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Bebop Spoken There

Greg Osby: “I have my own style, my own attitude, my own opinions about things. I'm not a follower". DownBeat, February, 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16233 (and counting) posts since we started blogging 16 years ago. 115 of them this year alone and, so far, 59 this month (Feb. 23).

From This Moment On ...

February 2024

Sat 24: NUJO Jazz Jam @ Cobalt Studios, Newcastle. 7:00pm (doors). Free (donations). A Newcastle University Jazz Orchestra event, all welcome.
Sat 24: Bradley Creswick’s Western Swingfonia @ Hexham Abbey, Hexham. 7:30pm. £15.00. A fundraiser for Hexham Abbey.
Sat 24: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 25: Musicians Unlimited @ The Park Inn, Hartlepool. 1:00pm. Free.
Sun 25: More Jam @ The Globe, Newcastle. 2:30pm. Free.
Sun 25: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 25: Lindsay Hannon: Tom Waits for No Man + Lee Maddison @ Laurels, Whitley Bay. 4:00pm (3:30pm doors). £11.00., £8.80. inc. bf. SOLD OUT!
Sun 25: Bex Burch + Rachel Musson @ The Globe, Newcastle. 8:00pm. £11.00. Two solo performances. JNE.
Sun 25: Jazz Jam @ Fabio's, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society event. All welcome.

Mon 26: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 27: Ruth Lambert Quartet @ The Black Swan, Newcastle. 8:00pm (7:00pm doors). £12.00., £10.00. (adv.).

Wed 28: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 28: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 28: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 29: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 29: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 29: Student Performances @ King’s Hall, Newcastle University. 4:00pm. Free. Inc. Olly Styles (saxophone).
Thu 29: ’58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:00pm. Free.
Thu 27: Student Jazz Jam @ The Globe, Newcastle. 7:30pm.
Thu 29: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Richie Emmerson (tenor sax); Josh Bentham (alto sax); Graham Thompson (keys); Adrian Beadnell (bass).

March
Fri 01: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 01: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 01: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 01: Wind Ensemble + Big Band + Jazz Combo + R&B Band @ Boiler House, Newcastle University. 5:30pm. Free.
Fri 01: Joseph Carville Trio @ Saltburn Community Hall. 7:30pm.
Fri 01-Sun 03: Great North Big Band Jazz Festival @ Park View Community Centre, Chester-le-Street. From 8:00pm Friday. Weekend ticket: £20.00.
Fri 01: TBC @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. Blind Pig Blues Club.
Fri 01: Great North Big Band Jazz Festival @ Park View Community Centre, Chester-le-Street. £10.00. Day 1/3. Musicians Unlimited + Festival Band.

Tuesday, December 24, 2019

The Francis Tulip Quartet @ the Globe Jazz Bar - Dec. 22


Francis Tulip (guitar); Ben Lawrence (keys); Michael Dunlop (bass guitar); Matthew MacKellar (drums)
(Review by Ann Alex)

These musicians were on top form, no doubt about it. And the Jazz Coop promoted gig had nothing to do with Christmas apart from a quick reference to We Three Kings during the encore, so that made a nice break from the festivities. Thoroughly enjoyable, even though I was hampered by deafness in one ear (wax, you don't want to know) so Francis kindly supplied details of the tunes at half time, when he should have been resting after all that guitaring.

Straight in they started with Giraffe (Elvin Jones), strong, boppy guitar, flowing piano, lots of interplay between the two, drifting to a quiet ending. This I Dig Of You (Hank Mobley) had a seemingly simple few notes of tune, soon becoming improvisation, accompanied by very busy drums and cymbals, then bass and drum 4s, ending with the simple tune again on guitar, to a sudden stop.

Readers will have gathered that this music has a very different 'feel' from standard songs played as jazz. This music often involves repeated riffs, or by contrast, tunes which are entrancingly hard to pin down, a wispy feel, as in Infant Eyes (Wayne Shorter), which was gentle and contemplative, with light drumsticks and cymbals, and interesting bass. After Herbie Hancock's I Have A Dream, there came what sounded like the most difficult tune of the night – Birdless, composed by American drummer Ari Hoenig, which displayed a few different time signatures and goes to a bar of 2, so I was informed. The first set ended with Dizzy Gillespie's Con Alma.

The second set opened with The Hills Of Kykuit (Mike Moreno), a strong, smooth tune including a skilled drum solo, no less than we expect from Mr MacKellar who studies in the USA, then a boppy tune which I didn't catch the name of: this was followed by a continuation of the geographical theme, Shade Of The Cedar Tree (Christian McBride) which sounded very singable.

Matters Of Fact  was composed by Francis himself and the tune compared well with those we'd heard tonight from the well-known composers. It was a seemingly simple yet strong theme of 4 lines, 9 notes per line I think, with the guitar ending the tune with constant repetitions, very intriguing to listen to. Next, a Charlie Parker homage, short punchy lines, rhythm changes, a drum solo keeping to the shape of the tune, and a sudden stop. Herbie Hancock's One Finger Snap was the last official tune, solos all round, and the demanded encore was a standard, Gene De Paul's I'll Remember April.

The audience went home well satisfied. Catch these fine young musicians now while you still can – they have a great future ahead, so you may have to travel further before too long.
Ann Alex

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