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Bebop Spoken There

Sullivan Fortner: ''I always judge it by the bass player: If the bass player is happy, it's going to be a good night". (DownBeat, February 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17755 (and counting) posts since we started blogging 17 years ago. 76 of them this year alone and, so far, 1 this month (Feb.1).

From This Moment On ...

February 2025

Tue 04: Customs House Big Band @ The Masonic Hall, North St., Ferryhill DL17 8HX. 7:00pm. Free.
Tue 04: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Ben Phillips, Paul Grainger, Bailey Rudd.
Tue 04: Dilutey Juice + Life Aquatics Band @ The Glasshouse, Gateshead. 8:00pm.

Wed 05: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 05: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 05: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 06: Vieux Carré Jazzmen @ The Holystone, Whitley Road, Holystone. 1:00pm. Free.
Thu 06: Lewis Watson Quartet @ King’s Hall, Newcastle University. 1:15pm. Free.
Thu 06: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. Subject: Latin jazz/top-rated dance bands.
Thu 06: Rose Room @ The Globe, Newcastle. 8:00pm.
Thu 06: Mostly Moonlight @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig. Helen Barber (vocals) & Alex Moon (piano).
Thu 06: Tees Hot Club @ Dorman’s Club, Middlesbrough. Guests: Richie Emmerson (tenor sax); Donna Hewitt (alto sax); Kevin Eland (trumpet); Graham Thompson (keys); Ron Smith (bass). 8:30pm. Free. A Tees Hot Club promotion. The session is now monthly, first Thursday in the month.

Fri 07: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 07: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 07: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 07: James Birkett & Emma Fisk @ Old Lowlight, Clifford’s Fort, North Shields NE30 1JE. 7:00pm. £15.00. + bf. www.oldlowlight.co.uk. SOLD OUT!
Fri 07: Stuart Turner Trio @ Billy Bootlegger’s, Ouseburn, Newcastle. 7:00pm. Free. Jazz, blues, Americana etc.
Fri 07: Dean Stockdale Quartet @ Saltburn Community Hall. 7:30pm. £12.00.
Fri 07: Rose Room @ Wylam Institute. 8:00pm. £19.67.
Fri 07: John Rowland Quartet @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sat 08: Jason Isaacs @ St. James’ STACK, Newcastle. 12:30-2:30pm. Free. Vocalist Isaacs working with backing tapes.
Sat 08: Jason Isaacs @ Seaburn STACK, Seaburn. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Sat 08: Milne Glendinning Band @ The Vault, Darlington. 7:00pm. Free.
Sat 08: Lewis Watson Quartet @ Yamaha Music School, Blyth. 7:30pm. £15.00. at the door; £14.35. (inc £0.35 bf) online, in advance.
Sat 08: Anth Purdy @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. ‘Swing Jazz Guitar’.
Sat 08: NUJO Jazz Jam @ Cobalt Studios, Newcastle. 8:00pm. Free. A Newcastle University Jazz Orchestra event. All welcome.

Sun 09: Glenn Miller & Big Band Spectacular @ The Forum, Billingham. 3:00pm.
Sun 09: The New ’58 Jazz Collective @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 09: Am Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 09: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 09: Tom Remon & Mark Williams @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 09: Rod Oughton’s Tomorrow’s New Quartet with Ben van Helder @ The Globe, Newcastle. 8:00pm. Line-up inc. Deschanel Gordon.
Sun 09: Jazz Jam @ Fabio’s, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society promotion. All welcome.

Mon 10: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Thursday, December 12, 2019

CD Review: John Allee – Bardfly

John Allee (vocals, composer, arranger, additional lyrics); Mahesh Balasooriya (piano); Aaron Mclendon (drums); Dominic Thiroux (bass); Javier Vergara (saxophone); Matt Von Roderick (trumpet).
(Review by Ann Alex)

Is Lance favouring me with the most unusual, interesting CDs to review? I ask after listening to this latest humdinger by John Allee, veteran stage and TV actor and singer/songwriter from LA. We get 13 delightful tracks of songs from Shakespeare's plays, set to jazz, with some added lyrics by Allee, who adopts the persona of Feste the jester. The plays range from Othello to Henry IV to Hamlet and the music includes elements of blues, ballads, swing, and even hymns and spoken word.

I have a theory that jazz is especially suitable to accompany Shakespeare's work. I've heard it at many performances; the universal 'feel' sits well with the Bard's universal themes, and much of the music played in the time of Shakespeare was dance music anyway, their 'swing'. The CD begins with Allee speaking to us over a piano jazz groove, introducing the band and setting the scene. Then comes the calm, slow strains of Until the Break of Day, followed by Tomorrow Is St Valentine's Day, with suitably saucy-sounding comments from the trumpet.

Philomel/Hold Thy Peace (You Spotted Snakes) took me back to schooldays when I sang this, but this version is much more fun, done as swing with scat. Oh Mistress Mine is a song of seduction and the shortness of life, a common Shakespearian theme and Sigh No More is a sensitive ballad with a pleasing sax solo. The Hungry Lion is a sly creepy number about graveyards, with a final dissonant chord. Green Willow is gentle and sad and Full Fathom Five has a suitable 'under water' feel from the mellow instrumentation. Then comes the lively irony of Heigh Ho The Holly, and Allee brings out the meaning of the words skilfully ' most friendship is failing, most loving mere folly.' Come Away Death is slow with a bass solo, which is the right instrument to portray death (hope no bass players are offended). Then another death song Never Come Again, and a humorous song to finish, The Wind and the Rain, which outlines the stages of human life.

It goes without saying that the instrumentalists are well up to and beyond the mark. John Allee has performed in many Shakespeare plays, including Twelfth Night and he has also played in the Benjamin Britten musical version of A Midsummer Night's Dream. It is worth noting that the CD deserves careful listening to catch the full meaning of the lyrics, maybe hearing the album three times would hardly be enough. The CD has been available everywhere from October 11 on the Portuguese Knees Music label. See www.johnallee.com
Ann Alex

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