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Bebop Spoken There

Willie Jones lll: "I often wondered what it would be like to play with Clifford Brown or Lee Morgan. For me, Roy Hargrove was the closest thing to that." - (JazzTimes, November 2021)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

13683 (and counting) posts since we started blogging 13 years ago. 1402 of them this year alone and, so far, 18 this month (Dec.5).

From This Moment On ...

December

Wed 08: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 08: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 8:00pm. Concert performance. Free admission.
Wed 08: Four @ The Exchange, North Shields. 7:00-9:30pm. In the bar.
Wed 08: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.
Wed 08: Durham Uni Big Band + Durham Uni Jazz Soc Big Band @ Durham University Students' Union. 8:00pm.

Thu 09: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon. £22.00. Xmas lunch. Tel: 0191 691 7090.
Thu 09: Hot Club du Nord, Lubetkin Theatre, East Durham College, Peterlee. 7:00pm (doors). £10.00. + bf.
Thu 09: TBC + Knats @ Cobalt Studios, Newcastle. 7:00pm. £7.00. (£10.00. inc food).
Thu 09: Indigo Jazz Voices @ The Globe, Newcastle. 7:30pm.
Thu 09: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 09: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Fri 10: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon. £22.00. Xmas lunch. Tel: 0191 691 7090.
Fri 10: Zoë Gilby Trio @ Bishop Auckland Town Hall. 1:00pm.
Fri 10: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 10: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 10: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 10: Secret Night Gang @ Hoochie Coochie, Newcastle. 8:00pm.
Fri 10: Jack Logan (replacement for Alter Ego) @ Prohibition Bar, Newcastle. 8:00pm.

Sat 11: Paul Skerritt @ Newcastle Central Station. 11:00am. On the concourse.
Sat 11: Life Drawing & Live Jazz @ Cobalt Studios, Newcastle. 2:00-4:00pm. Lindsay Hannon & Martin Douglas. Book via: www.cobaltstudios.co.uk.
Sat 11: Boys of Brass @ Branding Villa, South Gosforth, Newcastle. 8:00pm.

Sun 12 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 12: Musicians Unlimited @ South Durham Social Club, Hartlepool. 1:00pm.
Sun 12: Hot Club du Nord @ Hurworth Grange. 2:30pm. Festive Special! SOLD OUT!
Sun 12: Glenn Miller Orchestra UK @ Stockton Globe. 3:00pm. Ray McVay & co.
Sun 12: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 12: Am Jam @ The Globe, Newcastle. 3:00pm.
Sun 12: Sue Ferris Quintet (Musicians Unlimited’s Xmas Party) @ South Durham Social Club, Hartlepool. 4:00pm. Tickets: £6.00.
Sun 12: Jason Isaacs Big Band @ Hoochie Coochie, Newcastle. 5:00pm.
Sun 12: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 7:00pm.
Sun 12: Larry’s Brass Band @ The Vigilant Inn, South Shields. 7:00pm. Free. Brass band playing Xmas tunes!
Sun 12: corto.alto @ The Cluny, Newcastle. 8:00pm.
Sun 12: Under the Surface @ The Globe, Newcastle. 8:00pm. £10.00 adv., £12.00. door.

Mon 13: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.
Mon 13: 6th Street Swing w Calvert & the Old Fools @ St Thomas Aquinas’ Church, Darlington. 7:00pm. £5.00. Swing dance (‘social dancing’) night.
Mon 13: Stuart Fowler Quintet plays Art Blakey’s album Moanin’ + jam session @ Central Bar, Gateshead. 7:30pm. £5.00.

Tue 14: Harry Keeble & Friends @ Forum Music Centre, Darlington. 7:30pm. Keeble (tenor sax); Dean Stockdale (keyboards); Paul Grainger (bass); John Bradford (drums).

Monday, September 02, 2019

Ambleside Days Festival Tommy Smith – Embodying the Light Quartet - and Gwilym Simcock @ Zeffirellis - August 30

Tommy Smith (tenor sax); Pete Johnstone (piano); Calum Gourlay (bass); Sebastiaan De Krom (drums)
(Review by Hugh C)

Stuart Johnson (Zeffirellis event programmer and also of this parish) introduced this set with the observation that, over the years, “he had heard many try to pay tribute to John Coltrane, but that he’d never heard anyone do it as well as these guys”.  No pressure then!

