Bebop Spoken There

Donovan Haffner ('Best Newcomer' 2025 Parliamentary Jazz Awards): ''I got into jazz the first time I picked up a saxophone!" - Jazzwise Dec 25/Jan 26

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18146 (and counting) posts since we started blogging 17 years ago. 24 of them this year alone and, so far this month (Jan. 7), 24

From This Moment On ...

JANUARY 2026

Fri 09: The House Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00.
Fri 09: Nauta @ Jesmond Library, Newcastle. 1:00pm. £5.00. Trio: Jacob Egglestone, Jamie Watkins, Bailey Rudd.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Warren James & the Lonesome Travellers @ Saltburn Community Hall. 7:30pm. £15.00.
Fri 09: The Blue Kings @ The Globe, Newcastle. 8:00pm. £10.00. (£8.00. adv.). All-star band.

Sat 10: Mark Toomey Quintet @ St Peter’s Church, Stockton-on-Tees. 7:30pm. £12.00. (inc. pie & peas). Tickets from: 07749 255038.

Sun 11: New ’58 Jazz Collective @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Eva Fox & the Sound Hounds @ The Globe, Newcastle. 8:00pm.

Mon 12: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 12: Saltburn Big Band @ Saltburn House Hotel. 7:00-9:00pm. Free.

Tue 13: Milne Glendinning Band @ Newcastle House Hotel, Rothbury. 7:30pm. £11.00. Coquetdale Jazz.
Tue 13: Jazz Jam Sandwich @ The Black Swan, Newcastle. 7:30pm. Free.

Wed 14: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 14: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 14: Jam Session @ The Tannery, Hexham. 7:00pm. Free.
Wed 14: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 15: Mark Toomey Quartet @ Dorman’s Club, Middlesbrough. 8:30pm. Free. Quartet + guest Paul Donnelly (guitar).

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Friday, April 08, 2022

Album review: Dave McMurray - Grateful Deadication

Dave McMurray (tenor/baritone sax/keys/perc.); Ibrahim Jones, Don Was (bass); Jeff Canady, Jay Lane (drums); Wayne Gerard, Greg Leisz, Bob Weir (guitars); Larry Fratangelo, Sowanda Keito (perc.); Luis Resto (piano); Maurice O’Neal (keys), Betty LaVette (vocals).

I don’t know how many jazzers are also Deadheads, several I imagine. Despite being nominally a rock group the Grateful Dead, rooted in folk and blues, also incorporated every other type of American music (soul, jazz, funk, country, modern classical, electronic) into their grooves and whatever they came up with was always a platform for endless improvisation in any case. 

This album by Dave McMurray is a fitting, I nearly said tribute, but it feels more than that and more than a simple covers album as well. Having the sax as the main lead removes the need for anyone to play the Jerry Garcia lead guitar role but still leaves Ibrahim Jones with the duty to carry the bass duties showing how crucial Phil Lesh was to the feel of the Dead.

McMurray has taken songs from across the full Dead lifespan, from the early Dark Star, The Eleven, and Loser to the late ‘hit’ in Touch of Grey and proves again the breadth of the Dead’s music.  He shows his audacity in taking on Dark Star, the Deadhead’s iconic, holy, sacred ‘text’ but he pulls it off with aplomb, rolling into it the same way that the Dead would, building over the bass line, almost sneaking the melody in as if trying to disguise what it is for as long as possible. This is classic Dead and McMurray alludes to the attraction that the group’s melodic and rhythmic complexity had for him and that drew him to making this album. He says that he ‘looks for songs that have magic in them’. Well, he’s found them here.

McMurray is in full voice throughout and, to a great extent, this is a classic Blue Note blowing session. Now we need to start a campaign to get Radio 2 to realise that the version of Eyes of the World that graces this album should be part of the perfect summer soundtrack. (Rather than endless Electric Light Orchestra).

I hadn’t heard of Dave McMurray before and wasn’t too excited when I did find bits by him on the net, but he’s really raised his game for this one. This album was available for buttons on the big river around Christmas time and is available from all the usual outlets.

There is a cracking video HERE on YouTube of Dave McMurray and band taking on Fire On The Mountain and Dave McMurray’s website is HERE - 
Dave Sayer

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