For the past eighteen years we've been updating the world about jazz in the north east of England and updating the north east of England about jazz in the world. WINNER of the Jazz Media Category in the 2018 All Party Parliamentary Jazz Awards. Contact lanceliddle@gmail.com
JANUARY 2026
Fri 30: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 30: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 30: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 30: Castillo Nuevo Trio @ Hotel Gotham, Newcastle. 5:30pm. Free.
Fri 30: Pete Roth Trio @ Gosforth Civic Theatre, Newcastle. 7:30pm (doors). Feat. Bill Bruford.
Fri 30: Jive Aces @ Alnwick Playhouse. 7:30pm.
Fri 30: Tweed River Jazz Band @ Northern Edge Coffee, Silver St., Berwick. 7:00pm.
Fri 30: Dan Coulthurst Quintet @ Central Bar, Gateshead. 7:30pm (7:00pm doors). £10.00 + £1.00. bf (www.wegottickets.com). Coulthurst (trumpet); Joel Stedman (bass clarinet, flute); Nico Widdowson (piano); Fergus Quill (double bass); Theo Goss (drums).
Sat 31: Darling Dollies @ St George’s Church, Jesmond, Newcastle. 3:00pm. £10.00. Vocal trio.
Sat 31: Brass Fiesta @ Revoluçion de Cuba, Newcastle. 10:30pm. Free.
FEBRUARY 2026
Sun 01: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £10.00.
Sun 01: Ian Bosworth Quintet @ Chapel, Middlesbrough. 1:00pm. Free. Quintet + guest Bill Watson (trumpet, flugelhorn).
Sun 01: Sax Choir @ The Globe, Newcastle. 2:00pm. Free.
Sun 01: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 01: Annie & the Caldwells @ The Cluny, Newcastle. 7:30pm (doors). £25.00. adv. Gospel/soul.
Sun 01: Jive Aces @ Alnwick Playhouse. 7:30pm.
Sun 01: Olly Styles Experience + Jenny Baker @ the Globe, Newcastle. 8:00pm.
Mon 02: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 02: Saltburn Big Band @ Saltburn House Hotel. 7:00-9:00pm. Free.
Tue 03: Customs House Big Band @ The Masonic Hall, Ferryhill. 7:30pm. Free.
Tue 03: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Joe Steels, Paul Grainger, Abbie Finn.
Wed 04: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 04: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 04: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Thu 05: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £5.00. Subject:Times of the Day & Trios.
Thu 05: Jeremy McMurray’s Pocket Jazz Orchestra @ Arc, Stockton. 8:00pm. Special guest Emma Wilson.
Thu 05: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.
4 comments :
Wonderful Story , thank you so much for sharing it with us .
Although there are a lot older tubas in captivity. I used my little H B Jay c1909 for many gigs as it was easier to carry than my huge Conn recording bass. There's a really ancient Belgian tuba in the attic. Rita Wheatley gave me John's old tuba ( c1910) which I had restored - including a missing valve! Some of my friends regularly play instruments from the 1860s.
However, Ray Shenton was without doubt the hottest player in the North East.
I need some clarification here. Despite working in the music industry for over 30 years, I had little to do with tubas. However, in my youthful brass band days, there were Eb and BBb basses that were referred to as tubas and, somewhere along the line I came across references to a bombardon. To further complicate the issue, sousaphone players were often listed as playing tuba. Words of wisdom please Carstairs.
One of the first tubaswas a long trumpet used the Romans! A valved tuba was invented in 1835 by Wieprecht. It quickly replaced the old Serpents and Ophicleides. They come in all shapes and sizes. By the 1860s the tuba family ranged from the Bass in C or Bb ( a tenor tuba) pitched the same as a tenor trombone down to 18ft BBb Contrabass. There was some snobbery in England where the player of an Orchestral tuba in F looked down on the Brass/Military bandsman's Eb and Bb bass - often termed a Bombardon. A circular bass or helicon , with the bell behind the player's left shoulder was often used in Military bands. The Sousaphone is simply a circular bass with the bell pointing forwards - Americans usually refer to it as a 'tooba'.
Many of the early Jazz musicians played brass bass, often doubling string bass and even bass Sax. I'm sure you could name many of them, from Wellman Braud, Billy Taylor to Red Callendar.
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