Bebop Spoken There

Melissa Aldana: ''Having to play a ballads album, which is something very revealing for a saxophone player, would help me to question some new aspects of how to go deeper into sound." (DownBeat May, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18656 (and counting) posts since we started blogging 18 years ago. 520 of them this year alone and, so far this month (June 25) 72

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

June

Tue 30: Alan Law Trio @ The Ticket Office, Whitley Bay. 2:00pm. Free.
Tue 30: Eva Fox & the Sound Hounds @ The Black Swan, Newcastle. 7:30pm. Free.

July

Wed 01: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 01: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 01: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 02: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 02: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.
Thu 02: De’Sean Jones & Blaque Dynamite feat. Urban Art Orchestra @ Cluny 2, Newcastle. 7:30pm (doors). De’Sean Jones (MD, tenor sax); Blaque Dynamite (Mike Mitchell, drums); Jamie Murray (drums) with UAO horns & strings.
Thu 02: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.
Thu 02: Howlin’ Mat @ Newcastle Arts centre. 7:30pm. Free. Acoustic

Fri 03: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 03: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 03: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 03: Paul Donnelly Quartet @ Saltburn Community Hall. 7:30pm.
Fri 03: Martin Taylor @ Arc, Stockton. 8:00pm. Taylor (solo guitar).

Sat 04: Spats Langham’s Hot Fingers @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00. Darlington New Orleans Jazz Club.
Sat 04: Michael Woods @ Cycle Hub, Quayside, Ouseburn. 1:30-2:30pm & 3:00-4:00pm. Free. Acoustic blues guitar. An Ouseburn Festival event.
Sat 04: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. £27.50. Tutor: Steve Glendinning. Take the ‘A’ Train to Summertime: From Melody to Masterclass. Enrol at: learning@jazz.coop.
Sat 04: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm. £3.00.

Sun 05: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £10.00.
Sun 05: Ian Bosworth Quintet @ Chapel, Middlesbrough. 1:00pm. Free. Feat. guest Kevin Eland (trumpet).
Sun 05: Michael Woods @ Cycle Hub, Quayside, Ouseburn. 1:30-2:30pm & 3:15-4:00pm. Free. Acoustic blues guitar. An Ouseburn Festival event.
Sun 05: Lydia Rae Quintet @ Central Bar, Gateshead. 2:00pm. £10.00. Rae (vocals); Sam Lightwing (alto sax, tenor sax); Ben Lawrence (piano); Andy Champion (double bass); John Bradford (drums).
Sun 05: Sax Choir @ The Globe, Newcastle. 2:00pm. Free.
Sun 05: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Table reservations (0191 261 8000). Skerritt w. backing tapes.
Sun 05: Storytellers Street Band @ Ouseburn Woodland, Ouseburn. 5:00-6:00pm. Free. An Ouseburn Festival event.
Sun 05: Gerry Richardson’s Big Idea @ The Globe, Newcastle. 8:00pm.
Sun 05: Jambone @ Glasshouse, Gateshead. 8:15-9:45pm. Free but ticketed.

Mon 06: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 06: Saltburn Big Band @ Saltburn House Hotel. 7:00-9:00pm. Free. Rehearsal session (open to the public).

Wednesday, April 06, 2022

Red Ellen: Northern Stage, Newcastle - April 5

Bettrys Jones (Ellen); Mercedes Assad (Mr Ansley/Einstein); Sandy Batchelor (Otto); Laura Evelyn (Isabel); Helen Katamba (Annie); Jim Kitson (David/Churchill); Kevin Lennon (Morrison) 

It may seem a strange item to post in a jazz blog but, as I was born in Jarrow and currently live only a short march away, I feel a degree of poetic licence is acceptable and, just as jazz has always defied convention, so did the title character of this play by Caroline Bird do so in her own way.

Like many biographical essays Red Ellen is a delightfully, yet heartrending, mix of fact, fiction and hearsay that had the audience both laughing and crying. The play centres around the Jarrow MP (1935-1947) Ellen Wilkinson - a feisty, female firebrand in the then man's world of British politics. Fighting Communism, Fascism at home and in Spain as well as warning of the rise of Germany's Nazification leading up to the Second World War and the overall reluctance of Europe to respond. A situation parallelled today by the war in Ukraine. As someone remarked to me during the interval, today wasn't history repeating itself today was history standing still.

Needless to say, the Jarrow March of 1936 played a part albeit not as prominent a part as I'd expected. However, maybe I'm being partisan! Jones was magnificent, portraying Wilkinson with the same evangelical zeal associated with the diminutive MP. The rhetoric, the working class Lancastrian accent and the unswerving dedication to the righteous cause of justice were all personified. Her rumoured love affairs with a communist spy and a labour minister - Herbert Morrison - demonstrated her passionate nature and we cried with her when he, Morrison, dumped her after the war was over and his wife returned from the relatively safe haven of Cornwall. Everyone played their part(s) to perfection, the seamless scene changing did take a while to adjust to but, overall, it worked.

There were a couple of occasions that didn't quite fit with the period. When Ellen and her spy are dancing to the gramophone (complete with horn) the record placed on the turntable was actually a vinyl long player which, in 1936, had yet to be invented and, during one of the weepy scenes, Ellen is offered a tissue. Back then it would have been a handkerchief. Plus I felt that her book The Town That Was Murdered deserved a mention.

Nevertheless, a very well-crafted piece of theatre on at Northern Stage, Newcastle until April 9 then: Nottingham Playhouse (April 13 - 20); Royal Lyceum Theatre, Edinburgh (May 4 - 21) and York Theatre Royal (May 24 - 28). Lance.

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