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Bebop Spoken There

Van Morrison: ''Basically, I'm coming from jazz. Not pop, not rock, not what's commercial. That's where I started, and that's still where I am. I feel the same as I did when I was listening to Louis Armstrong, Lead Belly, Jelly Roll Morton''. (The Northern Echo, 12 June 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

1803759 (and counting) posts since we started blogging 17 years ago. 480 of them this year alone and, so far, 58 this month (June 18).

From This Moment On ...

JUNE 2025

Thu 19: Gareth John & the SOS Big Band @ The Forum Music Centre, Darlington. 7:00pm. £25.00. CANCELLED!

Fri 20: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 20: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 20: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 20: David Gray's Flextet @ The Lit & Phil, Newcastle. 1:00pm. SOLD OUT!
Fri 20: Strictly Smokin’ Big Band @ Alnwick Playhouse. 7:30pm. £21.50. ‘Time After Time’.
Fri 20: Alexia Gardner Quintet @ Sunderland Minster. 7:30pm.
Fri 20: King Bees @ Billy Bootleggers, Ouseburn, Newcastle. 8:00pm. Free. Superb Chicago blues band.

Sat 21: Milne Glendinning Band @ The Vault, Darlington. 7:00pm. Free.
Sat 21: Red Kites Jazz @ Staithes Café, Dunston. 7:00-9:00pm. Free.
Sat 21: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Sun 22: Phoenix 4 @ Wallington, Northumberland. 12 noon-1:00pm & 2:00-3:00pm. Tel: 01670 773606. National Trust admission prices apply. ‘Tunes in the Blooms’.
Sun 22: Lapwing Trio @ Wallington, Northumberland. 1:00-2:00pm. Tel: 01670 773606. National Trust admission prices apply. ‘Tunes in the Blooms’.
Sun 22: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 22: Jason Isaacs Trio @ Pilgrim, Newcastle. 4:00pm. £18.00. + £1.08 bf.
Sun 22: JazzMain @ The Globe, Newcastle. 8:00pm.

Mon 23: MSK Trio @ Yamaha Music School, Blyth. 1:00pm. £9.00. at the door; £8.20. (inc £0.20 bf) online, in advance.
Mon 23: Harmony Brass @ Cullercoats Crescent Club (1:00pm). Free.

Tues 24: ???

Wed 25: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 25: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 25: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 25: The Magpies of Swing @ The Roxy, Leadgate, Co. Durham. 7:30pm. A Ginger Jitterbugs swing dance event, all welcome.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Tuesday, December 31, 2019

CD Review: Andy Scott + Group S - Ruby & All Things Purple

(Review by Frank Griffiths)


Saxophonist and composer Andy Scott, based in the Manchester area formed his first saxophone ensemble, Sax Assault, in 1994. He is also a charter member of The Apollo Saxophone Quartet as well as having received a BASCA award for his tenor saxophone concerto performed by Branford Marsalis with The Scottish Chamber Orchestra in 2012. The name of his current ensemble, Group S came about when performing alongside veteran, iconic saxophonist and composer Wayne Shorter. Andy asked Wayne "what do you call a group of saxophonists?" Wayne paused and gazed, looked up, and said, "Group S!" This was in 2016, with Andy, a member of the sax section in the Royal Liverpool Philharmonic Orchestra and later that year, Group S recorded this CD.

Andy writes "my musical aim with Group S is to feature the classical contemporary musician as equally as the improvising musician, to write for specific musicians, explore solo and ensemble colours and textures, and to try and develop my writing over time." And what a concoction of saxophones it is. Ranging from the sopranino to bass sax and all the others in between joined by a four piece rhythm section, Group S produces a highly effective sound capable of generating an impressive array of collective textures, colours and timbres. Many outstanding soloists adorn the sections including Andy, Mike Hall, Krzytsztof Urbanski, John Helliwell, and Rob Buckland as well as Gwyilym Simcock's piano, James Pusey on guitar, bassist, Laurence Cottle and drummer, Elliot Henshaw.

As Dave Gelly writes "you haven't heard what the saxophone is capable of until you've heard a mixed bunch of them in the hands of nine virtuosi. Of all wind instruments, the saxophone has the most flexible, almost human tone of voice and it's Scott's mastery of this that makes these 12 pieces so appealing. The variety of sound and mood is astonishing." When each soloist is given the space to play, the result is riveting proving that an orchestra of saxophones can easily be as effective as more conventional groupings.

Mike Hall's frantic and propulsive Sabretooth, combines complex harmonic and rhythmic ideas with a funky blues sensibility. This, along with a healthy dollop of Urbankski's serpentine soprano and Hall's blistering tenor trading solo exchanges lead to a skilful graduation of drama and dynamism. Simcock's, Chapters,  is more reflective and peaceful with a lush orchestration and willowy melodies. Bassist Cottle's solo, with its pattering and longing cries, also stands out, not to mention Simon Willescroft's lyrical alto and soprano sax musings arouund the melody. Scott's Tin Can, (influenced from a line in David Bowie's "Space Oddity") has an angularity over a variety of time signature changes allowing Scott's virtuosic tenor saxophone to navigate through a striking and unpredictable rhythmical canvas. Tin Can also gives the listener a brief respite from the full "S" with just the rhythm section joining the leader's ferocious tenor.

Group S, indeed. While there is a wide variety of styles on Ruby... no idea outstays its welcome with the quality of both the writing and playing ensuring the listeners' attention throughout. One hopes that the group will get "S tablished" sufficiently sooner rather than later to appear live at a venue near you.
Frank Griffiths

Andy Scott (tenor sax); Rob Buckland (sopranino/soprano saxes), Krzysztof Urbanski (soprano sax), Simon Willescroft (alto/soprano saxes), Dave Graham (alto sax), Mike Hall (tenor sax), Rob Cope (tenor/baritone saxes), John Helliwell (tenor sax), Chris Caldwell (baritone sax), Jim Fieldhouse (bass/baritone saxes), Gwilym Simcock (piano), James Pusey (guitar), Laurence Cottle (bass guitar), Elliott Henshaw (drums), special guests Barbara Thompson (tenor sax) & Jon Hiseman (drums).

Recorded 2017, released on 2017 on Available on Basho Records - SRCD 52-2.

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