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Bebop Spoken There

Van Morrison: ''Basically, I'm coming from jazz. Not pop, not rock, not what's commercial. That's where I started, and that's still where I am. I feel the same as I did when I was listening to Louis Armstrong, Lead Belly, Jelly Roll Morton''. (The Northern Echo, 12 June 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17,533 (and counting) posts since we started blogging 17 years ago. 497 of them this year alone and, so far, 75 this month (June 23).

From This Moment On ...

JUNE 2025

Wed 25: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 25: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 25: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 25: The Magpies of Swing @ The Roxy, Leadgate, Co. Durham. 7:30pm. A Ginger Jitterbugs swing dance event, all welcome.

Thu 26: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. Subject: Brass Instruments & the use of mutes.

Fri 27: Lewis Watson Quartet @ The Gala, Durham. 1:00pm.
Fri 27: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 27: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 27: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 27: Strictly Smokin’ Big Band @ Gosforth Civic Theatre, Newcastle. 8:00pm. ‘Time After Time’.

Sat 28: Vieux Carré Jazzmen @ The Linskill Centre, North Shields. 4:00-10:30pm. Free, but ticketed (over 18s only). A multi-bill, multi-genre ‘Canny Shiels - North Shields 800’ event. Three Kings Brewery on site.
Sat 28: Joseph Carville Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 28: Jude Murphy & Dan Stanley @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Sun 29: Jude Murphy & Dan Stanley @ Wallington, Northumberland. 12 noon-1:00pm & 2:00-3:00pm. Tel: 01670 773606. National Trust admission prices apply. ‘Tunes in the Blooms’.
Sun 29: Bal Bruch Social Dance @ As You Like It, Sandyford, Newcastle. 12:30pm. Free. Dance event with Hot Club de Heaton performing live (2:00-3:00pm). A ‘Jar on the Bar’ event.
Sun 29: Glenn Miller Orchestra UK @ The Fire Station, Sunderland. 3:00pm. Ray McVay & co.
Sun 29: Ruth Lambert Trio @ Juke Shed, North Shields. 3:00pm. Free.
Sun 29: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 29: Zoë Gilby w. Ryton Choral Society @ Corbridge Middle School NE45 5HX. 5:30pm. £15.00. Gilby w jazz trio & choir. ‘An evening of jazz song for choir’.
Sun 29: Jazz Jam Sandwich! @ Prohibition Bar, Newcastle. 7:00pm. Free. A ‘Jar on the Bar’ gig.
Sun 29: John Wilson & the Sinfonia of London @ The Glasshouse, Gateshead. 7:30pm. ‘Rodgers & Hammerstein’s Greatest Hits’.
Sun 29: Out Front @ The Globe, Newcastle. 8:00pm. JNE.

Mon 30: Harmony Brass @ Cullercoats Crescent Club (1:00pm). Free.

JULY 2025

Tue 01: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Joe Steels, Paul Grainger, Mark Robertson.
Tue 01: Customs House Big Band @ Masonic Hall, Ferryhill. 7:30pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Sunday, October 04, 2020

Ray Shenton's Tuba

I noted in John Potts’s story that he said that Ray Shenton’s tuba was the oldest in Western Europe. Ray is my Dad and I have his tuba now (with all the old rubber bands and Gaffer tape holding it together) so he doesn’t feel tempted to have a blow and knock himself out.

I looked up the serial number on the Boosey and Hawkes website and it looks like it was made in January 1918. Dad tells me he got it from Lawrence McBriarty in about 1961, who rescued it for him from the territorial band headquarters on Barrack Road when they disbanded.

He did have another tuba before this one that was bought by Colin Hopper for £3 from a junk shop at the bottom of Westgate Road.
Mark Shenton

4 comments :

NeilC said...

Wonderful Story , thank you so much for sharing it with us .

carstairs said...

Although there are a lot older tubas in captivity. I used my little H B Jay c1909 for many gigs as it was easier to carry than my huge Conn recording bass. There's a really ancient Belgian tuba in the attic. Rita Wheatley gave me John's old tuba ( c1910) which I had restored - including a missing valve! Some of my friends regularly play instruments from the 1860s.

However, Ray Shenton was without doubt the hottest player in the North East.

Lance said...

I need some clarification here. Despite working in the music industry for over 30 years, I had little to do with tubas. However, in my youthful brass band days, there were Eb and BBb basses that were referred to as tubas and, somewhere along the line I came across references to a bombardon. To further complicate the issue, sousaphone players were often listed as playing tuba. Words of wisdom please Carstairs.

carstairs said...

One of the first tubaswas a long trumpet used the Romans! A valved tuba was invented in 1835 by Wieprecht. It quickly replaced the old Serpents and Ophicleides. They come in all shapes and sizes. By the 1860s the tuba family ranged from the Bass in C or Bb ( a tenor tuba) pitched the same as a tenor trombone down to 18ft BBb Contrabass. There was some snobbery in England where the player of an Orchestral tuba in F looked down on the Brass/Military bandsman's Eb and Bb bass - often termed a Bombardon. A circular bass or helicon , with the bell behind the player's left shoulder was often used in Military bands. The Sousaphone is simply a circular bass with the bell pointing forwards - Americans usually refer to it as a 'tooba'.
Many of the early Jazz musicians played brass bass, often doubling string bass and even bass Sax. I'm sure you could name many of them, from Wellman Braud, Billy Taylor to Red Callendar.

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