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Bebop Spoken There

Ambrose Akinmusire: “ I am certainly always aware of what the masses are doing. And when I see too many people going one way, I'm going another way - even when I don't know what's over that way". DownBeat, March, 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

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Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16287 (and counting) posts since we started blogging 16 years ago. 169 of them this year alone and, so far, 41 this month (Mar 18).

From This Moment On ...

March

Tue 19: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Michael Young, Paul Grainger, Tim Johnston.

Wed 20: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 20: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 20: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 21: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 21: Castillo Neuvo Trio + Conor Emery & His ‘Bones Band @ The Grove, Ouseburn, Newcastle. 7:30pm (7:00pm doors). £10.00. (£7.00. student).
Thu 21: Remi Banklyn + Chris Corcoran Trio @ The Globe, Newcastle. 8:00pm. £12.50. Chicago blues. An International Guitar Foundation promotion.
Thu 21: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. Ragtime piano.
Thu 21: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm.

Fri 22: Vasilis Xenopoulos & Paul Edis @ The Gala, Durham. 1:00pm. £8.00. SOLD OUT!
Fri 22: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 22: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 22: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 22: Nauta + Remy CB + Last Orders @ Hoochie Coochie, Newcastle. 8:30pm (7:30pm doors). Free.
Fri 22: Vasilis Xenopoulos-Paul Edis Quartet @ Traveller’s Rest, Darlington. 8:00pm. £15.00. Opus 4 Jazz Club.
Fri 22: Redwell @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sat 23: Jambone @ The Glasshouse, Gateshead. 6:30pm. Free (ticketed). End of term performance in the Northern Rock Foundation Hall.
Sat 23: Milne-Glendinning Band @ The Vault, Darlington. 7:00pm. Free.
Sat 23: Red Kites Jazz @ Rowlands Gill Community Centre NE39 1JB. 7:00pm. Tickets: £12.00. (gibsidecommunityfarm@gmail.com). A ‘Build a Barn’ fundraiser. BYOB, tea/coffee available.
Sat 23: New Century Ragtime Orchestra @ Gosforth Civic Theatre, Newcastle. 7:30pm. £20.00. + bf (book in person at venue - no booking fee!). Featuring pianist Martin Litton.
Sat 23: Pete Tanton’s Cuba Libre @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 24: Musicians Unlimited @ Park Inn, Hartlepool. 1:00pm. Free.
Sun 24: More Jam @ The Globe, Newcastle. 2:30pm. Free.
Sun 24: Luis Verde @ Queen’s Hall, Hexham. 3:00pm. Verde (alto sax); Joe Steels (guitar); John Pope (double bass); John Hirst (drums). Alto sax brilliance!
Sun 24: Elsie Franklin @ The Globe, Newcastle. 3:00pm. £10.00. Country blues. An International Guitar Foundation promotion.
Sun 24: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 24: Las Vegas Live with the Rat Pack @ The Forum, Billingham.
Sun 24: Ian Millar & Dominic Spencer @ Otterburn Memorial Hall. 7:30pm. £12.00.
Sun 24: Lindsay Hannon: Tom Waits for No Man @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig. Note start time - 7:00pm.
Sun 24: Bold Big Band @ The Globe, Newcastle. 8:00pm.

Mon 25: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 25: Michael Young Trio @ The Engine Room, Sunderland. 6:30pm. Free.

Monday, September 02, 2019

Ambleside Days Festival Tommy Smith – Embodying the Light Quartet - and Gwilym Simcock @ Zeffirellis - August 30

Tommy Smith (tenor sax); Pete Johnstone (piano); Calum Gourlay (bass); Sebastiaan De Krom (drums)
(Review by Hugh C)

Stuart Johnson (Zeffirellis event programmer and also of this parish) introduced this set with the observation that, over the years, “he had heard many try to pay tribute to John Coltrane, but that he’d never heard anyone do it as well as these guys”.  No pressure then!

