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Bebop Spoken There

Brian Dee: "I feel my generation had one advantage over today's players in that we were not musically educated in colleges, so we all sounded different. I could tell who it was just by the sound." - (Jazz Rag, Summer 2020).

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11,783 (and counting) posts since we started blogging 12 years ago. 1023 of them this year alone and, so far, 50 this month (Sept. 17).

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Happy Birthday Katy Trigger & Mia Webb.

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Vieux Carre Hot 4 - Spanish City, Spanish City Plaza, Whitley Bay NE26 1BG. Tel: 0191 691 7090. 12 noon. Free.

Riviera Quartet - The Globe, 11 Railway St., Newcastle NE4 7AD. 8:00pm. A limited number of seats are available which MUST be bought in advance online. £7:50 or £5:45 live stream only.

THURSDAY 24

Vieux Carre Jazzmen - The Holystone, Whitley Road, North Tyneside NE27 0DA. 0191 266 6173. 1:00pm. Free.

Maine St Jazzmen - Sunniside Social Club, Sunniside Road, Sunniside NE16 5NA. Tel: 0191 488 7347. 8:00pm - 10pm. Free. Note earlier start/finish.

Friday, December 13, 2019

CD Review: Robin Phillips - RE-VERSƎD

Robin Phillips (vocal/piano); Jihad Darwish (bass); Seb De Krom (drums); Sammy Mayne (alto sax); Brandon Allen (tenor sax).
(Review by Lance)

Having recently heard Michael Bublé and Jason Isaacs live and listened to Harry Connick Jr.'s latest album, Robin Phillips had it all to do - this was put up or shut up time. He didn't shut up - he put up!

As soon as I heard a sample I knew this was worth checking out. Not least because of Phillips' conception of including some lesser known verses of better known GASbook songs and working them back into the song rather than leaving them adrift after the initial 16/32 bars. It worked!

Imagine the aforementioned Connick Jr., the late Peter Skellern and, most significantly, Harry Nillson. All have left an influence but only a slight one. Phillips is his own man and, with a piano style that makes him a rated one, plus a voice that is more than just that of a contemporary crooner, it isn't surprising that he is in demand across the clubs and bars of our capital city.

Not many crooners - even the great and the good - had guys like Mayne and Allen, De Krom and Darwish goosing them along and the horn solos are the perfect icing to enhance the cake.

The ultimate beauty, however, is the discovery of how much more these, oft dismissed, verses added to the meaning of the song - in a sense it's like finding an extra movement to a symphony or an additional verse to a classic poem.

How's about playing the verse at your Xmas party and asking your guests to guess the tune? As a bonus you could then ask them to guess the singer. They won't but, you can bet your life they will next Xmas! - the world will (fingers crossed!)

The CD player is now in repeat mode...
Lance.
Time After Time; Spring Can Really Hang You Up the Most; It Had to be You; As Time Goes By; These Foolish Things; On Green Dolphin Street; They Can't Take That Away From Me; A Nightingale Sang in Berkeley Square; Don't Blame Me.

1 comment :

Liz said...

Many years ago I was on live Radio with Pete Murray, it was a lunch time show, they played the verse, and the listener had to carry on singing the chorus. I was unfortunate to get "One Alone" I knew it, and won a Beatles LP, but my big prob was singing this chorus in a key to suit my voice ( I think it was John Hanson) what a laugh, anyway I enjoyed it, and had a lovely chat with Pete. Yes, agree the verse is everything!

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