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Bebop Spoken There

Stan Woodward: ''We're part of the British jazz scene, but we don't play London jazz. We play Newcastle jazz. The Knats album represents many things, but most importantly that Newcastle isn't overlooked". (DownBeat, April 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17945 (and counting) posts since we started blogging 17 years ago. 266 of them this year alone and, so far, 22 this month (April 8).

From This Moment On ...

April 2025.

Fri 11: Zoë Gilby Quartet @ Auckland Castle, Bishop Auckland. 1:00pm. £8.00.
Fri 11: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 11: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 11: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 11: John Rowland Trio: The Music of Ben Webster @ Jesmond Library, Newcastle. 1:00pm. £5.00. Rowland (tenor sax); Alan Law (piano); Paul Grainger (double bass).
Fri 11: Imelda May @ The Fire Station, Sunderland. 7:30pm. SOLD OUT!
Fri 11: Shunyata Improvisation Group @ Cullercoats Watch House. 7:30-9:00pm. Free (donations).

Sat 12: Jason Isaacs @ STACK, Seaburn. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Sat 12: Rob Heron & the Tea Pad Orchestra + House of the Black Gardenia + King Bees @ Cluny 2, Newcastle. 6:30pm (doors). £18.00.
Sat 12: Bright Street Big Band @ Washington Arts Centre. 6:30pm. £12.00. Event includes swing dance taster session, DJ dance session. Bright Street Big Band on stage 7:30-8:15pm & 8:45-9:30pm. SOLD OUT!
Sat 12: Milne Glendinning Band @ The Vault, Darlington. 7:00pm. Free.
Sat 12: Imelda May @ The Glasshouse, Gateshead. 7:30pm. £42.20. SOLD OUT!
Sat 12: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Sun 13: Daniel John Martin with Swing Manouche @ Central Bar, Gateshead. 2:00pm. £10.00.
Sun 13: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 13: Hejira: A Celebration of Joni Mitchell @ Wylam Brewery, Newcastle. 8:00pm (7:00pm doors). £22.50.
Sun 13: Wilkinson/Edwards/Noble + Chojnacki @ The Globe, Newcastle. 8:00pm. £13.20., £11.00. JNE.

Mon 14: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 14: Zoë Gilby Quintet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 15: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Michael Young, Paul Grainger, Abbie Finn.

Wed 16: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 16: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 16: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free. CANCELLED!

Thu 17: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. Subject: Only Six Standards.
Thu 17: Redwell @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Friday, August 04, 2023

Smith’s saxophone and Rud’s art interact at the Edinburgh Fringe

(© Derek Clark)
(Press release): Internationally acclaimed saxophonist Tommy Smith and artist Maria Rud bring spontaneous music and visual images to the Edinburgh Fringe with Luminescence, which runs in St Giles’ Cathedral from Thursday 17th to Saturday 19th August.

Each performance of Luminescence will develop in front of the audience as Smith and Rud respond to each other’s ideas and interact with the architecture and acoustics of the twelfth century building.

Smith has been performing solo concerts in churches and cathedrals in recent years, most recently in Lichfield Cathedral, and having grown up in Edinburgh, he has an affinity with St Giles’.

“It’s had a lot of television exposure over the past year or so, between the late Queen Elizabeth lying in state there and King Charles being presented with the Honours of Scotland a few weeks ago, and people watching at home can’t fail to have noticed its imposing architecture,” says Smith. “From quite an early age I was aware of it and I'd pass it often. Then, the first time I went inside I wanted to play saxophone there and now I have. It’s incredible.”

For Maria Rud, who was born in Russia but now calls Edinburgh home, St Giles’ is the co-creator of Luminescence. Her paintings will be projected onto the cathedral’s east window and having performed Luminescence with Smith in November last year she’s aware of the building’s special qualities.

“It’s a magnificent setting and it gives us a very special feeling to be working in such a wonderful space,” says Rud. “The acoustics are magical and being in this church with such fantastic architecture and such a long history – it celebrates its 900th anniversary in 2024 – you can really feel the atmosphere.”

Smith and Rud first collaborated when Smith, the Scottish National Jazz Orchestra’s artistic director, invited Rud to create images in response to the Orchestra’s Where Rivers Meet series of suites in May 2021. Then, following their previous single performance of Luminescence, they were so enthused that they immediately decided to do a three-night run at the Fringe.

“Images come to me with music,” says Rud. “It is not a single image or a collection of images, but a live "storyboard" in which music plays the role of a script, and in this case the script unfolds as Tommy and I converse through our respective media.”

Rud has worked with musicians before, including a tour with percussionist Evelyn Glennie. These were wholly composed works and it's the improvisational aspect of Luminescence, she says, that she finds stimulating and exciting.  

“There's a sense of danger in creating something from scratch every time," Rud adds. "Each show is definitely unique. There are constants in that Tommy always plays superbly and makes such a wonderful sound and St Giles’ is an attraction in itself. But it’s a show that can only be experienced in a live situation and the audience can be part of that experience. They’ll be blown away by the venue and blown away by Tommy’s creativity and musicianship.”

Luminescence is presented by St. Giles’ Cathedral and supported by Amati Global Investors.

Tickets are available HERE 

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