Bebop Spoken There

David Bailey (photographer): ''When I was 16 I wanted to look like Chet Baker. He was my idol - him and James Dean.'' (Talking Pictures documentary : Four beats to the bar and no cheating April, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18445 (and counting) posts since we started blogging 18 years ago. 309 of them this year alone and, so far this month (April 20 ) 43,

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

April

Thu 23: FILM: Big Mama Thornton: I Can’t Be Anyone But Me @ Tyneside Cinema, Newcastle. 6:15pm. Dir. Robert Clem (2025).
Thu 23: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. £6.50. 7:30pm (doors).
Thu 23: Eva Fox & the Sound Hounds @ The Black Swan, Newcastle. 7:30pm. Free.
Thu 23: Jeremy McMurray’s Pocket Jazz Orchestra & Musicians Unlimited @ ARC, Stockton. 8:00pm. £19.00. inc. bf.

Fri 24: Noel Dennis Trio @ The Gala, Durham. 1:00pm. Dennis, Mark Willams, Andy Champion. SOLD OUT!
Fri 24: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 24: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 24: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 24: Trio Grand @ Land of Oak & Iron, Winlaton. 6:00-9:00pm. Free.
Fri 24: Ben Vince + The Exu @ Cobalt Studios, Newcastle. 7:00pm (doors). £14.33., £11.16, £8.00. A ‘jazz adjacent’ gig!
Fri 24: Daniel John Martin w. Swing Manouche @ The Ship Isis, Sunderland. 7:30pm. £13.20 (inc. bf).
Fri 24: TBC @ The Traveller’s Rest, Darlington. 8:00pm.

Sat 25: Giles Strong Quartet @ Hindmarsh Hall, Alnmouth. 7:30pm. CANCELLED!
Sat 25: Daniel John Martin w. Swing Manouche @ The Old Cinema Launderette, Durham. 7:30pm (7:00pm doors). £13.20 (inc. bf).
Sat 25: ‘Portrait in Evans’: Noa Levy & Alan Barnes w. Paul Edis Trio @ The Glasshouse, Gateshead. 8:00pm. £24.00. Sage Two. ‘Portrait in Evans’. Levy, Barnes, Edis, Andy Champion & Steve Hanley.

Sun 26: Musicians Unlimited: Big Band Blast @ West Hartlepool RFC. 1:00-3:00pm . Free.
Sun 26: Daniel John Martin w. Swing Manouche @ Central Bar, Gateshead. 2:00pm. £10.00.
Sun 26: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 26: Ruth Lambert Trio @ Juke Shed, North Shields. 3:00pm. Free.
Sun 26: Ni Maxine + Nauta @ Cobalt Studios, Newcastle. 7:00pm. £17.51., £14.33., £11.16.
Sun 26: Joe Steels @ The Pele, Corbridge. 7:00pm. Free (donations direct to the musicians). Joe Steels & Friends.
Sun 26: C.A.L.I.E @ The Globe, Newcastle. 8:00pm. £16.00., £14.00., £7.00.

Mon 27: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 27: House of Blues @ the Globe, Newcastle. 7:00pm. £7.00., £5.00. advance. A student-led jazz session. ‘House of Blues’ is, perhaps, a misnomer.
Mon 27: Littlewood Trio @ Cluny 2, Newcastle. 7:30pm (doors). £10.00 + bf, £7.00. + bf.

Tue 28: Long/Remon/Zilker @ The Black Swan, Newcastle. 7:30pm. Free. Tom Remon plays Irish folk!

Wed 29: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 29: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 29: Long/Remon/Zilker @ The Ship Isis, Sunderland. 7:00pm. £10.00. + £1.00. bf. Tom Remon plays Irish folk!
Wed 29: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 29: Hackney Colliery Band @ Alnwick Playhouse. 7:30pm. £25.00.

Friday, October 23, 2020

Film review: Ronnie's @ Everyman Cinema - Oct. 23

Friday evening, the Everyman Cinema, Newcastle. The first night of the nationwide release of Oliver Murray's documentary film Ronnie's. Screen One, albeit with a socially distanced audience, was surprisingly full. Nursing a five quid plus bottle of beer, the 106 minutes which followed were largely familiar to the jazz fan and, for the non-jazz fan, perhaps something of an eye-opener. 

The beginnings, the desire to somehow replicate 52nd Street's club scene back home in London, the Soho gangsters (surprisingly on side with the post war  jazz musicians), the arrival of Zoot Sims with many more Americans to follow, this was the story of a rag to rags jazz club. The to-be-expected talking heads were absent from the screen, instead we heard their voices as stills and the moving image sketched the story of Ronnie Scott. 
Scott's personal demise mirrored the club's decline. The final reel detailed Pete King's sale of the Frith Street shrine to Sally Greene. Take a look at Ronnie's today and King's decision to sell is surely vindicated. A curious - deliberate? - omission was the lack of focus on the house band, past or present. We didn't get to hear from Ronnie's current MD, James Pearson, otherwise Ronnie's is an affectionate tribute to the bricks and mortar bearing the name of its founder and the man himself. 
Russell
at

1 comment :

Lance said...

I'd seen a preview on my PC but, on the large screen it was something else although, paradoxically, I found the music to be better balanced on my home set-up. However, that did nothing to detract from the film itself - it was so well done and I could feel a vestige of a tear forming at the end.

I agree it would have been interesting to have had a contribution from current "houseman" James Pearson and, even more so, if Clark Tracey had recounted some of his dad's memories from when he, Stan Tracey, was resident pianist at the club. The jazz mags have recounted many stories of the good, the bad and the ugly involving visiting musicians.

On a personal note, I remember my wife and I going to see Buddy Greco and we were shown to a table where the stage was obscured (this was long before the present set-up) and the best we could hope for was hearing Buddy and perhaps catching a glimpse of his shoulder. Marlene wasn't having any of this and collared a waiter. "Do you think you could find us a better table?" she asked. As soon as he heard her northeast accent he said, "Certainly bonny lass" and moved us to what was near enough the best seat in the house - turned out he belonged Morpeth!

Friday, October 23, 2020 11:16:00 pm

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