Bebop Spoken There

Christian McBride: ''We knew back in the day that Emmet [Cohen] had it.'' (DownBeat July, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18767 (and counting) posts since we started blogging 18 years ago. 631 of them this year alone and, so far this month (July 31) 95.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

August

Tue 04: Jam session @ The Black Swan, Newcastle. 7:30pm. Free.

Wed 05: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 05: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 05: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 06: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 06: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00.
Thu 06: Wild Women of Wylam @ The Black Swan, Newcastle. 7:30pm. Free.
Thu 06: Jeremy McMurray’s Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm. Feat. guest Zoë Gilby.
Thu 06: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.
Thu 06: Bridget Metcalfe Sextet @ Dorman’s Club, Middlesbrough. 8:30pm.

Fri 07: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 07: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 07: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.

Sat 08: ???

Sun 09: 58 Jazz Collective @ Jackson’s Wharf, Hartlepool. 1:00-3:00pm. Free.
Sun 09: Tees Bay Swing Band @ Ropner Park, Stockton. 2:00-4:00pm. Free.
Sun 09: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 09: The Gambling Janes @ The Globe, Newcastle. 8:00pm.

Mon 10: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm.Free.

Tue 11: Jazz Jam Sandwich @ Newcastle Arts Centre. 7:30pm. Free.

Monday, September 27, 2021

Newcastle Festival of Jazz and Improvised Music: Spinningwork @ Newcastle Arts Centre - Sept. 25

(Collage  © Ken Drew)
Cath Roberts (baritone sax); Tom Ward (alto sax); Olie Brice (bass); Johnny Hunter (drums)    

As explained by Johnny Hunter in the first intro of the evening, like many modern relationships, this one began on the internet. During lockdown, tech wiz and alto player Tom Ward had managed to create a utility to enable the quartet to practice together seamlessly via the web. The band's first actual in person rehearsal was the afternoon of this gig.


There were certainly no signs of ring rust when the first number, an untitled piece by Olie Brice, kicked off. A quiet laid back introduction burst into life with some cracking stuff and then gently mellowed down. Johnny Hunter’s composition Spinningwork2 had an almost march like feel as the band continued to create and entertain. The final piece of the first set, Cath Roberts’s  Dust That Never Settles, began with a call and response between alto and double bass. This was followed by a similar type of thing between drums and baritone before the whole ensemble played together to contrive a striking free and yet melodious conclusion.


The second set began with another Hunter composition Jajko which you may or may not know is the Polish name for an ouef. This was certainly a sizzler with drums and bass scrambling it up whilst the baritone poached away in the background. 


Johnny Hunter excelled again on Tom Ward’s composition the title of which I failed to catch. I also struggled to catch the name of Cath Roberts’s ending number which was something along the lines of Kind Re/Guards? Whatever they were called, the quality and the exhilarating feel of the music didn’t subside and the final number  saw great wild interplay between Ward’s alto and Hunter’s drums.

  

A thoroughly entertaining and stimulating evening. No one could have possibly guessed that this was the first time the unit had played together in the same room such was the togetherness and harmony on display. The good news is for those who would like to experience the gig either for the first time or relive the event. a live recording was made and will be out sometime in the forthcoming months on the NEWJAIM label. Steve H

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