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Bebop Spoken There

John Scofield: "I like architecture that lends itself to improvisation." - (Jazzwise November, 2021)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

13,645 (and counting) posts since we started blogging 13 years ago. 1264 of them this year alone and, so far, 91 this month (Oct. 27).

From This Moment On ...

October

Wed 27: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 27: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 27: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 28: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 28: J Frisco @ Newcastle University. 1:15pm. ONLINE ONLY (YouTube).
Thu 28: ’58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm.
Thu 28: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 28: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Fri 29: James Birkett & Bradley Johnston @ Gala Theatre, Durham. 1:00pm..
Fri 29: Classic Swing @ Cullercoats Crescent Club. 1:00pm..
Fri 29: Rendezvous Jazz @ Monkseaton Arms, Monkseaton. 1:00pm..
Fri 29: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.

Sun 31 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon..
Sun 31: Musicians Unlimited @ South Durham Social Club, Hartlepool. 1:00pm. .
Sun 31: More Jam @ The Globe, Newcastle. 3:00pm. Jam session..
Sun 31: Spooky Jazz @ The Shed, Wylam Library..
6:00-7:30pm. Free, collection for Parkinson's UK.
Sun 31: Alison Rayner Quintet @ The Globe, Newcastle. 8:00pm.

November

Mon 01: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Wed 03: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 03: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 03: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.
Wed 03: Washboard Resonators @ The Globe, Newcastle. 8:00pm.

Wednesday, September 11, 2019

CD Review: Ricardo Peixoto - Scary Beautiful

(Review by Steve T)

Back in the days of jazz-funk, I was really into acoustic guitarist Earl Klugh though - in hindsight - as a disciple of George Benson and his association with Bob James they were always going to condemn him to the scorn that would subsequently be heaped on smooth jazz.

On first hearing this, I was immediately reminded of Mr Klugh, though those who summarily dismiss smooth jazz need not be put off. Like everything else, the boundaries of what constitutes smooth jazz is not a fixed point but is fluid amongst listeners and many who generally hate the sub-genre may find lots to enjoy.

Although his native Brazil permeates everything here, he's classically trained and also studied at Berklee alongside Pat Metheny and Gary Burton and has played and recorded with Airto, Flora Purim, Dom Um Romao and others.

Circles features an acoustic guitar. soprano sax front-line.

Santos E Demonios has an acoustic guitar/ flute front-line - and the flute will play a prominent role throughout - with percussion well to the fore.

The title track features more flute and a classical string quartet.

Nereids follows and, at a little over a minute long, features fine choral vocals from Claudia Villela.

Morro da Paixao is my favourite track, featuring a prolific three piece horn section giving propulsion and a slight big band feel, a flugelhorn solo following the guitar solo, the leader comping behind it with the sax and trombone chipping in.

Simpatica is an acoustic guitar, piano duet and I've recently had my head turned to the possibilities of this line-up.

Pixinguinga returns to a classical format, heavy on woodwinds (flute, bass clarinet and oboe) and no rhythm section.

Velha Amizade returns a standard rhythm section plus under-stated percussion, flute and Peixoto switching between acoustic and electric, though firmly on the acoustic side of semi-acoustic.

The penultimate track is Noturna and is a solo acoustic guitar piece which could have been Steve Howe on an early Yes album.

Finally, it's back to some oomph with Balao De Tres, with a great catchy melody, flute coming in for the second run through.  

At forty six minutes, it's a nice length for an album and, with plenty of variety on offer, this is the best album I've reviewed in some time and by a long way.
Already available on CD and digital. 
Steve T.

Ricardo Peixoto - acoustic and electric guitars.

Ken Cook, Marcus Silva (piano); Cliff Hugo, Scott Thompson, Aaron Germain (bass); Rafael Barata, Kendrick Freeman, Mike Shapiro (drums); Bob Afifi (flute); Paul McCandless (soprano sax); Harvey Wainapel (bass clarinet); Jesse Sadoc (flugelhorn); Marcelo Martins (tenor sax); Aldivas Ayres (trombone); Paul Hanson ( bassoon); Kyle Bruchman (oboe), Rob Reich (accordion); Luiz Brasil (tenor guitar, percussion); John Santos, Brian Rice, Ricardo Guerra (percussion); Bernardo Bessler, Priscilla Platea Rato (violins); Marie Christine Bessler (viola); Marcus Ribeiro de Oliveira (cello); Claudia Villela (voice). 

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