Sage Gateshead's Young Musicians' Programme Winter Festival went ahead with strict measures in place. Proof of vaccination at the door, face coverings to be worn at all times, welcome to the never-ending weird year of 2021 and 2022 and...An audience comprising family, friends and supporters, this annual showcase for some of the very best talent in the region would take the form of three sets, each led by experienced tutors, in a wholly supportive environment.
Jambone, directed by Paul Edis and James Brady, featured a twelve piece ensemble (two or three chairs were occupied by experienced musicians there to augment the youthful sections) playing four compositions. Outgoing director Paul Edis* welcomed one and all to Sage Two, the band kicking off with Abdullah Ibrahim's Soweto. Fine playing all round. The tutors each contributed one composition: Edis' Of Mice and Men (its composer expressing his admiration for the young musicians' efforts in successfully negotiating the number's convoluted form). Brady's four-part suite Four Scenes on L'Homme Arme demanded concentrated minds, the composer's animated conducting guiding his young charges through each section. Mary Lou Williams' Roll 'Em closed Jambone's programme, swinging it as if it were circa 1939! Jambone: Paul Edis (MD, reeds); James Brady (MD, trumpet, percussion); Ferg Kilsby (trumpet); Joseph Meston (trumpet);James Goldberg (trumpet); Adam Johnston (reeds); George Ivanov (guitar); Izaac Wilson (piano); Jack ? (bass guitar); Nathan Hulme (drums)
Earlier, JB's Cats (that's James Birkett's group of talented early teenage years musicians) presented a guitar-centric set which, James Birkett informed the audience, being a guitarist himself, suited him just fine! Dr Birkett's one-time protégé Bradley Johnston assisted his one-time mentor in coaxing a marvellous performance from some of Sage Gateshead's stars of the future.
Guitarist Joe Ducker's solo performance of Tommy Emmanuel's Gameshow Rag couldn't have been more impressive. Bradley Johnston sat alongside, next time you see BJ, ask him about Joe Ducker. In pre-Covid days trombonist Ben Haslam made a big impression. Perhaps fifteen at the time, now at the age of seventeen or so, Haslam is one seriously good musician (But Beautiful, solo, was, well, quite beautiful). What's more, the young man can play the piano! Sitting at Sage Gateshead's Steinway he proceeded to amaze a spellbound audience by knocking out a couple of tunes, including Stevie Wonder's Isn't She Lovely?
The Cats enjoyed playing a funked-up Doxy, Minor Swing swung, and, to conclude an eye/ear-opening set, vocalist Ariah Robertson joined the band to sing a couple of songs including I Don't Want to Set the World on Fire. Make a note of the names, if they choose to make music their career, you'll be hearing more, much more from them.
JB's Cats: James Birkett (MD, guitar, bass guitar); Bradley Johnston (guitar); Joe Ducker (guitar); Ben Haslam (trombone, piano); Jack Stead (drums); Ariah Robertson (vocals)
The Saturday evening concert began with a short, spirited set by Sage Gateshead's CAT Percussion Ensemble. Illness reduced the intended number of participants but this didn't deter inspirational MD, Roger Hempsall. In the time allocated to the ensemble, Hempsall ensured his charges gave it their all. Two pieces - Militaria and Latinska Melodia - reverberated around the hall, Hempsall setting the pace, rattling out ever-more complex drum patterns. It can be reported that all four young percussionists did themselves proud.
* Paul Edis has made an inestimable contribution to Sage Gateshead's education programme (numerous comments posted to Facebook suggest just that). It would have been fitting if, on the night, Sage Gateshead had, in some small way, acknowledged Paul's achievements. One thing is for certain, as Paul makes London his home, Tyneside and the wider region's musical landscape will be the poorer for it. Russell
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