The Francis Tulip Quartet @ the Globe Jazz Bar - Dec. 22

Francis Tulip (guitar); Ben Lawrence (keys); Michael Dunlop (bass guitar); Matthew MacKellar (drums)

(Review by Ann Alex)

These musicians were on top form, no doubt about it. And the Jazz Coop promoted gig had nothing to do with Christmas apart from a quick reference to We Three Kings during the encore, so that made a nice break from the festivities. Thoroughly enjoyable, even though I was hampered by deafness in one ear (wax, you don't want to know) so Francis kindly supplied details of the tunes at half time, when he should have been resting after all that guitaring.

Straight in they started with Giraffe (Elvin Jones), strong, boppy guitar, flowing piano, lots of interplay between the two, drifting to a quiet ending. This I Dig Of You (Hank Mobley) had a seemingly simple few notes of tune, soon becoming improvisation, accompanied by very busy drums and cymbals, then bass and drum 4s, ending with the simple tune again on guitar, to a sudden stop.

Readers will have gathered that this music has a very different 'feel' from standard songs played as jazz. This music often involves repeated riffs, or by contrast, tunes which are entrancingly hard to pin down, a wispy feel, as in Infant Eyes (Wayne Shorter), which was gentle and contemplative, with light drumsticks and cymbals, and interesting bass. After Herbie Hancock's I Have A Dream, there came what sounded like the most difficult tune of the night – Birdless, composed by American drummer Ari Hoenig, which displayed a few different time signatures and goes to a bar of 2, so I was informed. The first set ended with Dizzy Gillespie's Con Alma.

The second set opened with The Hills Of Kykuit (Mike Moreno), a strong, smooth tune including a skilled drum solo, no less than we expect from Mr MacKellar who studies in the USA, then a boppy tune which I didn't catch the name of: this was followed by a continuation of the geographical theme, Shade Of The Cedar Tree (Christian McBride) which sounded very singable.

Matters Of Fact  was composed by Francis himself and the tune compared well with those we'd heard tonight from the well-known composers. It was a seemingly simple yet strong theme of 4 lines, 9 notes per line I think, with the guitar ending the tune with constant repetitions, very intriguing to listen to. Next, a Charlie Parker homage, short punchy lines, rhythm changes, a drum solo keeping to the shape of the tune, and a sudden stop. Herbie Hancock's One Finger Snap was the last official tune, solos all round, and the demanded encore was a standard, Gene De Paul's I'll Remember April.

The audience went home well satisfied. Catch these fine young musicians now while you still can – they have a great future ahead, so you may have to travel further before too long.

Ann Alex