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| (© Ken Drew) |
The threat of yet another storm on the horizon persuaded me to watch this week's Sunday Night @ the Globe via the livestream option - it worked well for Tony Kofi at the 606 last night and it worked well at the Globe tonight plus you got the whole nine yards or, to be more precise, both sets.
Sheffield based Knowles, apart from being a fine guitarist is, according to his website, also an ethnomusicologist* and you don't get many of them at the Globe.
Emma Johnson we know well from her Gravy Boat (band) whilst John Pope is a musician comfortable in any genre and one of the most melodic bass players around. Sarah Heneghan was a new name to me but she slotted in nicely.
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| (© Ken Drew) |
The repertoire was very much traditional folk orientated but presented in a contemporary manner. All four musicians soloed impressively without exceeding the listener's parameters of accessibility. In particular the interplay between any two, three or all four players was, at times, totally compelling.
You don't get too many lullabies at jazz gigs, after all you don't want to send the audience to sleep! Tim Knowles' Cradle Song was very much a lullaby but you wouldn't want to sleep in case you missed any of the subtle nuances.
I didn't catch the names of all the tunes so I won't list them but they were all originals and, on this occasion, none the worse for that.
Catch them again - Lance
*Maybe it's just a posh word for a folky - over to you Ann Alex.
3 comments :
I suppose we should ask Tim Knowles what an ethnomusicologist is? I guess it's someone who has studied music of communities all over the world, a bit further afield than the Globe, so to speak. Someone more well travelled than the average folky. And lucky me has this gig to listen to on Youtube tomorrow!
Many thanks for the kind review, Lance! The gig was a real pleasure - great venue, and great audience.
In answer to the question, you've basically got it, Ann! Ethnomusicology has been variously defined as the study of music and/in/as culture, and historically focused on non-Western musics. The foci of my own research projects have been closer to (my) home, beginning with an MA thesis on improvisation in the English folk scene, and currently a PhD on public participatory music events (open mics, folk sessions, jazz jam sessions), but it remains a fundamental expectation for ethnomusicologists to explore music from around the world, which has been a real pleasure for me.
Tim,
I thoroughly enjoyed the gig on YouTube, great stuff. When you're next in the North East, you could extend your research by visiting South Shields Folk Club where I and my friends sing -see southshieldsfolkclub.co.uk. Lance, the Blog Editor In Chief, might kill me for doing this bit of advertising on a Jazz Blog.
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