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Bebop Spoken There

Willie Jones lll: "I often wondered what it would be like to play with Clifford Brown or Lee Morgan. For me, Roy Hargrove was the closest thing to that." - (JazzTimes, November 2021)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

13683 (and counting) posts since we started blogging 13 years ago. 1402 of them this year alone and, so far, 18 this month (Dec.5).

From This Moment On ...

December

Wed 08: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 08: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 8:00pm. Concert performance. Free admission.
Wed 08: Four @ The Exchange, North Shields. 7:00-9:30pm. In the bar.
Wed 08: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.
Wed 08: Durham Uni Big Band + Durham Uni Jazz Soc Big Band @ Durham University Students' Union. 8:00pm.

Thu 09: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon. £22.00. Xmas lunch. Tel: 0191 691 7090.
Thu 09: Hot Club du Nord, Lubetkin Theatre, East Durham College, Peterlee. 7:00pm (doors). £10.00. + bf.
Thu 09: TBC + Knats @ Cobalt Studios, Newcastle. 7:00pm. £7.00. (£10.00. inc food).
Thu 09: Indigo Jazz Voices @ The Globe, Newcastle. 7:30pm.
Thu 09: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 09: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.

Fri 10: Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon. £22.00. Xmas lunch. Tel: 0191 691 7090.
Fri 10: Zoë Gilby Trio @ Bishop Auckland Town Hall. 1:00pm.
Fri 10: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 10: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 10: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 10: Secret Night Gang @ Hoochie Coochie, Newcastle. 8:00pm.
Fri 10: Jack Logan (replacement for Alter Ego) @ Prohibition Bar, Newcastle. 8:00pm.

Sat 11: Paul Skerritt @ Newcastle Central Station. 11:00am. On the concourse.
Sat 11: Life Drawing & Live Jazz @ Cobalt Studios, Newcastle. 2:00-4:00pm. Lindsay Hannon & Martin Douglas. Book via: www.cobaltstudios.co.uk.
Sat 11: Boys of Brass @ Branding Villa, South Gosforth, Newcastle. 8:00pm.

Sun 12 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 12: Musicians Unlimited @ South Durham Social Club, Hartlepool. 1:00pm.
Sun 12: Hot Club du Nord @ Hurworth Grange. 2:30pm. Festive Special! SOLD OUT!
Sun 12: Glenn Miller Orchestra UK @ Stockton Globe. 3:00pm. Ray McVay & co.
Sun 12: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 12: Am Jam @ The Globe, Newcastle. 3:00pm.
Sun 12: Sue Ferris Quintet (Musicians Unlimited’s Xmas Party) @ South Durham Social Club, Hartlepool. 4:00pm. Tickets: £6.00.
Sun 12: Jason Isaacs Big Band @ Hoochie Coochie, Newcastle. 5:00pm.
Sun 12: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 7:00pm.
Sun 12: Larry’s Brass Band @ The Vigilant Inn, South Shields. 7:00pm. Free. Brass band playing Xmas tunes!
Sun 12: corto.alto @ The Cluny, Newcastle. 8:00pm.
Sun 12: Under the Surface @ The Globe, Newcastle. 8:00pm. £10.00 adv., £12.00. door.

Mon 13: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.
Mon 13: 6th Street Swing w Calvert & the Old Fools @ St Thomas Aquinas’ Church, Darlington. 7:00pm. £5.00. Swing dance (‘social dancing’) night.
Mon 13: Stuart Fowler Quintet plays Art Blakey’s album Moanin’ + jam session @ Central Bar, Gateshead. 7:30pm. £5.00.

Tue 14: Harry Keeble & Friends @ Forum Music Centre, Darlington. 7:30pm. Keeble (tenor sax); Dean Stockdale (keyboards); Paul Grainger (bass); John Bradford (drums).

Sunday, September 08, 2019

Artephis @ The Globe Jazz Bar, Newcastle – September 7. A joint venture by Jazz North East and the Jazz Co-op in connection with Jazz North 'Northern Line'

Aaron Wood (trumpet, flugelhorn, electronics); James Girling (guitar); Ali Roocroft (keyboard); Alasdair Simpson (bass guitar); Matt Brown (drums)
(Review by Ann Alex/ Photos courtesy of Ken Drew).
Well, what a brilliant evening of music is all I can say, and I'm sure the full house Globe audience would agree! This was listed as 'contemporary progressive jazz' so I was unsure if I'd latch onto it, but by the second piece I was hooked. See the quotation currently shown in the Bebop Spoken There box above, something about harming musicians by categorising them, how true in this case. This was simply (but not simple) great music, describe it how you will.
Mostly original pieces and the first tune Feroz (composed by Aaron Wood) took a while to bed down in my brain; it began with grooves and a trumpet line, then a keys one, a slowing down into snatches, guitar and trumpet call and response, trumpet leads, then all play to a sudden stop, the kind of sudden stop you get from many rock bands nowadays.

Tabula Rasa (comp. Girling) began with a beautiful cool, calm 'landscape' type of feeling tune on keys, building up to a heavier, louder sound as the whole band joined the theme, with steady drumbeats towards the ending.

I hope these descriptions give readers some 'feel' for the music played. The next piece was Chagrin; Know Her (comp. Girling) and was mainly drums led. The first set concluded differently and more traditionally with a boppy number Inner Urge (Joe Henderson), which could have been sung by the likes of Sheila Jordan, and with solos all round.

I was kindly supplied with the set list during the interval and my informant declared that he would announce the tunes in the second set, which he did in an amiable manner, so full marks for communication as well as music. So he first announced Glow (comp. Aaron Wood) a slow build-up of layers of sound with a skilled guitar prog rock type solo which took me back to 1970's evenings of music and wine.

 Treading Water was influenced by a musical partita (sounds more like an Italian meal) and ended with an interesting gruff-sounding guitar. Herbie Hancock's Eye Of The Hurricane ended with a superb drum solo; February (comp Girling) was loud and wild like that month's weather and Quinoa (comp. Girling) started with rumbles, then a strong tune and 'growling' guitar. That tune came about when Girling visited a quinoa-growing region of the world and realised the problems that the farmers had to deal with.

We all demanded an encore, which was the band's take on Caravan, over a strong Latin beat.
Then we all went home, very musically satisfied.
Ann Alex

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