Bebop Spoken There

John McLaughlin: ''It was then that Coltrane came along and single-handedly brought this dimension of spirituality into jazz. It was a pivotal experience to me.'' (DownBeat September, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18957 (and counting) posts since we started blogging 18 years ago. 821 of them this year alone and, so far this month (Sept. 30.) 100.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

October.

Tue 06: Alan Law @ The Ticket Office, Whitley Bay. 2:00pm. Free. Alan Law (piano) w. Paul Grainger (double bass).
Tue 06: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Murray Oak, Paul Grainger, John Bradford.
Tue 06: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 06: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. First night of two.

Wed 07: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free. Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 07: Black is the Color of My Voice @ Northern Stage, Newcastle. 7:30pm. Apphia Campbell’s one-woman stage play inspired by Nina Simone. Second night of two.

Thu 08: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 08: Pete Tanton’s Chet Set @ Newcastle Arts Centre. 7:30pm. Free (donations).
Thu 08: Indigo Jazz Voices w. Little Big Band @ The Globe, Newcastle. 7:45pm. £5.00.

Fri 09: Dean Stockdale Trio @ Bishop Auckland Methodist Church. 1:00pm. £9.00. Dean Stockdale (piano); Mick Shoulder (double bass); John Bradford (drums).
Fri 09: John Rowland Trio @ Jesmond Library, Newcastle. 1:00pm. £5.00.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 09: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Shalala @ The Globe, Newcastle.

Sat 10: Catfish Keith @ Cluny 2, Newcastle. 7:30pm (doors). £19.00. + bf. Jumpin’ Hot Club.

Sun 11: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 11: Michael Young Trio @ The Engine Room, Sunderland. 2:30pm. Free. Feat. guest Jack ‘Banjo’ Courtney (trumpet).
Sun 11: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 11: Harry Christelis Quartet @ The Globe, Newcastle. 8:00pm. A Jazz Co-op-JNE co-promotion.

Mon 12: Jack Pearce Quintet @ Yamaha Music School, Blyth. 1:00pm.
Mon 12: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Saturday, October 03, 2020

Lee Bates @ Prohibition Bar - Oct. 2

Lee Bates (guitar, vocals)

Prohibition Bar continues to show the way. In these Covid times the Pink Lane venue is in the vanguard of Newcastle's entertainment venues attempting to chart a course throught ever-changing guidelines. Tonight's gig was the latest in the Blind Pig Blues Club's series of monthly concert promotions. One of those behind the BPBC is Lee Bates and this evening the man himself took to the Covid-secure stage - a perspex screen between performer and audience.  

Sitting comfortably with his National steel in his lap and a bottle of the house beer (Prohibition 33 Pale Ale) at hand, Bates couldn't have been more genial, his love of the blues clearly evident. From Blind Boy Fuller to Robert Johnson, Mississippi John Hurt, Charley Patton and a host of other country blues artists, this was how to listen to the blues - an intimate venue, a small (by design), attentive audience, good company.     

I'm a Rattlesnakin' Daddy (Fuller) opened the show, Bates' command of the material and his instrument a joy to behold, this was gonna be a goodun. A brace from Bo Carter -  Old Devil and Country Fool - followed by Woody Guthrie's Dust Bowl ballad Vigilante Man, this was great stuff. Our man said, unsurprisingly, tonight's gig was his first since February. Bates said he thought he'd be a bit rusty. Not a bit of it! During lockdown he'd been learning some new tunes and here he was playing them in public for the first time. 

Charley Patton's Pony Blues, as recorded by Son House, Robert Johnson's When You Got a Good Friend and Phonograph Blues, some Scrapper Blackwell, some Joe Callicott, Bates had long-since decided not to bother with an interval, he was much too busy enjoying himself! A potted history of, or simply nuggets about, the bluesmen Bates was paying homage to, helped create a narrative for those perhaps less familiar with the idiom. 

Irving Berlin's My Walking Stick perhaps the unlikely selection of the evening, John Lee Hooker the more likely by way of Ground Hog Blues, and that was about it, the best part of an hour and a half straight through. Lee Bates thought he had finished for the evening...More! More! We got one more, Barbecue Bob's Yo Yo Blues. It had been a canny night.  
Russell

No comments :

Blog Archive