Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18361 (and counting) posts since we started blogging 18 years ago. 215 of them this year alone and, so far this month (Mar. 8 ), 25

From This Moment On ...

March

Thu 12: Boomslang @ The Black Swan, Newcastle. 7:30pm. Free.
Thu 12: Ray Stubbs R&B All Stars @ The Mill Tavern, Hebburn. 8:30pm. Free.

Fri 13: Paul Skerritt Quartet @ Bishop Auckland Methodist Church. 1:00pm . £9.00.
Fri 13: The SH#RP Collective @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 13: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 13: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 13: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 13: Soothsayers + Rookie Numbers @ Cobalt Studios, Newcastle. 7:00pm (doors). £17.51., £14.33., £11.16.

Sat 14: The Too Bad Jims @ Claypath Deli, Durham. 7:00pm (6:30pm doors). £13.20., £11.00. R&B.
Sat 14: NUJO @ Venue, Newcastle University Students’ Union. Time TBC. £15.00. supporter; £10.00. standard; £5.00. student. Seated event.

Sun 15: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free.
Sun 15: The Too Bad Jims @ The Georgian Theatre, Stockton. 3:00pm. £12.00. R&B.
Sun 15: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 15: Rebecca Poole @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Poole w. Dean Stockdale & Ken Marley. CANCELLED!

Mon 16: Milne Glendinning Band @ Yamaha Music School, Blyth. 1:00pm.
Mon 16: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 16: Russ Morgan Quartet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 17: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Alan Law (piano); Paul Grainger (double bass); Scotty Adair (drums).

Wed 18: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 18: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 18: The ’58 Jazz Collective @ Hartlepool Cricket Club, West Park, 7:30pm. £7.00.
Wed 18: Brand New Heavies @ The Glasshouse, Gateshead. 7:30pm.
Wed 18: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Friday, April 08, 2022

Album review: Dave McMurray - Grateful Deadication

Dave McMurray (tenor/baritone sax/keys/perc.); Ibrahim Jones, Don Was (bass); Jeff Canady, Jay Lane (drums); Wayne Gerard, Greg Leisz, Bob Weir (guitars); Larry Fratangelo, Sowanda Keito (perc.); Luis Resto (piano); Maurice O’Neal (keys), Betty LaVette (vocals).

I don’t know how many jazzers are also Deadheads, several I imagine. Despite being nominally a rock group the Grateful Dead, rooted in folk and blues, also incorporated every other type of American music (soul, jazz, funk, country, modern classical, electronic) into their grooves and whatever they came up with was always a platform for endless improvisation in any case. 

This album by Dave McMurray is a fitting, I nearly said tribute, but it feels more than that and more than a simple covers album as well. Having the sax as the main lead removes the need for anyone to play the Jerry Garcia lead guitar role but still leaves Ibrahim Jones with the duty to carry the bass duties showing how crucial Phil Lesh was to the feel of the Dead.

McMurray has taken songs from across the full Dead lifespan, from the early Dark Star, The Eleven, and Loser to the late ‘hit’ in Touch of Grey and proves again the breadth of the Dead’s music.  He shows his audacity in taking on Dark Star, the Deadhead’s iconic, holy, sacred ‘text’ but he pulls it off with aplomb, rolling into it the same way that the Dead would, building over the bass line, almost sneaking the melody in as if trying to disguise what it is for as long as possible. This is classic Dead and McMurray alludes to the attraction that the group’s melodic and rhythmic complexity had for him and that drew him to making this album. He says that he ‘looks for songs that have magic in them’. Well, he’s found them here.

McMurray is in full voice throughout and, to a great extent, this is a classic Blue Note blowing session. Now we need to start a campaign to get Radio 2 to realise that the version of Eyes of the World that graces this album should be part of the perfect summer soundtrack. (Rather than endless Electric Light Orchestra).

I hadn’t heard of Dave McMurray before and wasn’t too excited when I did find bits by him on the net, but he’s really raised his game for this one. This album was available for buttons on the big river around Christmas time and is available from all the usual outlets.

There is a cracking video HERE on YouTube of Dave McMurray and band taking on Fire On The Mountain and Dave McMurray’s website is HERE - 
Dave Sayer

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