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Bebop Spoken There

Tineke Postma: “ I had a huge crush on him [Sting] when I was a teenager ". Jazzwise, June 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16476 (and counting) posts since we started blogging 16 years ago. 356 of them this year alone and, so far, 68 this month (May 24).

From This Moment On ...

May

Thu 30: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 30: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Ragtime piano. A ‘Jar on the Bar’ gig.
Thu 30: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests Josh Bentham (sax); Neil Brodie (trumpet); Garry Hadfield (keys); Adrian Beadnell (bass);

Fri 31: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 31: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 31: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 31: Castillo Nuevo Trio @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Fri 31: Borealis @ The Witham, Barnard Castle. 7:30pm. CANCELLED!
Fri 31: Redwell @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

June

Sat 01: Enrico Tomasso’s Swing Company @ St Augustine's Parish Centre, Darlington. 12:30pm. Darlington New Orleans Jazz Club.
Sat 01: Play More Jazz! workshop @ The Globe, Newcastle. 1:30pm. Tutor: Steve Glendinning.
Sat 01: Hop, Skiffle & Jump: The Story of Skiffle @ 1719, Hendon, Sunderland. 6:00-9:00pm.
Sat 01: Edison Herbert Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 01: Lindsay Hannon’s Tom Waits for No Man @ Dry Water Arts, Amble. 7:00pm. £15.00.
Sat 01: John Garner & John Pope @ Victoria Tunnel, Ouseburn, Newcastle. 7:00pm.
Sat 01: Milne-Glendinning Band @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 02: Musicians Unlimited @ West Hartlepool RFC, Hartlepool. 12 noon. Two sets (12 noon-1:00pm & 2:00-3:00pm). ‘Sunday Big Band Blast meets WHRFC’s Classic Car Show’.
Sun 02: Smokin’ Spitfires @ The Cluny, Newcastle. 12:45pm. £7.50.
Sun 02: Mark Williams Trio @ Central Bar, Gateshead. 2:00pm. £10.00.
Sun 02: Sax Choir @ The Globe, Newcastle. 2:00pm.
Sun 02: New Century Ragtime Orchestra @ Prohibition Bar, Newcastle. 2:30pm. Free. A 'Jar on the Bar' gig. A 'pint sized' NCRO gig/rehearsal session feat. Dave Hignett, Jim McBriarty, Gavin Lee, Keith Stephen, Phil Rutherford with special guest drummer Nick Ward.
Sun 02: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 02: Anth Purdy @ The Quakerhouse, Darlington. 6:30pm. Free. ‘Swing Jazz Guitar’.
Sun 02: MSK @ The Globe, Newcastle. 8:00pm.

Mon 03: John Garner & John Pope @ Yamaha Music School, Blyth. 1:00pm. £8.00.
Mon 03: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 04: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Ben Phillips, Paul Grainger, Abbie Finn.

Wed 05: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 05: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 05: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thursday, December 12, 2019

CD Review: John Allee – Bardfly

John Allee (vocals, composer, arranger, additional lyrics); Mahesh Balasooriya (piano); Aaron Mclendon (drums); Dominic Thiroux (bass); Javier Vergara (saxophone); Matt Von Roderick (trumpet).
(Review by Ann Alex)

Is Lance favouring me with the most unusual, interesting CDs to review? I ask after listening to this latest humdinger by John Allee, veteran stage and TV actor and singer/songwriter from LA. We get 13 delightful tracks of songs from Shakespeare's plays, set to jazz, with some added lyrics by Allee, who adopts the persona of Feste the jester. The plays range from Othello to Henry IV to Hamlet and the music includes elements of blues, ballads, swing, and even hymns and spoken word.

I have a theory that jazz is especially suitable to accompany Shakespeare's work. I've heard it at many performances; the universal 'feel' sits well with the Bard's universal themes, and much of the music played in the time of Shakespeare was dance music anyway, their 'swing'. The CD begins with Allee speaking to us over a piano jazz groove, introducing the band and setting the scene. Then comes the calm, slow strains of Until the Break of Day, followed by Tomorrow Is St Valentine's Day, with suitably saucy-sounding comments from the trumpet.

Philomel/Hold Thy Peace (You Spotted Snakes) took me back to schooldays when I sang this, but this version is much more fun, done as swing with scat. Oh Mistress Mine is a song of seduction and the shortness of life, a common Shakespearian theme and Sigh No More is a sensitive ballad with a pleasing sax solo. The Hungry Lion is a sly creepy number about graveyards, with a final dissonant chord. Green Willow is gentle and sad and Full Fathom Five has a suitable 'under water' feel from the mellow instrumentation. Then comes the lively irony of Heigh Ho The Holly, and Allee brings out the meaning of the words skilfully ' most friendship is failing, most loving mere folly.' Come Away Death is slow with a bass solo, which is the right instrument to portray death (hope no bass players are offended). Then another death song Never Come Again, and a humorous song to finish, The Wind and the Rain, which outlines the stages of human life.

It goes without saying that the instrumentalists are well up to and beyond the mark. John Allee has performed in many Shakespeare plays, including Twelfth Night and he has also played in the Benjamin Britten musical version of A Midsummer Night's Dream. It is worth noting that the CD deserves careful listening to catch the full meaning of the lyrics, maybe hearing the album three times would hardly be enough. The CD has been available everywhere from October 11 on the Portuguese Knees Music label. See www.johnallee.com
Ann Alex

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