Bebop Spoken There

Ron Carter quoting Sonny Rollins: ''What we call jazz - that's keeping the world in equilibrium. I don't care what kind of music you like out here today. It all comes from jazz.'' (DownBeat August, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18799 (and counting) posts since we started blogging 18 years ago. 663 of them this year alone and, so far this month (Aug. 12) 32.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

August

Sat 15: Tees Bay Swing Band @ Blacksmith’s Arms, Hartlepool. 1:30pm. Free. Open rehearsal.
Sat 15: Jake Leg Jug Band @ The White Room, Stanley. 7:45pm. £16.26.

Sun 16: Vintage Explosion @ Cliffe Park, Roker, Sunderland SR6 8DB. 5:00-10:30pm. £44.00 (inc. bf).

Mon 17: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 18: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Joe Steels, Paul Grainger, Abbie Finn.

Wed 19: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 19: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 20: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 20: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00.
Thu 20: Edson Angus Quartet @ The Black Swan, Newcastle. 7:30pm. Free.
Thu 20: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.

Fri 21: Andrzej Baranek Trio @ The Lit & Phil. 1:00pm. £8.00. Andrzej Baranek (piano); Josh Cavanagh-Brierley (double bass); Dave Walsh (drums). SOLD OUT!
Fri 21: David Gray Flextet @ Sunderland Minster. 7:30pm. Old Black Cat Jazz Club.
Fri 21: Errol Linton & His Band + Michael Littlefield & Scott Taylor @ Gosforth Civic Theatre, Newcastle. Excellent blues double bill.

Friday, April 08, 2022

Album review: Dave McMurray - Grateful Deadication

Dave McMurray (tenor/baritone sax/keys/perc.); Ibrahim Jones, Don Was (bass); Jeff Canady, Jay Lane (drums); Wayne Gerard, Greg Leisz, Bob Weir (guitars); Larry Fratangelo, Sowanda Keito (perc.); Luis Resto (piano); Maurice O’Neal (keys), Betty LaVette (vocals).

I don’t know how many jazzers are also Deadheads, several I imagine. Despite being nominally a rock group the Grateful Dead, rooted in folk and blues, also incorporated every other type of American music (soul, jazz, funk, country, modern classical, electronic) into their grooves and whatever they came up with was always a platform for endless improvisation in any case. 

This album by Dave McMurray is a fitting, I nearly said tribute, but it feels more than that and more than a simple covers album as well. Having the sax as the main lead removes the need for anyone to play the Jerry Garcia lead guitar role but still leaves Ibrahim Jones with the duty to carry the bass duties showing how crucial Phil Lesh was to the feel of the Dead.

McMurray has taken songs from across the full Dead lifespan, from the early Dark Star, The Eleven, and Loser to the late ‘hit’ in Touch of Grey and proves again the breadth of the Dead’s music.  He shows his audacity in taking on Dark Star, the Deadhead’s iconic, holy, sacred ‘text’ but he pulls it off with aplomb, rolling into it the same way that the Dead would, building over the bass line, almost sneaking the melody in as if trying to disguise what it is for as long as possible. This is classic Dead and McMurray alludes to the attraction that the group’s melodic and rhythmic complexity had for him and that drew him to making this album. He says that he ‘looks for songs that have magic in them’. Well, he’s found them here.

McMurray is in full voice throughout and, to a great extent, this is a classic Blue Note blowing session. Now we need to start a campaign to get Radio 2 to realise that the version of Eyes of the World that graces this album should be part of the perfect summer soundtrack. (Rather than endless Electric Light Orchestra).

I hadn’t heard of Dave McMurray before and wasn’t too excited when I did find bits by him on the net, but he’s really raised his game for this one. This album was available for buttons on the big river around Christmas time and is available from all the usual outlets.

There is a cracking video HERE on YouTube of Dave McMurray and band taking on Fire On The Mountain and Dave McMurray’s website is HERE - 
Dave Sayer

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