Total Pageviews

Bebop Spoken There

Tineke Postma: “ I had a huge crush on him [Sting] when I was a teenager ". Jazzwise, June 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16476 (and counting) posts since we started blogging 16 years ago. 356 of them this year alone and, so far, 68 this month (May 24).

From This Moment On ...

May

Sat 25: Tyne Valley Big Band @ Bywell Hall, Stocksfield. 2:30pm.
Sat 25: Baghdaddies @ Spanish City Plaza, Whitley Bay. 3:00pm. Whitley Bay Carnival (outdoor stage).
Sat 25: Northern Monkey Brass Band @ Spanish City Plaza, Whitley Bay. 4:30pm. Whitley Bay Carnival (outdoor stage).
Sat 25: Paul Edis Trio w. Bruce Adams & Alan Barnes @ Queen’s Hall, Hexham. 6:30pm. A Northumberland Jazz Festival event.
Sat 25: Nubiyan Twist @ The Glasshouse, Gateshead. 8:00pm.
Sat 25: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 26: Bellavana @ Spanish City Plaza, Whitley Bay. 11:00am. Whitley Bay Carnival (outdoor stage).
Sun 26: Tyne Valley Youth Big Band @ The Sele, Hexham. 12:30pm. Free. A Northumberland Jazz Festival event.
Sun 26: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 26: Alice Grace @ The Sele, Hexham. 1:30pm. Free. Alice Grace w. Joe Steels, Paul Susans & John Hirst.
Sun 26: Bryony Jarman-Pinto @ Queen’s Hall, Hexham. 3:00pm. A Northumberland Jazz Festival event.
Sun 26: Ruth Lambert Trio @ The Juke Shed, North Shields. 3:00pm. Free.
Sun 26: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 26: Clark Tracey Quintet @ Queen’s Hall, Hexham. 6:00pm. A Northumberland Jazz Festival event.
Sun 26: Saltburn Big Band @ Saltburn Community Hall. 7:30pm.
Sun 26: Ruth Lambert Quartet @ The Globe, Newcastle. 8:00pm.
Sun 26: SARÃB @ The Glasshouse, Gateshead. 8:00pm.

Mon 27: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 28: Bold Big Band @ The Black Swan, Newcastle. 8:00pm.

Wed 29: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 29: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 29: Jazz Night @ The Tannery, Hexham. 7:00-9:00pm. Free. The first night of a new jam session!
Wed 29: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 30: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 30: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Ragtime piano. A ‘Jar on the Bar’ gig.
Thu 30: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests Josh Bentham (sax); Neil Brodie (trumpet); Garry Hadfield (keys); Adrian Beadnell (bass);

Fri 31: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 31: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 31: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 31: Castillo Nuevo Trio @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Fri 31: Borealis @ The Witham, Barnard Castle. 7:30pm.
Fri 31: Redwell @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Thursday, October 29, 2020

Album review: Ben Wendel - High Heart

Ben Wendel (tenor sax); Michael Mayo (vocals); Shai Maestro, Gerald Clayton (piano, Fender Rhodes); Joe Sanders (double bass); Nate Wood (drums) 

A high octane fifth album for Ben Wendel, the Canadian tenor maestro based in New York, here with a sextet drawn from that city’s current elite. The album is a showcase not only for Wendel’s prodigious and muscular post-bop technique, but also for his compositions, executed brilliantly and sensitively by a band so much more than the sum of its stellar parts.

The eight substantial and original pieces are integrated in concept and execution, with the band often pairing up (sax vs vocals, piano vs Rhodes, and drums plus bass), but also locking together in clever and effective ways.  Wendel is noted for perhaps putting cerebral playing ahead of emotion and lyricism, and doesn’t miss the opportunity to play twice as many notes as Brecker or Redman would.  He has undoubtedly made space for the band here though, and for more emotions than just the trademark upbeat exhilaration.

This comes out most obviously with the spiritual, wordless vocals of Michael Mayo, soaring sublimely above busy arpeggios and skittering percussion, and trading with Wendel’s own plaintive sax voice.  

The opener, High Heart, sets out with Mayo’s measured hymnal over a hypnotic piano and drums backing, taken up by sax in the same vein, reaching a frenzied sax climax, before relaxing back to calm.  The standout Burning Bright does what its name suggests, with an angular Tigran-esque groove, followed up with flowing piano and sax lines. There is even some gorgeous Fender Rhodes for the 70s' throwbacks amongst us, wrapping up with a joyous anthemic proclamation to finish.   

Kindly takes it down in tempo, and hands a repeated distinctive voice-like phrase around the band to hypnotic effect. Less takes the heat down further, and into ambient territory with pure and aching voice soaring effortlessly over simple piano and effects.  

Drawn Away and Fearsome up the pace again, with swirling and cascading lines, insistent and interlocking, before Darling slows to a yearning and abstract sax reverie over slow piano arpeggios and busy, tapping rim shots and cymbal ricochets.  The album ends peacefully, with Mayo’s soothing balm laid down over circling piano, effects and clatter.  

On this evidence, Wendel has moved on from fiery technique and produced a deeply impressive and moving modern statement. You won’t find swinging, blue notes, or even modern classical here, but you will find an abundance of intelligent and intricate musicality, with a startling range of emotion unexpectedly thrown in.   

Chris K 

Release: October 30
: Personalised vinyl, CD, digital. 

Edition Music EDN1162 

No comments :

Blog Archive