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Bebop Spoken There

Steve Coleman: ''If you don't keep learning, your mind slows down. Use it or lose it''. (DownBeat, January 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17733 (and counting) posts since we started blogging 17 years ago. 53 of them this year alone and, so far, 53 this month (Jan. 20).

From This Moment On ...

January 2025

Tue 21: ???

Wed 22: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 22: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 22: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 22: Pasadena Roof Orchestra @ Fire Station, Sunderland. 7:30pm.

Thu 23: Vieux Carré Jazzmen @ The Holystone, Whitley Road, Holystone. 1:00pm. Free. Fortnightly.
Thu 23: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. Subject: Obituaries 2024.
Thu 23: Jason Isaacs @ St James’ STACK, Newcastle. 4:30-6:30pm. Free. Vocalist Isaacs working with backing tapes.
Thu 23: Pedal Point Trio @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Fri 24: Zoë Gilby Quartet @ The Gala, Durham. 1:00pm. SOLD OUT!
Fri 24: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 24: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 24: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 24: Creakin’ Bones & the Sunday Dinners @ Lindisfarne Social Club, Wallsend. 9:00pm. Admission: TBC. Jazz, blues , jump jive, rock ‘n’ roll.

Sat 25: Boys of Brass @ St James’ STACK, Newcastle. 3:30-5:30pm. Free.
Sat 25: New '58 Jazz Collective @ Jackson's Wharf, Hartlepool. 6:30pm (doors). Free. A Burns' Night event. Jazz, swing, funk, soul, blues etc.
Sat 25: Edison Herbert Trio @ The Vault, Darlington. 7:00pm. Free.
Sat 25: Jack & Jay’s Songbook @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 26: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 26: Graham Hardy Eclectic Quartet @ Queen’s Hall, Hexham. 3:00pm.
Sun 26: Ruth Lambert Trio @ The Juke Shed, Union Quay, North Shields. 3:00pm. Free.
Sun 26: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 26: Jazz Jam Sandwich! @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 26: Tweed River Jazz Band @ Barrels Ale House, Berwick-upon-Tweed. 7:30pm. Free.
Sun 26: Gratkowski, Tramontana, Beresford, Affifi @ The Globe, Newcastle. 8:00pm. £12.00. JNE.
Sun 26: Jazz Jam @ Fabio’s, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society promotion. All welcome.

Mon 27: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 28: ???

Wed 29: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 29: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 29: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).

Thu 30: Matters Unknown (aka Jonathan Enser, Nubiyan Twist) + support TBA @ Cobalt Studios, Newcastle. 8:00pm (7:00pm doors). £12.22 (gig & food); £9:04 (gig only).
Thu 30: Soznak @ The Mill Tavern, Hebburn. 8:00pm. Free.
Thu 30: Struggle Buggy @ Harbour View, Roker, Sunderland. 8:00pm. Free. Rhythm & blues.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Monday, December 02, 2019

CD Review: Calum Gourlay Quartet - New Ears

Calum Gourlay (bass); Helena Kay (tenor sax); Kieran McLeod (trombone); James Maddren (Drums).
(Review by James Henry).

As a sort of a Scot, and a card carrying Fifer, my own old ears picked up on receipt of this CD. With a name like Calum Gourlay, this chap had to be one of the brothers, and possibly even a fellow Fifer. A little bit of research established that Calum is originally from Glasgow (well, I might forgive him that) but was brought up in Fife, even playing in the Fife Youth Jazz Orchestra (total redemption). And, two of his quartet also come from the proper North: Helena Kay (tenor saxophone) hails from Perth, and Kieran McLeod (trombone) is from Aberdeen. Like me, these three live in exile in England, committed to missionary work and waiting for the call from the blessed Nicola*. I pity the poor drummer in this quartet: coming from Sussex, James Maddren may rely on translators.

New Ears is a joy to behold, even down to the kitten on the album sleeve, which hides its new ears behind the CD. New Ears is Calum Gourlay’s first album as a bandleader, and is the debut release for the Calum Gourlay quartet.  Calum Gourlay leads a resident big band in the Vortex Jazz Club in London, and all four members of the quartet play in the big band. All are relatively recent alumni of London jazz conservatoires and already have impressive CVs.

The quartet is unusual in composition, lacking traditional chordal instruments. Devoid of this conventional comfort, tenor saxophone, trombone and bass have to work together to create the chordal control and continuity cherished by our conventional ears. The playing is tight and one soon ceases to miss the comping control of piano or guitar. The ensemble work is so precise that the music begins to evoke the big band that begat this wee band. There are also extended improvised sections, where James Maddren holds the group together allowing the other three to weave skilfully together, and more often than not Calum Gourlay joins in with the improvisation as an equal to the two horns.

All seven tracks are original works, written by Gourlay especially for the Quartet. For me the stand-out track is Blue Fugates, an extended blues composition, inspired by the Blue Fugates of Kentucky. For the curious, Blue Fugates aren’t birds, trees or mountains. Rather, Blue Fugates are a clan of people in the backwoods of Kentucky who inherited the blood disorder methaemoglobinaemia, which gave their skin a curious blue hue (an unusual inspiration for a tune, but check it out on Wikipedia if you want to know more). Be Minor, the opening track, has a folky feel and the head becomes an ear-worm after a few listens. Solstice has a slow, brooding quality: one imagines the long days of mid-summer.    

Although generally melodic, and never straying far from conventional forms, New Ears isn’t always an easy listen. After a few tracks one develops new ears, and the going gets easier. After a few listens everything makes sense, and it gets better and better. Calum Gourlay has a rich deep bass sound, perfectly complimented by Helena Kay and Kieran McLeod on horns. James Maddren is the glue that holds the album together. New ears are the result.
James Henry.

*Sturgeon, of course.

Available on Ubuntu Music: UBU 0043.

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