(Review by Frank Griffiths)
Saxophonist and
composer Andy Scott, based in the Manchester area formed his first saxophone
ensemble, Sax Assault, in 1994. He is also a
charter member of The Apollo
Saxophone Quartet as well as having received a BASCA award for his tenor
saxophone concerto performed by Branford Marsalis with The Scottish Chamber
Orchestra in 2012. The name of his current ensemble, Group S came about when
performing alongside veteran, iconic saxophonist and composer Wayne Shorter.
Andy asked Wayne "what do you call a group of saxophonists?" Wayne
paused and gazed, looked up, and said, "Group S!" This was in
2016, with Andy, a member of the sax section in the Royal Liverpool
Philharmonic Orchestra and later that year, Group S recorded this CD.
Andy
writes "my musical aim with Group S is to feature the
classical contemporary musician as equally as the improvising musician, to
write for specific musicians, explore solo and ensemble colours and textures,
and to try and develop my writing over time." And what a concoction of
saxophones it is. Ranging from the sopranino to bass sax and all the others in
between joined by a four piece rhythm section, Group S produces a highly
effective sound capable of generating an impressive array of collective
textures, colours and timbres. Many outstanding soloists adorn the sections
including Andy, Mike Hall, Krzytsztof Urbanski, John Helliwell, and Rob
Buckland as well as Gwyilym Simcock's piano, James Pusey on guitar, bassist,
Laurence Cottle and drummer, Elliot Henshaw.
As Dave Gelly writes "you
haven't heard what the saxophone is capable of until you've heard a mixed bunch
of them in the hands of nine virtuosi. Of all wind instruments, the saxophone has
the most flexible, almost human tone of voice and it's Scott's mastery of this
that makes these 12 pieces so appealing. The variety of sound and mood is
astonishing." When each soloist is given the space to play, the result is
riveting proving that an orchestra of saxophones can easily be as effective
as more conventional groupings.
Mike Hall's frantic and propulsive Sabretooth,
combines complex harmonic and rhythmic ideas with a funky blues sensibility. This,
along with a healthy dollop of Urbankski's serpentine soprano and Hall's
blistering tenor trading solo exchanges lead to a skilful graduation of drama
and dynamism. Simcock's, Chapters, is more reflective and peaceful with a lush
orchestration and willowy melodies. Bassist Cottle's solo, with its pattering
and longing cries, also stands out, not to mention Simon Willescroft's lyrical
alto and soprano sax musings arouund the melody. Scott's Tin Can, (influenced
from a line in David Bowie's "Space Oddity") has an angularity over a
variety of time signature changes allowing Scott's virtuosic tenor saxophone to
navigate through a striking and unpredictable rhythmical canvas. Tin Can
also gives the listener a brief respite from the full "S" with just
the rhythm section joining the leader's ferocious tenor.
Group S, indeed. While there is a
wide variety of styles on Ruby... no idea outstays its welcome with
the quality of both the writing and playing ensuring the listeners' attention
throughout. One hopes that the group will get "S tablished"
sufficiently sooner rather than later to appear live at a venue near you.
Frank
Griffiths
Andy Scott (tenor sax); Rob Buckland (sopranino/soprano saxes), Krzysztof Urbanski (soprano sax), Simon Willescroft (alto/soprano saxes), Dave Graham (alto sax), Mike Hall (tenor sax), Rob Cope (tenor/baritone saxes), John Helliwell (tenor sax), Chris Caldwell (baritone sax), Jim Fieldhouse (bass/baritone saxes), Gwilym Simcock (piano), James Pusey (guitar), Laurence Cottle (bass guitar), Elliott Henshaw (drums), special guests Barbara Thompson (tenor sax) & Jon Hiseman (drums).
Recorded 2017, released on 2017 on Available on Basho Records - SRCD 52-2.
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