Bebop Spoken There

Art Blakey (to Terence Blanchard): ''You ain't Miles find your own shit to do!'' (DownBeat May, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18532 (and counting) posts since we started blogging 18 years ago. 396 of them this year alone and, so far this month (May 15) 50

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

May

Sun 17: Glenn Miller & Big Band Spectacular @ Forum Theatre, Billingham. 7:30pm.
Sun 17: QOW Trio @ The Globe, Newcastle. 8:00pm. £14.00., £12.00., £7.00. Spike Wells, Riley Stone-Lonergan & Eddie Myer.

Mon 18: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 18: Mark Williams Trio @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 19: GoGo Penguin + Daudi Matsiko @ Wylam Brewery, Newcastle. 7:00pm (doors). £22.00 + £4.40 bf.
Tue 19: Danny Lowndes’ Hot Club @ The Cluny, Newcastle. 7:30pm (doors). £15.00 + £5.00 bf.
Tue 19: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Michael Young (piano); Paul Grainger (double bass); Mark Robertson (drums).

Wed 20: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 20: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 20: Jordan Jackson @ The Cluny, Newcastle. 7:30pm (doors). £19.80 (inc. bf); £15.40 (inc. bf).
Wed 20: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 21: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 21: Jazz Classics with Rivkala @ The Black Swan, Newcastle. 7:30pm. Free. Rivkala (vocals); Alan Law (piano); Paul Grainger (double bass).
Thu 21: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.

Fri 22: Paul Skerritt @ Market Place, Durham. From 12 noon. Free. Skerritt w. backing tapes.
Fri 22: Paul Edis Trio @ The Gala, Durham. 1:00pm. £9.00. Edis, Andy Champion, Steve Hanley.
Fri 22: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 22: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 22: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 22: Castillo Nuevo Trio @ Hotel Gotham, Newcastle. 5:30pm. Free.
Fri 22: Paul Edis Trio @ St Cuthbert’s Centre, Crook. 7:30pm. £TBC. Edis, Andy Champion, Steve Hanley.

Sat 23: Tyne Valley Big Band @ Bywell Hall. 2:00pm. Northumberland County Show.
Sat 23: Paul Edis @ Core Music, Gilesgate, Hexham. 3:00pm. £12.00. A Core Music fundraiser, Hexham Jazz Weekender Day/Weekend ticket not applicable. Hexham Jazz Weekender.
Sat 23: Blyth Big Band @ Yamaha Music School, Blyth. 6:30pm. £9.00., £5.00.
Sat 23: Paul Edis & Friends @ Musicwonders, Church Chare, Chester-le-Street. 7:00pm (6:30pm doors). £15.00. www.musicwonders.org. BYOB.
Sat 23: Alexia Gardner Quintet @ Queen’s Hall Hexham. 7:00pm. £13.50 (inc. bf). Hexham Jazz Weekender.
Sat 23: TC & the Groove Family + Lagos to Longbenton @ Cobalt Studios, Newcastle. 7:00pm (doors). £17.51., £14.33., £11.16.
Sat 23: Davina & the Vagabonds @ Cluny 2, Newcastle. 7:30pm (doors). £22.00. + £1.50 bf.
Sat 23: Celebrating Wes Montgomery @ Queen’s Hall, Hexham. 8:15pm. £14.00., £12.00. Hexham Jazz Weekender.
Sat 23: Chris Coull’s Porgy & Bess @ Queen’s Hall, Hexham. 9:30pm. £16.50 (inc. bf). Hexham Jazz Weekender.

Friday, October 23, 2020

Film review: Ronnie's @ Everyman Cinema - Oct. 23

Friday evening, the Everyman Cinema, Newcastle. The first night of the nationwide release of Oliver Murray's documentary film Ronnie's. Screen One, albeit with a socially distanced audience, was surprisingly full. Nursing a five quid plus bottle of beer, the 106 minutes which followed were largely familiar to the jazz fan and, for the non-jazz fan, perhaps something of an eye-opener. 

The beginnings, the desire to somehow replicate 52nd Street's club scene back home in London, the Soho gangsters (surprisingly on side with the post war  jazz musicians), the arrival of Zoot Sims with many more Americans to follow, this was the story of a rag to rags jazz club. The to-be-expected talking heads were absent from the screen, instead we heard their voices as stills and the moving image sketched the story of Ronnie Scott. 
Scott's personal demise mirrored the club's decline. The final reel detailed Pete King's sale of the Frith Street shrine to Sally Greene. Take a look at Ronnie's today and King's decision to sell is surely vindicated. A curious - deliberate? - omission was the lack of focus on the house band, past or present. We didn't get to hear from Ronnie's current MD, James Pearson, otherwise Ronnie's is an affectionate tribute to the bricks and mortar bearing the name of its founder and the man himself. 
Russell

1 comment :

Lance said...

I'd seen a preview on my PC but, on the large screen it was something else although, paradoxically, I found the music to be better balanced on my home set-up. However, that did nothing to detract from the film itself - it was so well done and I could feel a vestige of a tear forming at the end.

I agree it would have been interesting to have had a contribution from current "houseman" James Pearson and, even more so, if Clark Tracey had recounted some of his dad's memories from when he, Stan Tracey, was resident pianist at the club. The jazz mags have recounted many stories of the good, the bad and the ugly involving visiting musicians.

On a personal note, I remember my wife and I going to see Buddy Greco and we were shown to a table where the stage was obscured (this was long before the present set-up) and the best we could hope for was hearing Buddy and perhaps catching a glimpse of his shoulder. Marlene wasn't having any of this and collared a waiter. "Do you think you could find us a better table?" she asked. As soon as he heard her northeast accent he said, "Certainly bonny lass" and moved us to what was near enough the best seat in the house - turned out he belonged Morpeth!

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