Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18957 (and counting) posts since we started blogging 18 years ago. 821 of them this year alone and, so far this month (Sept. 30.) 100.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Tue 06: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Paul Grainger (double bass).
Tue 06: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Murray Oak, Paul Grainger, John Bradford.
Tue 06: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 06: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. First night of two.

Wed 07: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free. Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 07: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. Second night of two.

Thu 08: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 08: Pete Tanton’s Chet Set @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 08: Indigo Jazz Voices w. Little Big Band @ The Globe, Newcastle. 7:45pm. £5.00.

Fri 09: Dean Stockdale Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Fri 09: John Rowland Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Shalala @ The Globe, Newcastle.

Sat 10: Catfish Keith @ Cluny 2, Newcastle. 7:30pm (doors). £19.00. + bf. Jumpin’ Hot Club.

Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Feat. guest Jack ‘Banjo’ Courtney (trumpet).
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Harry Christelis Quartet @ The Globe, Newcastle. 8:00pm. A Jazz Co-op-JNE co-promotion.

Mon 12: Jack Pearce Quintet @ Yamaha Music School, Blyth. 1:00pm.
Mon 12: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Saturday, October 24, 2020

Kellock kicks off label's UK Launch


(Press release)

Award-winning Scottish pianist Brian Kellock spearheads the UK launch on 30th October of New Zealand-based Thick Records, with two of the label’s three initial releases featuring the Edinburgh-born, Glasgow-based Kellock’s talents.

The launch is built around Think About It! - the long overdue follow-up to Kellock and his trio’s 2002 BBC Jazz Award-winning album, Live at Henry’s – and includes two albums by label owner and drummer, John Rae.

Rae’s trio, with Kellock and Kiwi bassist Patrick Bleakley, features on Where the Wild Clematis Grow, whose six tracks include three Rae originals and a highly individual take on Artie Shaw’s Nightmare. Rae, who moved to Wellington in the late noughties, also celebrates his Scottish roots on Uncouth and Without Form, with a new band formed in the cultural slipstream of his popular and critically acclaimed Celtic Feet.

Kellock, who starred with the Scottish National Jazz Orchestra at Middlesbrough Town Hall last October, has earned an international reputation for his work with, among other notable names, saxophonists Herb Geller, Joe Temperley and Scott Hamilton, trumpeters Warren Vaché and Red Rodney, singer Sheila Jordan and Australian multi-instrumentalist James Morrison.

His long-time partnership with fellow Scot, saxophonist Tommy Smith has produced three duo albums and work with the Scottish National Jazz Orchestra that includes Rhapsody in Blue Live, for which Smith rearranged the Gershwin classic especially for Kellock as the featured soloist, and In the Spirit of Duke, with Kellock taking the Ellington role.

The piano-bass-drums format, and particularly his trio with Rae on drums and Kenny Ellis on bass, has a special place in Kellock’s affections, however.

“I’ve known John since around 1982 or 1983 and we got on really well from the start, both on and off-stage” says Kellock. “We’ve played in each other’s bands and worked together in other people’s bands and have always had a good musical understanding.”

With bassist Ellis, Kellock and Rae formed the rhythm section of the John Rae Collective, a group that featured trumpeter Colin Steele, saxophonist Phil Bancroft and guitarist Kevin Mackenzie and that, along with their contemporary, Tommy Smith, represented a resurgence in Scottish jazz during the mid to late 1980s.

For John Rae, Kellock is the ideal musician to lead his label’s launch.

“Brian’s such an extraordinary musician and yet, after all this time, he’s still an artist deserving wider recognition,” he says. “It’s no wonder that people like Herb Geller or Sheila Jordan have made him their accompanist of choice. But for me, what makes him so special to work with, apart from his outrageous virtuosity and fantastic knowledge of the jazz repertoire, is that I always know he’ll be committed to the concept, regardless of the consequences.”

The Thick Records releases are all available to download-only. Rae thought long and hard about the “to CD or not to CD” question and arrived at the decision to go digital when he realised that he had no CD slot anywhere – neither in his house nor in his car or computer – and found that a lot of people are in the same situation.

“I have boxes and boxes of CDs in my garage that I don’t play but I’ve probably listened to the music on most of them through downloading or streaming,” he says. “It boils down to the music, not whatever the music’s stored on, being what’s important and I’m happy that the standard of the music we’re making available is high.” 

For further information, see https://www.thickrecords.co.nz/

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