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Bebop Spoken There

John Tynan: "Go ahead, call me reactionary. I happen to object to the musical nonsense being peddled in the name of jazz by John Coltrane and his acolyte Eric Dolphy." - (Downbeat November 22, 1961).

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McCoy Tyner: "If anyone want to know how the three of us - Elvin, Jimmy and me - felt about John [Coltrane], listen to the music and you can hear the love and respect we had for each other. The music can really speak more than any of us." - (Melody Maker, August 19, 1967).
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Today Tuesday April 25

Evening
Playtime Collective w. Martin Kershaw (alto); Graeme Stephen (guitar); Mario Caribe (bass); Tom Bancroft (drums). - Jazz Café, 25 Pink Lane, Newcastle NE1 5DW. 8pm. £10/£8 (conc.). JNE/Schmazz.
Maine Street Jazzmen - Royal British Legion Club, West Jesmond Ave. Newcastle NE2 3EX. £5. 8:30pm.
Charles Gordon (solo piano) - Redwood Bar, Vermont Hotel, Newcastle. 10pm - midnight. Free.
Lickety Split - Fox Inn, West End Terrace, Hexham. 9:00pm. Free (bucket collection).
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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Tuesday, April 19, 2016

CD Review: Manu Katché – Unstatic

Ellen Andrea Wang (bass, vocals); Manu Katché  (drums, vocals); Jim (James) Watson (piano, keyboards); Tore Brunborg (saxes); Luca Aquino (trumpet)  +  Nils Langren (trombone).
(Review by Hugh C)
Manu  Katché was born in 1958 in France and initially studied classical piano at age 7 in Paris.  At age 15 he enrolled at Conservatoire National de Paris and subsequently became a session and concert drummer.  He began to come to international attention in the mid-'80s when he was involved in recording and touring projects with Peter Gabriel and Sting.  He then acted as a backup musician with a variety of international artists in various genres but including Jan Garbarek.  He joined the ECM stable in 1999, releasing his first disc, Neighbourhood, followed by (in 2007) Playground.
On Unstatic, he performs with a truly international band. The first track Introducción, is a catchy rumba and does what it says on the bote – setting the tone for the rest of the disc.  The title track Unstatic kicks off with a decidedly funky groove underpinned by Katchés drumming and given that funky feel by Englishman Jim Watson's fingerwork on keyboards.  Flame&co (is there a pun in there?) follows on, taking the pace down a little, but still with a driving rhythm overlain by Aquino's nifty trumpet work.  The frantic City permits no rest until the gospel style Blossom follows featuring Brunborg's melodic alto saxophone and vocals from Wang and Katché; the listener can now draw breath.  The balladic Daze Days maintains the meditative atmosphere of the previous track with thoughtful trumpet and saxophone from Aquino and Brunborg respectively.  Rolling has both drum 'n bass setting the rhythmic undercurrent, over which the horns can play - featuring also a chorus from the beautifully toned trombone of Nils Landgren.  The track rolls away and fades to Ride Me Up.  Solo piano from Watson introduces Trickle, Wang's bass is to the fore in this track.  Katchés drum-work provides an insistent after-beat on Out of Sight over which the trumpet and saxophone weave melodic interplay.  The distinctly smoooth sound of Presentation concludes the show and MC, drummer, bandleader and composer Manu Katché introduces us to the band, as if in a live setting.
I have admired and enjoyed Katchés work since purchasing Neighbourhood way back when.  Unstatic is a fine addition to his output and is released by Anteprima Productions on April 22 in the UK. catalogue Number CD18021.  No tour dates are currently listed for the UK, but you can next catch the band at the Lublin Jazz Festival in Poland on April 24.
Hugh.

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

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