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Bebop Spoken There

Buddy Guy: "My mother said, 'You got flowers for me, give 'em to me now, because I'm not going to smell them when you put 'em on the casket'." - (DownBeat September 2018).

Marty Ashby: "I asked him what his gig was and he said 'I put the scores on the music stands'. I said, 'That's a gig?' And I realised there were four floors of guys like him, who supported some of the finest musicians in the world. But I was a jazz musician, and I was used to playing with some of the finest musicians in the world in front of the New York Public Library for tips. That's when I realised that jazz didn't have the same support system as classical music. - (DownBeat September 2018).

Today Tuesday August 14

Afternoon

Classic Swing - The Ship, Front St., Monkseaton NE25 8DP. 1pm. Free.

Evening

?????

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, January 18, 2018

CD Review: Kate McGarry - The Subject Tonight is Love

Kate McGarry (vocals); Gary Versace (piano/keys/organ/accordion); Keith Ganz (guitars) + Obed Calvaire (drums on Whiskey); Ron Miles (trumpet on All You Need is Love).
(Review by Lance).
Until this moment in time, to me, Secret Love meant either Doris Day or Carmen McRae. Our girl Zoe Gilby does a very fine version of incorporating the two but now, Kate McGarry gives us another take and it's a good one!
Seven critically acclaimed albums to her name, a Grammy nomination and 4-star reviews in Downbeat, tell us that this is no new kid on the block. A voice that explores the meanings behind the words, that fiddles with the tune, more Carmen than Doris but tonally not close to either. She composes too.
Climb Down/Whiskey You're the Devil, an exploration of her family tree, includes such lines as;
The roads your horses plowed (sic) we have sowed.
They turned to Christ, they turned to drink, they turned to skin and bones.
It's the church or the pub, choose your cages.
Husband Ganz plays guitar and had a hand in the arrangements as well as providing, along with Versace, solid support.
Versace also has many solos that rubber stamps his credentials. Gone With the Wind sees Kate moving into Ella/Anita territory and maybe, just maybe, takes it to an even higher level.
My  Funny Valentine, like Secret Love, pays no homage to past versions and lifts the Rodgers and Hart classic from the Overdone File to the Exciting New File.
What a Difference a Day Made - a great version with Versace on organ. - challenges the 'Divine One's' version. 
The final blast on All You Need is Love is so good that, at first, you wish you hadn't had so long to wait! However, listening again, you realise that this is what it's all building up to. After all, the album is titled, The Subject Tonight is love* and that is a subject every person on the planet knows about!
It's quite a beautiful record and I'm amazed that her name isn't better known on this side of the Atlantic. But, as I've said before, there does seem to be a jazz singer on every block in every corner of the jazz world. 
McGarry has the edge on most, she could work jazz rooms, folk festivals, I think she could slot into either or maybe, given the parochial attitudes of both, neither.
That would be a great loss for both communities.
Lance
^The subject tonight is love
And for tomorrow night as well,
As of a matter of fact
I know of no better topic,
For us to discuss,
Until we die.
(Persian poet & mystic, Hafiz - 14th century)

1 comment :

Patti said...

This sounds wonderful, Lance - I reckon I'll add it to the order list! And those 14thC Persian poets certainly had a way with romantic words!

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
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Lance