The quartet went straight into the music, all purely acoustic, including double bass.  They commenced the set with Persuance.  The delivery set a pattern that was repeated over the evening.  Extended piano or bass solos, with subtle drumming by de Krom in support, the leader retiring to the edge of the stage, resting one hand on the curve of the Steinway and gently grooving, greying hair glinting in the spotlight.  At the most imperceptible of nods from the soloist, Smith would return centre stage with his horn.  After some twenty minutes of high octane music the heightened atmosphere was brought down by the slower, more tender, melody of Dear Lord.  Smith then observed that the items played he had first played in Zeffirellis in 1988 with John Taylor and then, several times since. He said that he had always been well looked after.
Embodying the Light (the title of their recent CD release) raised the tempo again.  The full tilt delivery followed the formula, this time Smith was crouched at the edge of the stage during a piano solo – when offered a piano stool to sit on, he carefully placed his horn on it and stood up. 

Naima returned the house to a more contemplative state.  A Tommy Smith composition, Transformation followed.  This, based on Coltrane’s Impressions, itself based on Miles Davis’ So What, contained influences from Claude Debussy and Morton Gould.  The piece commenced with a few “little Scottish things – to make us [the band] feel at home”.  Pete Johnstone delivered one of many stunning piano solos during this piece, using his whole upper body in delivery and with just discernible vocalisation in the absence of any amplification.  Sebastiaan De Krom was let off the leash for an energetic solo also. 

The contemplative atmosphere was restored by The Father, the Son and the Holy Ghost: melodic saxophone over rippling piano and subtle bass joined after a time by cymbals played with padded sticks.  This was the final item (officially).  Tommy Smith enquired if there was a curfew – to which the answer from Derek Hook at the side of the auditorium, was NO!  We were treated to an encore, Summertime, Coltrane style.  Great ensemble playing with short solos and a slow fade in the final bars.

Well, Mr Johnson was right, this was an exemplary performance by the quartet, despite Tommy Smith coming in from his holidays for the gig and not having played his horn for some thirty days (and nights in the wilderness?). 
 ----- 
Gwilym Simcock – Solo Piano Gwilym Simcock – Solo Piano
The first half of a split gig on the evening of the second day of the 2019 Festival.  The main cinema in Zeffirellis had been turned into a concert venue for the duration.  The Steinway grand piano, placed on the right side of the stage for this event; drums and other paraphernalia for the second half already in the wings.  The hall was full.

Gwilym Simcock played his own compositions with repertoire predominantly from his recent solo release, Near and Now, self-recorded in his Berlin apartment.  Beautiful is Our Moment (dedicated to Billy Childs) commenced with atmospheric chords imparting the character of the French impressionists, building to expressive harmonies reminiscent of folk melodies. 

There then followed an exploration of the more percussive qualities of  the instrument, the piece ending after some 20 minutes with rippling chords in the lower register, gradually falling away.  You’re My You (dedicated to Les Chisnall - Simcock’s former piano teacher - who was in the audience) was a short item with gentle melodic progression and subtle key changes.  

Northern Smile, from Simcock’s solo recording Good Days At Schloss Elmau, was an upbeat, jaunty item (on this occasion) in celebration of the northern audience and incorporated distinct Jarrett-style exclamatory vocalisations.  Before the Elegant Hour (dedicated to Brad Mehldau) delivered with high energy percussive piano interspersed with more melodic sections.  According to Simcock, in this piece he was trying to catch the brooding quality of Mehldau’s music.  The final piece, Many Worlds Away, was dedicated to Egberto Gismonti – the atmospheric sense of Gismonti’s music had an early influence on Gwilym Simcock and he was something of a hero. 

After just over one hour it was time for the interval and replenishment of the reviewer’s glass with Keswick Brewing Company’s Jazz Session ale – actually originally brewed for the Keswick Jazz and Blues Festival, but very fine all the same.
Hugh C

3 comments :

Steve T said...

How did I miss this? Again!!!!

Lance said...

Our listings (not our reviews which are world-wide) tend to stop this side of Kirkstone Pass. I'll try and remember to make an exception next year.

Hugh said...

Steve - Sack your diary assistant?

Lance - Good idea. From discussions at the 2017 event, next year's may be the last. I have no new information on this, so we'll see what pans out.

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