Total Pageviews

Bebop Spoken There

Grant Green Jr.: "One thing that most people--especially jazz cats--don't realise is that all of your jazz standards were once pop standards" - DownBeat July 2018).

-----

Bobby Sanabria: "Tito Puente was not a very tall man, but when he played the timbales he was a giant among men." - DownBeat July 2018).

Posting a comment

If you experience any problems posting a comment, as I understand some readers are, then email it to me direct, stating which post your comment relates to - lanceliddle@gmail.com. Alternatively, try the Anonymous button but please sign your name!
Apologies for any inconvenience, this is due to circumstances beyond my control.

Youre Vote is Important

Voting is now taking place for Nominations in the All Party Parliamentary Jazz Awards. Please take this opportunity to vote in the various categories including MEDIA where a vote for Bebop Spoken Here would be much appreciated.

Today Tuesday June 19

Afternoon

Classic Swing - The Ship, Front St., Monkseaton NE25 8DP. 1pm. Free.

Evening

Jam session - Jazz Café, Pink Lane, Newcastle NE1 5DW. Tel: 0191 222 9882. 8:00pm. Free. Stu Collingwood, Paul Grainger, Matt MacKellar.

Mark Williams Trio - Fox Inn, West End Terrace, Hexham NE46 3DB. Tel: 01434 603681. 8:30pm. Free (donations).

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Friday, December 29, 2017

Leroy Hutson @ Jazz Café, Camden, December 27.

(Review by Steve T)
Leroy Hutson is most famous as the man Curtis Mayfield hand-picked to replace him in The Impressions when he went solo. After a few years singing Curtis stuff live and an unremarkable album, mostly written by Curtis, he embarked on his own solo career but remained on Mayfield's Curtom label. He had a run of albums which became highly sought after by soul fans, particularly in the UK, though to these ears none of them are particularly great, though each has one or two mind-bogglingly good tracks.
The last time I saw him was a Personal Appearance (PA) at a Soul Weekender in Fleetwood I was heavily involved in almost thirty years ago. At the time a PA meant a singer singing over backing tracks and this was the second best I ever heard, with a knee-buckling moment when he went into Lucky Fellow. In fairness to him, Sam Dees set the bar impossibly high but I spotted how incredible he could be with a band, so this has been a priority ever since. I've had tickets to see him twice since but both events ended up being cancelled so this threatened to be an emotional affair. 
Percussion, drums, guitar, bass, keys as well as his own centre stage. I spotted a bone, so a horn section which turned out to include trumpet and reeds also, and with one male and one female backing singer, all crammed on the Jazz Café stage, this was serious stuff.
A short intro turned into Cool Out, a jazzy instrumental which opens the latest compilation and the man entered the stage to rapturous applause and Lovers Holiday proved too much too soon. It's Different and Classy Lady afforded a window of opportunity to recover before All Because of You reopened the ducts.
By my reckoning, there's seven masterpieces in his repertoire and about the same slightly behind. He only managed four though in fairness I featured him at a recent DJ event and also only managed four.
The next hour featured mostly just behinders, including major just behinder So in Love with You, but with an interlude when he sat at his piano with a tambourine while the female backing singer took two songs he wrote for other people: Trying to get Next to You for Arnold Blair, which began fetching £75 to £90 on the modern soul scene about thirty years ago, and Cashing in for the Voices of East Harlem, a perennial Blackpool Mecca monster which will have every northern soul fan in the land kicking themselves for not going.
Just before he finished he gave us another masterpiece in Think I'm Falling in Love (one I didn't get to) and another, Lucky Fellow as part of the encore, right down to its keyboard coda. He returned to the stage but had nothing more to give us, so no Love oh Love (which has become a Mrs T favourite), no Heaven Right Here on Earth (the definitive version of an achingly beautiful ballad he wrote for the Natural Four) and no Get to This (a song many of the lesser DJs played because it was the only one they could find or afford, which I was never fussed about until I grew to love the wonderful crisp horns and positive feel).
So an ever so slightly disappointing end to a night which must rank amongst the very best of my life in the world ever.
Steve T.

No comments :

Blog Archive

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to them all other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance

About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Subscribe!