Bebop Spoken There

Donovan Haffner ('Best Newcomer' 2025 Parliamentary Jazz Awards): ''I got into jazz the first time I picked up a saxophone!" - Jazzwise Dec 25/Jan 26

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18146 (and counting) posts since we started blogging 17 years ago. 24 of them this year alone and, so far this month (Jan. 7), 24

From This Moment On ...

JANUARY 2026

Fri 09: The House Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00.
Fri 09: Nauta @ Jesmond Library, Newcastle. 1:00pm. £5.00. Trio: Jacob Egglestone, Jamie Watkins, Bailey Rudd.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Warren James & the Lonesome Travellers @ Saltburn Community Hall. 7:30pm. £15.00.
Fri 09: The Blue Kings @ The Globe, Newcastle. 8:00pm. £10.00. (£8.00. adv.). All-star band.

Sat 10: Mark Toomey Quintet @ St Peter’s Church, Stockton-on-Tees. 7:30pm. £12.00. (inc. pie & peas). Tickets from: 07749 255038.

Sun 11: New ’58 Jazz Collective @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Eva Fox & the Sound Hounds @ The Globe, Newcastle. 8:00pm.

Mon 12: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 12: Saltburn Big Band @ Saltburn House Hotel. 7:00-9:00pm. Free.

Tue 13: Milne Glendinning Band @ Newcastle House Hotel, Rothbury. 7:30pm. £11.00. Coquetdale Jazz.
Tue 13: Jazz Jam Sandwich @ The Black Swan, Newcastle. 7:30pm. Free.

Wed 14: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 14: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 14: Jam Session @ The Tannery, Hexham. 7:00pm. Free.
Wed 14: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 15: Mark Toomey Quartet @ Dorman’s Club, Middlesbrough. 8:30pm. Free. Quartet + guest Paul Donnelly (guitar).

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Thursday, October 08, 2020

Jason Rebello Trio - Live Stream @ Ronnie's - Oct. 8

Jason Rebello (piano); Tim Thornton (bass); Jeremy Stacey (drums).

There may be better ways to spend a Thursday evening indoors although, these days, I can't think of any. No, a live stream from Ronnie's is just about as good as it gets particularly when the Jason Rebello Trio are taking centre stage.

I was, initially, a little hesitant when he announced the second number with those dreaded words "this is another composition of mine ..."

Was this going to be an evening of originals? It wasn't, although in all fairness the originals were all cracking compositions prompting one side-column pundit to observe that, much as they enjoyed Jason's standards they thought his own tunes were even better. Yes, they were indeed exceptionally good. Bearing in mind that the standards were Easy to Love, Darn that Dream - a strangely esoteric version of Summertime in, I think, 3/4 time or some mathematically derivative time signature - Blackbird, Oscar Peterson's Hallelujah Time, and for an encore Nobody Else But Me tells you just how good his own tunes were!

Jason is certainly fleet of finger, his hands dancing deftly and delightfully in a manner that the composer of Hallelujah Time would surely have approved. On the ballads he extracted the emotional content. He may not have been singing but you felt sure he knew the words as well as he knew the chords.

In Thornton he has a soul mate, a player who provides the harmonic foundation and solos with an exquisite melodic sense. I guess he too isn't unfamiliar with the lyric.

Stacey drives it along responding instantly to his leader's mood swings and putting the boot in when needed.

The time flew by and I was left thinking of an Ellington tune title -
Blues to be There. Maybe next year ...

Lance

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