James Pearson (piano); Jeremy Brown (double bass); Matt Skelton (drums); Pete Long (alto sax, clarinet); Callum Au (trombone, euphonium); James 'JT' Turner (tuned percussion); Alicja Smietana (violin).
(Screenshots by Ken Drew)
James Pearson presented a live stream celebration of Rhapsody in Blue. Ronnie Scott's MD introduced an all-star chamber jazz ensemble to perform a selection of compositions from George Gershwin's earliest days on Tin Pan Alley to Porgy and Bess to his An American in Paris Days and the focus of this Monday evening concert, Rhapsody in Blue.
The house trio is an attraction in itself, the addition of two of Ronnie's regulars (Pete Long, reeds, Callum Au, brass) and a couple of specialists (James 'JT' Turner, tuned percussion, Alicja Smietana, violin) assisted Pearson in creating something akin to the full orchestral voices available to Gershwin (and Paul Whiteman) almost a century ago.
A Porgy and Bess medley (inc. It Ain't Necessarily So, There's a Boat Dat's Leavin' Soon for New York), a Tubby Hayes' arrangement of Love Walked In (what's the betting Tubbs played it, with a modern jazz line-up to die for, in this very room?) featured Smietana and Long. Is Pete Long underrated? Does he have the same high profile as some of his contemporaries?*
Pearson in Oscar P mode on The Man I Love from the Broadway version of An American in Paris, Blue Lullaby (Prelude no.2) as a Pearson-Smietana duo feature, and on to the finale. Twenty minutes or thereabouts, Pearson directing the ensemble, the one we (some of us?) had been waiting for - Rhapsody in Blue, or as our MD preferred, Rhapsody in Light Blue.
* Pete Long will be working with the Strictly Smokin' Big Band on an Ellington concert programme at Sage Gateshead next year (February 26, 2022). Book now at: www.sagegateshead.com.
Russell
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