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Bebop Spoken There

Abbie Finn: "Even though there's a lot of great work being done to promote women in jazz, I still come up against some attitudes! I pulled up at a recording session with my drums in the car and the studio owner said, 'I'm sorry, this space is reserved for the drummer!'" - (Jazzwise April 2023).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

15229 (and counting) posts since we started blogging 15 years ago. 248 of them this year alone and, so far, 61 this month (March 20).

From This Moment On ...

March

Fri 24: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 24: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 24: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 24: FILM: Mo' Better Blues @ Forum Cinema, Hexham. 7:00pm.
Fri 24: Ian Millar & Dominic Spencer @ Scarth Hall, Staindrop, Co. Durham. 8:00pm. £10.00.
Fri 24: Archipelago + Bulbils @ Cobalt Studios, Newcastle. 7:00pm.

Sat 25: Vermont Big Band @ Walker Community Centre, Walker, Newcastle. 7:30pm. Fundraiser for Benfield Juniours Football Club. Hot food available, BYOB.
Sat 25: John Logan & Friends @ Prohibition Bar, Newcastle. 8:00pm. Rat Pack, Motown etc. 8:00pm. Free (donations).

Sun 26: Musicians Unlimited @ Park Inn, Hartlepool. 1:00pm.
Sun 26: More Jam @ The Globe, Newcastle. 3:00pm. Free.
Sun 26: 4B @ The Exchange, North Shields. 3:00pm.
Sun 26: Outlines @ The Globe, Newcastle. 8:00pm. JNE promotion (upstairs).

Mon 27: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.

Tue 28: Paul Skerritt @ The Rabbit Hole, Hallgarth St., Durham DH1 3AT. 7:00pm. Paul Skerritt's (solo) weekly residency.
Tue 28: Sanaz Lavasani Trio @ Black Swan, Newcastle Arts Centre. 8:00pm. £12.00 (£10.00. adv).

Wed 29: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 29: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 29: 4B @ The Exchange, North Shields. 7:00pm.
Wed 29: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 30: Gateshead Jazz Appreciation Society @ Gateshead Central Library. 2:30-4:30pm. £2.00. All welcome.
Thu 30: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. Back to 1:00pm stomp off. Free.
Thu 30: '58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm. Free.
Thu 30: Lindsay Hannon: Tom Waits for No Man @ Harbour View, Sunderland. 8:00pm.
Thu 30: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Thursday, September 30, 2021

Scarborough Jazz Festival: Saturday Evening - Sept. 25

Okay it wasn’t Alphonse Mouzon or Dizzy again, but it was a choice that had to be made. Some local – north east – loyalty or a Nikki Iles Orchestra threatening some ‘serious’ guests. We weren’t having fish and chips (again) on my sixtieth birthday and we tend to eat late but, in the end, it came down to we’ve seen Zoë Gilby many times and will hopefully see her many more times.

The threats were real: Gareth Lockrane on flute and fluty things, guitarist Mike Walker, I hadn’t seen since a stunning performance at Southport, saxophonist Julian Siegel since the Partisans at Pizza Express, and many more.

Like much of the festival, it was postponed from last year and she spotted the irony that it was to be called the ‘face to face’ tour.

It began with a slow intro that reminded me of Gil Evans’ intro to So What on the famous television version. A piece called Wild Oak by another fine lady pianist, the late great Geri Allen. Although we would miss Zoë Gilby, Iles played a different north east connection; a piece about Red Ellen [Wilkinson], a labour party MP and minister who played a major role in the Jarrow March in 1936.

Hush was a piece inspired by Rufus Reid that she wrote for a trio and then adapted for a big band. Caged Bird was inspired by the lockdown and was a commission by the International Society in America. High Lands was arranged by Stan Sulzmann and featured her and Lockrane on some type of whistle.

I always think a flute, or better still flutes – and she had saxophonists switching to flute – add another dimension to a big band, giving an authentic American feel, perhaps inspired by countless cop show theme tunes, and none the worse for that.   

By the time we returned, it felt like I must have the largest corn or sore in the world on the little toe of my left foot, but - worryingly - there wasn’t a mark at all, raising alarms that it might be broken.  

When Alan Barnes introduced Jean Toussaint he observed that most musicians play the music but a small number of bands drive the music forward and one such band was Art Blakey’s Jazz Messengers. Over the years they featured many of the great names in jazz, including Donald Byrd, Wayne Shorter, Lee Morgan, Freddie Hubbard, Benny Golson, Wynton and Branford Marsalis, Terence Blanchard, Kenny Garrett and Jean Toussaint. Despite Toussaint now being resident in the UK, this was nevertheless a seriously big deal.

Shorter’s Palladium started things off as a quartet of sax, piano, bass and drums, a track off Weather Report’s Heavy Weather album I’ve been unable to find in his solo career. Kenny Dorham’s Wind Mill, an artist associated with the pre-history of the Messengers, and they were joined by a trumpeter who’d played in the Koller band the night before and I believe was Byron Wallen, though I’m not certain.

After two days of jazz, and on our seventh band, this really was really real jazz, really. Trombonist Dennis Rollins had joined them to complete the all-star sextet, alongside Andy McCormack on piano, Orlando Fleming on bass and Ben Brown on drums - even  Major Changes, Doc and Amabo all came from his latest CD Brother Raymond, the latter a tribute to Obama (spelt backwards) which drew applause for the former American president, and a high-spot of the live set.

Even my left foot couldn’t dampen my spirits and it seems being sixty isn’t so bad after all.   Steve T

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