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Bebop Spoken There

Grant Green Jr.: "One thing that most people--especially jazz cats--don't realise is that all of your jazz standards were once pop standards" - DownBeat July 2018).

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Bobby Sanabria: "Tito Puente was not a very tall man, but when he played the timbales he was a giant among men." - DownBeat July 2018).

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Voting is now taking place for Nominations in the All Party Parliamentary Jazz Awards. Please take this opportunity to vote in the various categories including MEDIA where a vote for Bebop Spoken Here would be much appreciated.

Today Tuesday June 19

Afternoon

Classic Swing - The Ship, Front St., Monkseaton NE25 8DP. 1pm. Free.

Evening

Jam session - Jazz Café, Pink Lane, Newcastle NE1 5DW. Tel: 0191 222 9882. 8:00pm. Free. Stu Collingwood, Paul Grainger, Matt MacKellar.

Mark Williams Trio - Fox Inn, West End Terrace, Hexham NE46 3DB. Tel: 01434 603681. 8:30pm. Free (donations).

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, December 16, 2017

Mo Scott – She’s Our Pride and Joy @ The Jazz Café - Dec 15

Mo Scott (vocals), Dave Dryden (guitar), Neil Harland (bass) & Paul Smith (drums)
(Review by Russell) 
Christmas party time at the Jazz Café! The promise of ‘free festive nibbles’ attracted the interest of Bebop Spoken Here, and, if our luck was in, there was the prospect of pulling a cracker. The sweet little angel atop the Christmas tree, Mo Scott, assembled her A-Team line-up, and, without fanfare, ripped into T-Bone Shuffle and Hound Dog.
Tyneside’s Empress of the Blues and her men in black played a blinder from the off; guitarist Dave Dryden is one hell of a musician. It struck your reviewer that Scott doesn’t countenance working on a gig with other than the very best of blues guitarists. Dryden, Gary Dunn, and for many years, Rod Sinclair, to name but three, all top drawer. Bassist Neil Harland is a busy working musician, and, as and when he’s available, Mo readily secures his services. Teesside-based drummer Paul Smith is equally busy and his presence in the engine room ensured a memorable night of rhythm and blues, Tex-Mex and more was in store.
Scott sang Ry Cooder’s Never Make Your Move to Soon with Dryden playing his powder-blue Strat (one of three guitars the man from Stokesley had with him on the night), there would be more from Ryland Peter Cooder later. Much tittering at the

mention of Little Willie John, but full attention when Mo got the Fever…the man who had great success with Fever and Need Your Love So Bad could call himself whatever he damn-well liked! More Tex-Mex Ry Cooder (Across the Borderline), then SRV. Dave Dryden’s take on Stevie Ray Vaughan (and later Hendrix) is quite an experience. Striking out on Cold Shot with SRV’s trademark Texas shuffle this alone was worth the price of admission. The Mo Scott Christmas party wouldn’t be complete without a Muddy Waters’ number, so, we got Blow Wind Blow.

What followed was the blues highlight of the year. Red House, for ever associated with J. Hendrix, featured Dryden’s brilliant guitar playing and Mo’s frenzied Come on! exaltation. Hendrix at his best (the absence of psychedelia), Dryden a master musician. Long before the end of the one hour first set they were up partying dancing to Mo Scott’s fast-paced selection of tunes, Knock on Wood and many other dance floor fillers keeping them on their feet.

An interval festive feast, a raffle (!), and an unexpected bonus downstairs as Julija Jacenaite sang a few tunes, simply for her own satisfaction, once more accompanied by pianist Alan Law (a short review of their earlier set is appended to this posting).

Mo loves Ray Charles so Let the Good Times Roll kept the party going as the second set got under way. The Neville Brothers, Bonnie Raitt (River of Tears), then more SRV. Pride and Joy, oh yes! A truly magnificent version of Vaughan’s signature tune. Mo Scott – she’s our pride and joy. Vocalist, bandleader, raffle meister, Scott took a breather as the boys launched into an ostensibly unusual, if not incongruous, choice of material. Billy Cobham’s high-energy jazz-fusion workout Red Baron hit new heights of virtuosity; Dryden shredding with taste (an oxymoron?), Harland, a towering funking presence, Smith’s killing snap on the snare.

Middle period Stones (Miss You), King Floyd (that’s King, not Pink), All Along the Watchtower (Jimi Hendrix’s version) produced more brilliant guitar playing from Dryden, Mo was clearly enjoying it all as she called out to Sonny Boy, Help Me. It was fast approaching midnight but the audience wasn’t going to let Mo go without an encore. The Empress of the Blues took it home on Route 66.

Julija Jacenaite (vocals) & Alan Law (piano)

Earlier in the evening in the Jazz Café’s downstairs bar Lithuanian-born, Tyneside-resident vocalist Julija Jacenaite selected a few standards to sing accompanied at the piano by Alan Law. Misty with Jacenaite wringing out every last drop of emotion, a rollercoaster Love Me or Leave Me, a lengthy, note-filled take on One Note Samba, then due to a slightly late start to their set, Jacenaite and Alan Law concluded matters with JJ’s ever-expressive rendition of Angel Eyes.

During the interval of Mo Scott’s gig a trip to the downstairs bar found Jacenaite and Law playing to a couple of barflies. Two numbers were heard during the interval; first, All of Me then an interesting arrangement of Mood Indigo.                  
Russell

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Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
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Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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