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Bebop Spoken There

Kurt Elling: ''There's something to learn from every musician you play with''. (DownBeat, December 2024).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17630 (and counting) posts since we started blogging 16 years ago. 904 of them this year alone and, so far, 49 this month (Dec. 20).

From This Moment On ...

December

Wed 25: Wot? No jazz!

Thu 26: The Boneshakers @ Tyne Bar, Ouseburn, Newcastle. 4:00pm. Free. The 17th annual Boneshakers’ Shindig.

Fri 27: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 27: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free. Business as usual!.
Fri 27: Jason Isaacs @ Seaburn STACK, Seaburn. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Fri 27: Michael Woods @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. Country blues guitar & vocals.

Sat 28: Jason Isaacs @ St. James’ STACK, Newcastle. 11:30am. Free. Vocalist Isaacs working with backing tapes.
Sat 28: Fri 20: Castillo Nuevo @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Sat 28: Jude Murphy, Rich Herdman & Giles Strong @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Sat 28: Ray Stubbs R & B All-Stars @ Billy Bootlegger’s, Stepney Bank, Newcastle. 9:00pm. Free.

Sun 29: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 29: Alexia Gardner Quintet @ The Globe, Newcastle. 8:00pm.

Mon 30: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 30: Vieux Carré Jazzmen @ The Wheatsheaf, Benton Sq., Whitley Road, Palmersville NE12 9SU. Tel: 0191 266 8137. 1:00pm. Free.
Mon 30: Jason Isaacs @ STACK, Exchange Sq., Middlesbrough. 4:00-6:00pm. Free. Vocalist Isaacs working with backing tapes.

Tue 31: Jason Isaacs @ Seaburn STACK, Seaburn. 12 noon-2:00pm. Free. Vocalist Isaacs working with backing tapes.
Tue 31: Lapwing Trio @ Wallington (National Trust), Cambo, Morpeth NE61 4AR. 12 noon & 2:00pm. Admission to site £19.00.
Tue 31: Jason Isaacs @ St. James’ STACK, Newcastle. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Tue 31: Archie Brown & Friends @ Tyne Bar, Ouseburn, Newcastle. 4:00-8:00pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Thursday, October 08, 2020

Jason Rebello Trio - Live Stream @ Ronnie's - Oct. 8

Jason Rebello (piano); Tim Thornton (bass); Jeremy Stacey (drums).

There may be better ways to spend a Thursday evening indoors although, these days, I can't think of any. No, a live stream from Ronnie's is just about as good as it gets particularly when the Jason Rebello Trio are taking centre stage.

I was, initially, a little hesitant when he announced the second number with those dreaded words "this is another composition of mine ..."

Was this going to be an evening of originals? It wasn't, although in all fairness the originals were all cracking compositions prompting one side-column pundit to observe that, much as they enjoyed Jason's standards they thought his own tunes were even better. Yes, they were indeed exceptionally good. Bearing in mind that the standards were Easy to Love, Darn that Dream - a strangely esoteric version of Summertime in, I think, 3/4 time or some mathematically derivative time signature - Blackbird, Oscar Peterson's Hallelujah Time, and for an encore Nobody Else But Me tells you just how good his own tunes were!

Jason is certainly fleet of finger, his hands dancing deftly and delightfully in a manner that the composer of Hallelujah Time would surely have approved. On the ballads he extracted the emotional content. He may not have been singing but you felt sure he knew the words as well as he knew the chords.

In Thornton he has a soul mate, a player who provides the harmonic foundation and solos with an exquisite melodic sense. I guess he too isn't unfamiliar with the lyric.

Stacey drives it along responding instantly to his leader's mood swings and putting the boot in when needed.

The time flew by and I was left thinking of an Ellington tune title -
Blues to be There. Maybe next year ...

Lance

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