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Farewell Blues

R I P Terry Shannon - November 5, 1929 - October 29, 2022
R I P Oliver Soden - ? - November 6, 2022
R I P Top Cat Daphne - ? - November 24, 2022.
R I P Louise Tobin - November 11, 1918 - November 26, 2022

Bebop Spoken There

Kenny Barron: "During the pandemic I got to do a lot more cooking. As long as you can read you can cook." - (DownBeat December, 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Postage

14845 (and counting) posts since we started blogging 14 years ago. 1094 of them this year alone and, so far, 93 this month (Nov. 30).

From This Moment On ...

November

December
Sat 03: Jake Leg Jug Band @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00.
Sat 03: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. Tutor: Liane Carroll. £25.00. Enrol at: www.jazz.coop.
Sat 03: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 6:00pm.
Sat 03: Remi Harris & Tom Moore @ Amble Parish Hall, Northumberland. 7:30pm.
Sat 03: Rendezvous Jazz @ Red Lion, Earsdon. 8:00pm. Xmas party.
Sat 03: Ray Johnson, Richard Herdman & Jude Murphy @ Prohibition Bar, Newcastle. 8:00pm. Free (donations).

Sun 04: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 04: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 04: Remi Harris & Tom Moore @ Bowes & Gilmonby Parish Hall, Co. Durham. 7:30pm.
Sun 04: Liane Carroll @ The Globe, Newcastle. 8:00pm. £10.00. adv., £12.00. door.
Sun 04: Let Spin + Ceitidh Mac @ Bobik's, Punch Bowl, Jesmond, Newcastle (8:00pm).

Mon 05: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.
Mon 05: Sia Ahmad & Raymond MacDonald @ Blank Studios, Newcastle. 8:00pm. Tickets: £5.00. from www.seetickets.com. Live recording session - note no late admissions. BYOB.

Tue 06: Paul Skerritt @ The Rabbit Hole, Durham. 7:00pm. Free (table reservations 0191 386 5556). Feat. Johnny Murphy (keyboards).

Wed 07: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 07: Jam session @ Prohibition Bar, Newcastle. 12 noon-3:00pm.Free. New!
Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 07: 4B @ The Exchange, North Shields. 7:00pm.
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 08: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm. Last one of the year, resuming Jan 26.
Thu 08: Gateshead Jazz Appreciation Society @ Gateshead Central Library. 3:00-5:00pm. £1.00. All welcome.
Thu 08: Indigo Jazz Voices @ The Globe, Newcastle. 7:45pm.
Thu 08: Christmas Crooners @ Alnwick Playhouse. 7:30pm.
Thu 08: Musicians Unlimited @ Dorman’s Club, Middlesbrough. 8:30pm. £5.00. on the door.

Fri 09: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon. £25.00. 'Afternoon Jazz with Festive Lunch'.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 09: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 09: Jason Isaacs @ Northern Rugby Club, Gosforth, Newcastle. 7:00pm. £25.00 (inc. two course Xmas meal). Isaacs performing with backing tapes.

Tuesday, September 28, 2021

Scarborough Jazz Festival Day One - Sept. 24

(Steve T w. Hans Koller)

A destination for many childhood holidays and adult short-stays, Scarborough is always like coming home and is one of my favourite festivals. Beyond the Spa it’s a town in trouble, but we know a thing about that in the north east too.

It was at Scarborough that I first heard Rob Luft and enquired as to who is this phenomenal guitarist. He was already a master virtuoso but also  a  very rounded musician with intelligent use of pedals and exemplary comping. As the senior co-leader, saxophonist Dave O’Higgins was cool and in full control, taking on one of the greatest musicians ever.


Like Sonny – written by Trane about another of the greatest musicians ever – and Straight Street were followed by a beautiful, extended prog-rock style guitar intro to Naima; more Steve Howe of Yes than the darker tones of Robert Fripp from King Crimson.

 

I’ve seen the mighty Ross Stanley many times, including twice with Steve Howe’s Jazz Trio, and recently described him as a force of nature. O’Higgins claimed this afternoon set was his third of the day and introduced him as an ‘unstoppable terminator’ and audience response would suggest they agreed.

 

Four in One was followed by a brave interpretation of an already demanding Giant Steps and had no need of their apology in advance in case they messed it up.

 

O’Higgins played a short intro to Monk’s 'Round Midnight, a ballad that’s now generally considered – except by Monk aficionados -  as having best been interpreted by Miles Davis (a bit like Hendrix’s All Along the Watchtower). Minor Mishap followed - a piece by Trane (written by Tommy Flanagan) - before Epistrophy closed the set, which threw me because I thought it had opened the set. This is typical of my experience with Monk; I will likely keep playing him forever, but I’m often more fascinated by him than particularly enjoying the experience in any usual sense of the word.  A Monk piece is a Monk piece.

 

Four world class musicians playing two of the all time greats. A fantastic start.

 

I‘d neglected to remind my long-suffering, north west born (far) better half that on this side of the country, if you face out to sea, north is left, so we ended up in an Airbnb with a much longer walk, that cut into our schedule and my feet.

 

We made it back for the Julian Joseph Trio, one of those treats that make festivals so special. I’ve been a self-confessed piano trio philistine for almost forty years so I hadn’t researched the artist, I didn’t need to know what it was he was playing, had no intention of buying an album, and was just happy to explore, miss a bit, check out the CDs, but still thoroughly enjoy the music and their playing.   

 

Hans Koller’s magnificent thirteen piece orchestra paying tribute to Bird closed the first day and was a revelation. A charismatic, amiable and witty German pianist and bandleader, his enthusiasm proved infectious throughout the band and the room, as he prowled around the stage, sometimes sitting side-saddle at his piano and occasionally hiding behind the curtains to conceal his excitement.

Billie’s Bounce was followed by Hot House, which I’d always thought was written by Dizzy but was apparently Tadd Dameron. The familiar melody took it’s time seeping through. OFF THE SCALE. Compere Alan Barnes had introduced the set saying the existence of Charlie Parker records in the world was a ‘reason to be cheerful’. BSH Editor is also a devotee and I felt his pain at not being there.

 

Milestones was followed by Word of Bird, a tribute by Ornette Coleman from his album Song X and Koller managed to get some Bird in there with Ornette. He succumbed to do Parker’s Mood despite his reservation that it’s perfect and should be left in peace. Passport was a rhythm changes where he imagined ‘Lee Konitz talking to Charlie Parker’.

 

I think Quasimodo was the last piece and I think this may have been one of the best things I’ve ever seen.

 

My feet were hurting, and I turned 60 during the walk back to our digs, but the anticipation of day two was palpable. Steve T      

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