The Riviera Effect @ The Gala, Durham - April 29

(© M. Sinclair)

Pete Tanton (trumpet, flugelhorn, vocals); Lloyd Wright (guitar); John Bradford (drums)

From the Riviera Quartet to the Riviera Effect, Pete Tanton's love of the bossa nova shone through during this Gala Theatre lunchtime concert. A capacity audience listened intently, it was one of those gigs where applauding solos would somehow disturb the collective concentration. The applause, the appreciation, was reserved for the conclusion of each song. And songs they were, in the main drawn from the fertile imagination of ex-pat American trumpeter and lyricist, bandleader Tanton.

(© M. Sinclair)

An easy going type is Tanton, as is guitarist Lloyd Wright and the increasingly busy drummer John Bradford. Song of the Blackbird opened the show, tightly muted trumpet from PT and some Wes Montgomery/George Benson-style guitar playing from LW. The word 'mellow' springs to mind when listening to the Riviera Effect. Something Funky emerged during the early days of lockdown, PT's lyrics are those of a canny, wry observer of the world around him. Bandleader Tanton thought his Tell Me When it's Safe to Open My Eyes from the Riviera Quartet days was as relevant to today's strange new world as it was pre-pandemic. How true!

(© M. Sinclair)

Guitarist Wright introduced his own composition - Lloyd's Song - saying it had something of an Al Green vibe. So it did, with drummer John Bradford using sticks for the first time on an otherwise 'brushes' gig. Tanton's Herbie (for H Hancock) and Beatle McCartney's Blackbird closed the afternoon's concert. Three fine musicians: trumpeter Tanton equally effective on flugelhorn, Wright, effectively and unobtrusively, deploying loops, Bradford a wholly sympathetic partner. 

Next month's Gala Theatre lunchtime jazz concert on Friday 27 May features the Alice Grace Quartet. It'll be yet another full house, book now on 03000 266 600. Russell