Bebop Spoken There

Art Blakey (to Terence Blanchard): ''You ain't Miles find your own shit to do!'' (DownBeat May, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18504 (and counting) posts since we started blogging 18 years ago. 368 of them this year alone and, so far this month (May 7 ) 22

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

May

Wed 13: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 13: Jam session @ The Tannery, Hexham. 7:00pm. Free.
Wed 13: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 13: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 13: Hey Remember This @ Elder Beer, Heaton, Newcastle. 8:00pm. £12.00. JNE.

Thu 14: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject: Philip Larkin’s Jazz Experiment.
Thu 14: Jerron Paxton @ Gosforth Civic Theatre, Newcastle. 7:30pm (doors). Superb country blues.
Thu 14: Solcade @ the Bridge Hotel, Newcastle. 7:00pm. EP launch. Rivkala & co..
Thu 14: Jacob Egglestone @ The Black Swan, Newcastle. 7:30pm. Free. Egglestone (guitar); Jamie Watkins (bass); Jack Littlewood (drums) & guests.
Thu 14: 58 Jazz Collective @ The Blacksmith’s Arms, Hartlepool. 8:00pm. Free.
Thu 14: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.

Fri 15: Conor Emery Quartet @ The Lit & Phil, Newcastle. 1:00pm. Line-up Emery (trombone); Alix Shepherd (piano); John Pope (double bass); Abbie Finn (drums). SOLD OUT!
Fri 15: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 15: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 15: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 15: Gerry Richardson Quartet @ Sunderland Minster. 7:30pm. £13.01 adv., £15.00 on the door. Old Black Cat Jazz Club.
Fri 15: Puppini Sisters @ The Glasshouse, Gateshead. 8:00pm. CANCELLED!

Sat 16: Sing Jazz! workshop @ The Globe, Newcastle. 1:30pm. £27.50. Tutor: Alexia Gardner. God Bless the Child - Lady Day!. Enrol at: learning@jazz.coop.
Sat 16: Kaberry Big Band @ the Seahorse Pub, Hillheads Rd., Whitley Bay NE23 8HR. From 7:30pm. £15.00
Sat 16: Lady Nade @ Arc, Stockton. 8:00pm. ‘Lady Nade sings Nina Simone’.

Sun 17: Glenn Miller & Big Band Spectacular @ Forum Theatre, Billingham. 7:30pm.
Sun 17: QOW Trio @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Spike Wells, Riley Stone-Lonergan & Eddie Myer.

Mon 18: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 18: Mark Williams Trio @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 19: GoGo Penguin + Daudi Matsiko @ Wylam Brewery, Newcastle. 7:00pm (doors). £22.00 + £4.40 bf.
Tue 19: Danny Lowndes’ Hot Club @ The Cluny, Newcastle. 7:30pm (doors). £15.00 + £5.00 bf.
Tue 19: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Michael Young (piano); Paul Grainger (double bass); Mark Robertson (drums).

Tuesday, April 19, 2022

Sunday Night @ The Globe: James Mainwaring - Mycorrhiza April 17

(© Graham Hardy)
James Mainwaring (composition / saxophones / vocals / keyboards / flutes); Aby Vulliamy (viola / vocals); Mick Bardon (cello); Fergus Quill (double bass); Steve Hanley (drums); Glen Leach (piano). 

For the second week in a row Jazz North East at The Globe hosted a band with a heavy string presence. James Mainwaring’s Mycorrhiza, just like Sean Noonan with the Legeti Quartet the previous Sunday, boasted several stringed instrument in their ensemble.  A larger (and younger) than normal crowd  showed that they were prepared to give strings a chance and were well rewarded for their attendance with this fascinating, creative  and thought provoking, performance.   

Mycorrhiza is the term describing the symbiotic relationship between mycorrhizal fungi and a plants root system. The fungi forms networks between the trees, allowing them to communicate. Often nicknamed the ‘wood wide web’, the network allows trees to send each other nutrients and warn each other about predators such as bugs, deer, or harmful pathogens. The James Mainwaring ‘Mycorrhiza’  project is inspired by natural systems like this and is concerned about the human impact and the corruption surrounding it.

Heavy stuff indeed and this was reflected by the complex soundscape that evolved as the evening progressed. Poignant and evocative, the strings providing an eerie backdrop to the rhythm section. Vocals from Mainwaring and Vulliamy were very effective.

Glen Leach on piano replaced guitarist Chris Sharkey who featured on the Mycorrhiza album released in 2021. From a jazz perspective the highlights were Leach’s solos and Hanley’s monumental drumming. Mainwaring is a wonderful sax player but his solos were kept to a minimum  which for this attendee was bit of a shame although I suppose with all the other things he was  responsible for (compositions, arrangements, vocals , electronics, flute, soprano, tenor;  alto) it was no surprise.

Following Newcastle’s dramatic last gasp win against Leicester a few hours earlier I wondered if Mycorrhiza would leave us in a similar state of euphoria but when Mainwaring announced that the final piece of the night was a reflection on the current state of the world I had my doubts. Fittingly it was a sombre, sad and very moving piece. Who says you need to leave the audience on a high? 
Steve H

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