Darrifourcq - Hermia - Ceccaldi @ the Globe Feb. 12

(© ken Drew)

Sylvain Darrifourcq (drums & percussion); Manuel Hermia (sax); Valentin Ceccaldi (cello)

Following hot on the heels of recent Jazz North East presentations from Portugal's Luis Vicente and American saxophonist John Dikeman, this week saw the phenomenal Franco-Belgian trio of Sylvain Darrifourcq, Valentin Ceccaldi and Manuel Hermia.  They came to Newcastle following performances in Slovenia and Austria, and whilst they are generally booked into larger venues, this was an opportunity to see, and more importantly, hear them in the intimate upstairs room in the Jazz Bar at the Globe, choosing to come here for their only UK gig of this mini-Tour.

Whilst   Darrifourcq and Ceccaldi are familiar players to the keen Newcastle audiences, the trio formed with Manuel Hermia is also a well-established relationship - their first album ‘God at the Casino’ was released in 2015.  This gig at the Globe was a long overdue chance to catch one of Europe’s most distinctive outfits, delivering a rich musical tapestry described by London Jazz News as “a fascinating mélange of edgy grooves, wild extended techniques and avant-garde soundscapes”. And delivered with a fun element too, always demonstrating a winning mix of adventurous compositions and playfulness with soaring free improvisation with dynamics to the extreme. And, as eagerly anticipated, it was a joy to behold.

We were treated to two sets of incredible musical dynamism. Those choosing a front-row seat had the added bonus of watching, up close and personal, a masterclass of each performer as they weaved their way through various  soundscapes.  Darrifourcq at the drums demonstrating some incredible physicality from sliding (or pinging) of various metallic objects (and others in his within-reach armoury) across a drum face whilst keeping perfect time with the snare, to the incessant machine-gun like Brrrr-rat-a-tat-a-tat-a-tat in one of his many near-deafening crescendos. And it all came together seamlessly, each set concluding with a lowering of speed and sound, to a perfectly placed end.

The audience were enthralled, and the players unable to hide their delight at the applause from such an attentive audience. We had, of course, all enjoyed it. Thoroughly! Ken Drew