Bebop Spoken There

Ludovic Beier (Django Festival Allstars): ''Manouche means 'free man,' and gypsies have been travelers since they migrated west from India to Europe.'' (DownBeat March, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18383 (and counting) posts since we started blogging 18 years ago. 247 of them this year alone and, so far this month (Mar. 17 ), 57

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Sunday, April 10, 2022

Album review: The Jazz Defenders - King Phoenix

George Cooper (piano, organ, Wurlitzer, perc.); Will Harris (double bass, bass); Ian Matthews (drums); Nick Malcolm (trumpet, flugelhorn); Nicholas Dover (tenor sax) + Doc Brown (vocal tk. 6); Herbal T (vocal tk. 10); John Pearce (violin tks. 3 & 9); Atholl Ransome (flute tk. 9); Leigh Coleman (vocal tk. 6)

King Phoenix is George Cooper's Bristol-based Jazz Defenders' new album. Recorded in June and July last year and released on Haggis Records, the ten tracks (all written by Cooper with the exception of a couple of co-written numbers) occupy soul-jazz territory with a touch of Latin and a silver screen filmic quality (think 60s Cote d'Azur crime caper colliding with a spaghetti western). The core quintet (piano, bass, drums) plus guests embrace the classic (Hammond) organ sound, Crusaders' groove, Brubeckian flourishes, a hint of Latin and a touch of Ramsey Lewis. 

Ten tracks spanning little more than thirty seven minutes could be thought of as tasters, their purpose being to tempt the audiophile to get up out of that chair and boogie on down to her/his local soul-jazz joint to hear - and dance to - the band up close. Dance? Yes, the 'Acid Jazz' scene, all of forty years ago, attracted a dance crowd and evidently Cooper's outfit holds the same appeal. The contributions of vocalists/rappers Doc Brown, Herbal T and Leigh Coleman add variation, whereas John Pearce's violin and Atholl Ransome's flute are somewhat at odds with the promise of twenty first century bop.      

The Jazz Defenders on record (CD, vinyl, vinyl 45) are a very different proposition to the band recently heard in concert. Live, it was hard-hitting, pulsating bop, on record, less so, although no less listenable. Buy the album, catch them live.  Russell

The Jazz Defenders' new album King Phoenix is available from Haggis Records (HRCD006).         

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