The quartet went straight into the music, all purely acoustic, including double bass.  They commenced the set with Persuance.  The delivery set a pattern that was repeated over the evening.  Extended piano or bass solos, with subtle drumming by de Krom in support, the leader retiring to the edge of the stage, resting one hand on the curve of the Steinway and gently grooving, greying hair glinting in the spotlight.  At the most imperceptible of nods from the soloist, Smith would return centre stage with his horn.  After some twenty minutes of high octane music the heightened atmosphere was brought down by the slower, more tender, melody of Dear Lord.  Smith then observed that the items played he had first played in Zeffirellis in 1988 with John Taylor and then, several times since. He said that he had always been well looked after.
Embodying the Light (the title of their recent CD release) raised the tempo again.  The full tilt delivery followed the formula, this time Smith was crouched at the edge of the stage during a piano solo – when offered a piano stool to sit on, he carefully placed his horn on it and stood up. 

Naima returned the house to a more contemplative state.  A Tommy Smith composition, Transformation followed.  This, based on Coltrane’s Impressions, itself based on Miles Davis’ So What, contained influences from Claude Debussy and Morton Gould.  The piece commenced with a few “little Scottish things – to make us [the band] feel at home”.  Pete Johnstone delivered one of many stunning piano solos during this piece, using his whole upper body in delivery and with just discernible vocalisation in the absence of any amplification.  Sebastiaan De Krom was let off the leash for an energetic solo also. 

The contemplative atmosphere was restored by The Father, the Son and the Holy Ghost: melodic saxophone over rippling piano and subtle bass joined after a time by cymbals played with padded sticks.  This was the final item (officially).  Tommy Smith enquired if there was a curfew – to which the answer from Derek Hook at the side of the auditorium, was NO!  We were treated to an encore, Summertime, Coltrane style.  Great ensemble playing with short solos and a slow fade in the final bars.

Well, Mr Johnson was right, this was an exemplary performance by the quartet, despite Tommy Smith coming in from his holidays for the gig and not having played his horn for some thirty days (and nights in the wilderness?). 
 ----- 
Gwilym Simcock – Solo Piano Gwilym Simcock – Solo Piano
The first half of a split gig on the evening of the second day of the 2019 Festival.  The main cinema in Zeffirellis had been turned into a concert venue for the duration.  The Steinway grand piano, placed on the right side of the stage for this event; drums and other paraphernalia for the second half already in the wings.  The hall was full.

Gwilym Simcock played his own compositions with repertoire predominantly from his recent solo release, Near and Now, self-recorded in his Berlin apartment.  Beautiful is Our Moment (dedicated to Billy Childs) commenced with atmospheric chords imparting the character of the French impressionists, building to expressive harmonies reminiscent of folk melodies. 

There then followed an exploration of the more percussive qualities of  the instrument, the piece ending after some 20 minutes with rippling chords in the lower register, gradually falling away.  You’re My You (dedicated to Les Chisnall - Simcock’s former piano teacher - who was in the audience) was a short item with gentle melodic progression and subtle key changes.  

Northern Smile, from Simcock’s solo recording Good Days At Schloss Elmau, was an upbeat, jaunty item (on this occasion) in celebration of the northern audience and incorporated distinct Jarrett-style exclamatory vocalisations.  Before the Elegant Hour (dedicated to Brad Mehldau) delivered with high energy percussive piano interspersed with more melodic sections.  According to Simcock, in this piece he was trying to catch the brooding quality of Mehldau’s music.  The final piece, Many Worlds Away, was dedicated to Egberto Gismonti – the atmospheric sense of Gismonti’s music had an early influence on Gwilym Simcock and he was something of a hero. 

After just over one hour it was time for the interval and replenishment of the reviewer’s glass with Keswick Brewing Company’s Jazz Session ale – actually originally brewed for the Keswick Jazz and Blues Festival, but very fine all the same.
Hugh C

3 comments :

Steve T said...

How did I miss this? Again!!!!

Lance said...

Our listings (not our reviews which are world-wide) tend to stop this side of Kirkstone Pass. I'll try and remember to make an exception next year.

Hugh said...

Steve - Sack your diary assistant?

Lance - Good idea. From discussions at the 2017 event, next year's may be the last. I have no new information on this, so we'll see what pans out.

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