’s Chet Set @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 08: Indigo Jazz Voices w. Little Big Band @ The Globe, Newcastle. 7:45pm. £5.00.

Fri 09: Dean Stockdale Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Fri 09: John Rowland Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Shalala @ The Globe, Newcastle.

Sat 10: Catfish Keith @ Cluny 2, Newcastle. 7:30pm (doors). £19.00. + bf. Jumpin’ Hot Club.

Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Feat. guest Jack ‘Banjo’ Courtney (trumpet).
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Harry Christelis Quartet @ The Globe, Newcastle. 8:00pm. A Jazz Co-op-JNE co-promotion.

Mon 12: Jack Pearce Quintet @ Yamaha Music School, Blyth. 1:00pm.
Mon 12: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Saturday, September 25, 2021

Album review: Susan Krebs with Mixed Remotions – Daybreak

Susan Krebs (vocals); Rich Eames (piano); Jerry Kalaf (drums, vibes); Domenic Genova (bass); Scott Breadman (percussion); Riner Scivally (guitar); Rob Lockart (woodwinds 1,2,5,6,7) Doug Walter (woodwinds 3,4)

This is the eighth album from Ms Krebs, a fine and experienced singer, who gathered a band of experienced and skilled musicians together to make music to combat the isolation of the pandemic. Most of the recording was done remotely, though that is hard to believe because the music has a feeling of immediacy.

The track I personally liked best is Who Knows Where the Time Goes?, the song made famous by folk singer Sandy Denny, but as a folkie I'm biased, so readers will have to listen and judge for themselves. The sax and piano intro give a suitably airy feel to the track and the call and response between sax and voice are effective. It somehow sounded 'folky' but yet still jazz.

The album opens with a swinger which is appropriately entitled Can't Get Out Of This Mood. The second track, Daybreak, is a song not often performed which was recorded by Sinatra in 1942. How Little We Know is done as a waltz with vibes accompaniment and an impressive guitar solo whilst Listen Here, all about listening to your inner voice, is dedicated to Ms Krebs mentor, the great Sheila Jordan. (I understood this well as someone who has attended a workshop given by Ms Jordan who offers lots of encouragement to singers.)

The musicians do their stuff well, especially Eames on piano, a composer and arranger who has collaborated with Ms Krebs on most of her albums. Ms Krebs herself is a native of Baltimore who also has an acting career. She performs jazz regularly throughout the area of Southern California.

Reviewing CDs such as this one shows that there is a wealth of talented women singers out there. This makes it more difficult for any one singer to stand out, but nevertheless we should rejoice about so much talent.

The album is available now on the GreenGig Music label. See www.susankrebsmusic.com - Ann Alex

Can't Get Out Of This Mood; Daybreak; How Little We Know; Inside A Silent Tear; Who Knows Where the Time Goes?; Listen Here; Stardust. 

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