Bebop Spoken There

Gary Bartz: ''Charlie Parker was my introduction to the religion of music. And so he's always with me .'' - Downbeat November 2025.

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17950 (and counting) posts since we started blogging 17 years ago. 914 of them this year alone and, so far, 23 this month (Nov. 7).

From This Moment On ...

November

Sat 08: Durham Alumni Big Band @ Number One Bar, Darlington. 12 noon. Free.
Sat 08: Milne Glendinning Band @ The Vault, Darlington. 7:00pm. Free.
Sat 08: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm.

Sun 09: New ’58 Jazz Collective @ Jackson’s Wharf, Hartlepool. 1:00pm. Free. RESCHEDULED TO NOV. 16 OWING TO ILLNESS
Sun 09: Salty Dog @ The Cluny, Newcastle. 12:30pm (doors). Jazz, blues, Americana.
Sun 09: Graham Hardy’s Eclectic Quartet @ Central Bar, Gateshead. 2:00pm. £10.00.
Sun 09: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 09: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 09: NUJO Jazz Jam @ Cobalt Studios, Newcastle. 7:00pm.
Sun 09: David Gray’s Flextet @ The Globe, Newcastle. 8:00pm.

Mon 10: Harmony Brass @ Cullercoats Crescent Club (1:00pm). Free.

Tue 11: Jazz Jam Sandwich @ The Black Swan, Newcastle. 7:30pm. Free.
Tue 11: Laura Jurd @ The Cumberland Arms, Byker, Newcastle. 8:00pm. JNE.

Wed 12: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 12: Tannery Jam Session @ The Tannery, Hexham. 7:00pm. Free.
Wed 12: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 12: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 13: Thu 04: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. Subject: Seasonal/Festive Music & Songs - autumn into winter.
Thu 13: Awen Ensemble @ Pilgrim, Newcastle. 7:30pm (doors). £5.00. Jazz-folk.
Thu 13: SwanNek + Ellen Beth Adbi + Phantom Bagman @ Glasshouse, Gateshead. 8:00pm. A BBC Introducing event.

Fri 14: Dan Johnson Quartet @ Bishop Auckland Methodist Church. 1:00pm. £8.00.
Fri 14: Giles Strong Quartet @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 14: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 14: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 14: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 14: Brian Jackson @ Pilgrim, Newcastle. 7:30pm (doors). £32.00.
Fri 14: Guisborough Big Band @ Saltburn Golf Club. 7:30pm. £12.00 (inc. pie & peas). SOLD OUT!

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Friday, April 08, 2022

Album review: Dave McMurray - Grateful Deadication

Dave McMurray (tenor/baritone sax/keys/perc.); Ibrahim Jones, Don Was (bass); Jeff Canady, Jay Lane (drums); Wayne Gerard, Greg Leisz, Bob Weir (guitars); Larry Fratangelo, Sowanda Keito (perc.); Luis Resto (piano); Maurice O’Neal (keys), Betty LaVette (vocals).

I don’t know how many jazzers are also Deadheads, several I imagine. Despite being nominally a rock group the Grateful Dead, rooted in folk and blues, also incorporated every other type of American music (soul, jazz, funk, country, modern classical, electronic) into their grooves and whatever they came up with was always a platform for endless improvisation in any case. 

This album by Dave McMurray is a fitting, I nearly said tribute, but it feels more than that and more than a simple covers album as well. Having the sax as the main lead removes the need for anyone to play the Jerry Garcia lead guitar role but still leaves Ibrahim Jones with the duty to carry the bass duties showing how crucial Phil Lesh was to the feel of the Dead.

McMurray has taken songs from across the full Dead lifespan, from the early Dark Star, The Eleven, and Loser to the late ‘hit’ in Touch of Grey and proves again the breadth of the Dead’s music.  He shows his audacity in taking on Dark Star, the Deadhead’s iconic, holy, sacred ‘text’ but he pulls it off with aplomb, rolling into it the same way that the Dead would, building over the bass line, almost sneaking the melody in as if trying to disguise what it is for as long as possible. This is classic Dead and McMurray alludes to the attraction that the group’s melodic and rhythmic complexity had for him and that drew him to making this album. He says that he ‘looks for songs that have magic in them’. Well, he’s found them here.

McMurray is in full voice throughout and, to a great extent, this is a classic Blue Note blowing session. Now we need to start a campaign to get Radio 2 to realise that the version of Eyes of the World that graces this album should be part of the perfect summer soundtrack. (Rather than endless Electric Light Orchestra).

I hadn’t heard of Dave McMurray before and wasn’t too excited when I did find bits by him on the net, but he’s really raised his game for this one. This album was available for buttons on the big river around Christmas time and is available from all the usual outlets.

There is a cracking video HERE on YouTube of Dave McMurray and band taking on Fire On The Mountain and Dave McMurray’s website is HERE - 
Dave Sayer

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