Bebop Spoken There

Christian McBride: ''We knew back in the day that Emmet [Cohen] had it.'' (DownBeat July, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18680 (and counting) posts since we started blogging 18 years ago. 544 of them this year alone and, so far this month (July 3) 8

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

July

Tue 07: Alan Law Trio @ The Ticket Office, Whitley Bay. 2:30pm. Free.
Tue 07: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Ben Lawrence (piano); Paul Grainger (double bass); John Bradford (drums).
Tue 07: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.

Wed 08: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 08: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 08: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 08: Sax on the Tyne @ St George’s Church, Jesmond, Newcastle. 7:30pm. £8.00. Feat. Sax on the Tyne & St George’s Community Choir.
Wed 08: Abbie Finn Trio @ Elder Beer, Heaton, Newcastle. 8:00pm. £12.00. JNE.

Thu 09: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 09: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00.
Thu 09: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.

Fri 10: Swing Manouche @ Bishop Auckland Methodist Church. 1:00pm. £9.00.
Fri 10: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 10: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 10: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 10: Olly Styles & Jacob Egglestone @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 10: Castillo Nuevo Trio @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Fri 10: Archipelago @ Lubber Fiend, Newcastle. 7:00pm . New album fundraiser gig.
Fri 10: King Bees @ Rebel Yell, Nelson St., Newcastle. 8:00pm. Free. Chicago blues.

Sat 11: Spanish City Rollers @ Community Stage: Mouth of the Tyne Festival, Front Street, Tynemouth. 12 noon. Free.
Sat 11: Jazz Stage: Mouth of the Tyne Festival (o/s Tynemouth Priory), Tynemouth. Free. Vieux Carré Hot 4 (12 noon); Rendezvous Jazz (1:00pm); Castillo Nuevo Trio (2:00pm); Classic Swing (3:00pm); Abbie Finn Trio (4:00pm). Day 1/2.
Sat 11: Tees Bay Swing Band @ Blacksmith’s Arms, Hartlepool. 1:30pm. Free. Open rehearsal.
Sat 11: Vieux Carré Hot 4 @ The Beehive, Hartley Lane, Earsdon NE25 0SZ. 4:30-6:30pm. Free. The Hot 4 with guest Colin Aitchison (trumpet, vocals).
Sat 11: Lindsay Hannon: Tom Waits for No Man + Adam Millington @ St John’s Chapel, Town Hall, Weardale DL13 1QF. 5:00pm (doors). £16.26., £10.84., £8.67., £5.42 (under 18).
Sat 11: Milne Glendinning Band @ Langley Tracks, Langley-on-Tyne. 5:30pm. CANCELLED!
Sat 11: Society Quartet @ Hilton Garden Inn, Sunderland. 6:30pm.
Sat 11: Karberry Big Band @ Forest Hall Social Club. 7:00pm. £7.00.
Sat 11: Ray Quinn: The King of Swing @ The Phoenix Theatre, Blyth. 7:30pm.

Sun 12: Jazz Stage: Mouth of the Tyne Festival (o/s Tynemouth Priory), Tynemouth. Free. Trilogy of Four (11:00am); River City Jazzmen (12:10pm); Delta Prophets (1:20pm); B.O.C.K.S. Set (2:30pm); Mouth of the Tyne All Stars (3:40pm). Day 2/2.
Sun 12: Phantom Bagman + OUTRI @ The Bandstand, The Sele, Hexham. 12 noon. Free.
Sun 12: 58 Jazz Collective @ Jackson’s Wharf, Hartlepool. 1:00-3:00pm. Free.
Sun 12: Tyne Valley Big Band @ Easington Social Welfare Centre. 2:00-4:00pm. A Durham Brass Festival event.
Sun 12: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 12: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Table reservations (0191 261 8000). Skerritt w. backing tapes.
Sun 12: Guisborough Big Band @ Zetland Park Methodist Church, Redcar. 2:00-4:00pm. Free. Charity gig in aid of Parkinson’s Society.
Sun 12: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 12: The Bridge Quartet @ The Globe, Newcastle. 8:00pm.

Mon 13: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 13: Shildon Little Brass Bash @ Locomotion, Shildon. 6:00-9:00pm. Free. Durham Brass Festival. Multi-bill of street brass bands.
Mon 13: Quarrington Little Brass Bash @ Quarrington Community Centre. 6:00-8:00pm. Free. Durham Brass Festival. Multi-bill of street brass bands.

Saturday, October 24, 2020

Kellock kicks off label's UK Launch


(Press release)

Award-winning Scottish pianist Brian Kellock spearheads the UK launch on 30th October of New Zealand-based Thick Records, with two of the label’s three initial releases featuring the Edinburgh-born, Glasgow-based Kellock’s talents.

The launch is built around Think About It! - the long overdue follow-up to Kellock and his trio’s 2002 BBC Jazz Award-winning album, Live at Henry’s – and includes two albums by label owner and drummer, John Rae.

Rae’s trio, with Kellock and Kiwi bassist Patrick Bleakley, features on Where the Wild Clematis Grow, whose six tracks include three Rae originals and a highly individual take on Artie Shaw’s Nightmare. Rae, who moved to Wellington in the late noughties, also celebrates his Scottish roots on Uncouth and Without Form, with a new band formed in the cultural slipstream of his popular and critically acclaimed Celtic Feet.

Kellock, who starred with the Scottish National Jazz Orchestra at Middlesbrough Town Hall last October, has earned an international reputation for his work with, among other notable names, saxophonists Herb Geller, Joe Temperley and Scott Hamilton, trumpeters Warren Vaché and Red Rodney, singer Sheila Jordan and Australian multi-instrumentalist James Morrison.

His long-time partnership with fellow Scot, saxophonist Tommy Smith has produced three duo albums and work with the Scottish National Jazz Orchestra that includes Rhapsody in Blue Live, for which Smith rearranged the Gershwin classic especially for Kellock as the featured soloist, and In the Spirit of Duke, with Kellock taking the Ellington role.

The piano-bass-drums format, and particularly his trio with Rae on drums and Kenny Ellis on bass, has a special place in Kellock’s affections, however.

“I’ve known John since around 1982 or 1983 and we got on really well from the start, both on and off-stage” says Kellock. “We’ve played in each other’s bands and worked together in other people’s bands and have always had a good musical understanding.”

With bassist Ellis, Kellock and Rae formed the rhythm section of the John Rae Collective, a group that featured trumpeter Colin Steele, saxophonist Phil Bancroft and guitarist Kevin Mackenzie and that, along with their contemporary, Tommy Smith, represented a resurgence in Scottish jazz during the mid to late 1980s.

For John Rae, Kellock is the ideal musician to lead his label’s launch.

“Brian’s such an extraordinary musician and yet, after all this time, he’s still an artist deserving wider recognition,” he says. “It’s no wonder that people like Herb Geller or Sheila Jordan have made him their accompanist of choice. But for me, what makes him so special to work with, apart from his outrageous virtuosity and fantastic knowledge of the jazz repertoire, is that I always know he’ll be committed to the concept, regardless of the consequences.”

The Thick Records releases are all available to download-only. Rae thought long and hard about the “to CD or not to CD” question and arrived at the decision to go digital when he realised that he had no CD slot anywhere – neither in his house nor in his car or computer – and found that a lot of people are in the same situation.

“I have boxes and boxes of CDs in my garage that I don’t play but I’ve probably listened to the music on most of them through downloading or streaming,” he says. “It boils down to the music, not whatever the music’s stored on, being what’s important and I’m happy that the standard of the music we’re making available is high.” 

For further information, see https://www.thickrecords.co.nz/

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