Total Pageviews

Bebop Spoken There

Sullivan Fortner: ''I always judge it by the bass player: If the bass player is happy, it's going to be a good night". (DownBeat, February 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17777 (and counting) posts since we started blogging 17 years ago. 98 of them this year alone and, so far, 23 this month (Feb.8).

From This Moment On ...

February 2025

Sun 09: The New ’58 Jazz Collective @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 09: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 09: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 09: Glenn Miller & Big Band Spectacular @ The Forum, Billingham. 3:00pm.
Sun 09: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 09: Tom Remon & Mark Williams @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 09: Rod Oughton’s Tomorrow’s New Quartet with Ben van Helder @ The Globe, Newcastle. 8:00pm. Line-up inc. Deschanel Gordon.
Sun 09: Jazz Jam @ Fabio’s, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society promotion. All welcome.

Mon 10: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 11: Steve Summers Quintet @ Newcastle House Hotel, Rothbury. 7:30pm.

Wed 12: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 12: Jam session @ The Tannery, Gilesgate, Hexham. 7:00-9:00pm. Free.
Wed 12: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 12: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 13: Student Performances @ King’s Hall, Newcastle University. 4:00pm. Free. Inc. Olly Styles (tenor sax).
Thu 13: MOBO Awards Fringe 2025: Artist Showcase @ The Glasshouse, Gateshead. 7:00pm. Free (ticketed). Line-up inc. Hannabiell & Midnight Blue.
Thu 13: Indigo Jazz Voices @ The Globe, Newcastle. 7:45pm. £5.00.

Fri 14: John Rowland Trio @ Jesmond Library, Newcastle. 12:30-1:30pm. £5.00. at the door. New second Friday in the month concert series.
Fri 14: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 14: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 14: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 14: Jason Isaacs @ St. James’ STACK, Newcastle. 4:00-6:00pm. Free. Vocalist Isaacs working with backing tapes.
Fri 14: Archipelago + Anna Tempest @ Cobalt Studios, Newcastle. 7:00pm. £12.00., £10.00., £8.00.
Fri 14: Paul Jones & Dave Kelly @ Alnwick Playhouse. 7:30pm. Rhythm & blues.
Fri 14: Alexia Gardner Quintet @ The White Room, Stanley. 7:45pm.
Fri 14: Jazz Sabbath @ The Glasshouse, Gateshead. 8:00pm.

Sat 15: Joseph Carville Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 15: James Birkett & Emma Fisk @ Yamaha Music School, Blyth. 7:30pm. £15.00. at the door; £14.35. (inc £0.35 bf) online, in advance.
Sat 15: Elkie Brooks @ The Glasshouse, Gateshead. 7:30pm. ‘The Long Farewell Tour’.
Sat 15: Milne Glendinning Band @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Saturday, October 24, 2020

Kellock kicks off label's UK Launch


(Press release)

Award-winning Scottish pianist Brian Kellock spearheads the UK launch on 30th October of New Zealand-based Thick Records, with two of the label’s three initial releases featuring the Edinburgh-born, Glasgow-based Kellock’s talents.

The launch is built around Think About It! - the long overdue follow-up to Kellock and his trio’s 2002 BBC Jazz Award-winning album, Live at Henry’s – and includes two albums by label owner and drummer, John Rae.

Rae’s trio, with Kellock and Kiwi bassist Patrick Bleakley, features on Where the Wild Clematis Grow, whose six tracks include three Rae originals and a highly individual take on Artie Shaw’s Nightmare. Rae, who moved to Wellington in the late noughties, also celebrates his Scottish roots on Uncouth and Without Form, with a new band formed in the cultural slipstream of his popular and critically acclaimed Celtic Feet.

Kellock, who starred with the Scottish National Jazz Orchestra at Middlesbrough Town Hall last October, has earned an international reputation for his work with, among other notable names, saxophonists Herb Geller, Joe Temperley and Scott Hamilton, trumpeters Warren Vaché and Red Rodney, singer Sheila Jordan and Australian multi-instrumentalist James Morrison.

His long-time partnership with fellow Scot, saxophonist Tommy Smith has produced three duo albums and work with the Scottish National Jazz Orchestra that includes Rhapsody in Blue Live, for which Smith rearranged the Gershwin classic especially for Kellock as the featured soloist, and In the Spirit of Duke, with Kellock taking the Ellington role.

The piano-bass-drums format, and particularly his trio with Rae on drums and Kenny Ellis on bass, has a special place in Kellock’s affections, however.

“I’ve known John since around 1982 or 1983 and we got on really well from the start, both on and off-stage” says Kellock. “We’ve played in each other’s bands and worked together in other people’s bands and have always had a good musical understanding.”

With bassist Ellis, Kellock and Rae formed the rhythm section of the John Rae Collective, a group that featured trumpeter Colin Steele, saxophonist Phil Bancroft and guitarist Kevin Mackenzie and that, along with their contemporary, Tommy Smith, represented a resurgence in Scottish jazz during the mid to late 1980s.

For John Rae, Kellock is the ideal musician to lead his label’s launch.

“Brian’s such an extraordinary musician and yet, after all this time, he’s still an artist deserving wider recognition,” he says. “It’s no wonder that people like Herb Geller or Sheila Jordan have made him their accompanist of choice. But for me, what makes him so special to work with, apart from his outrageous virtuosity and fantastic knowledge of the jazz repertoire, is that I always know he’ll be committed to the concept, regardless of the consequences.”

The Thick Records releases are all available to download-only. Rae thought long and hard about the “to CD or not to CD” question and arrived at the decision to go digital when he realised that he had no CD slot anywhere – neither in his house nor in his car or computer – and found that a lot of people are in the same situation.

“I have boxes and boxes of CDs in my garage that I don’t play but I’ve probably listened to the music on most of them through downloading or streaming,” he says. “It boils down to the music, not whatever the music’s stored on, being what’s important and I’m happy that the standard of the music we’re making available is high.” 

For further information, see https://www.thickrecords.co.nz/

No comments :

Blog Archive