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Bebop Spoken There

Sullivan Fortner: ''I always judge it by the bass player: If the bass player is happy, it's going to be a good night". (DownBeat, February 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17805 (and counting) posts since we started blogging 17 years ago. 126 of them this year alone and, so far, 51 this month (Feb.16).

From This Moment On ...

February 2025

Sun 23: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 23: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 23: More Jam @ The Globe, Newcastle. 2:00pm. Free.
Sun 23: Mark Williams Trio @ Queen’s Hall, Hexham. 3:00pm.
Sun 23: Ruth Lambert Trio @ The Juke Shed, Union Quay, North Shields. 3:00pm. Free.
Sun 23: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 23: Jazz Jam Sandwich! @ Prohibition Bar, Newcastle. 7:00pm. A ‘Jar on the Bar’ gig.
Sun 23: Mississippi MacDonald @ Georgian Theatre, Stockton. 3:00pm. Blues.
Sun 23: Mu Quintet @ The Globe, Newcastle. 8:00pm. CANCELLED!
Sun 23: Jazz Jam @ Fabio’s, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society promotion. All welcome.

Mon 24: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 24: Michael Young Trio @ The Engine Room, Sunderland. 6:30pm. Free.

Tue 25: ?

Wed 26: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 26: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 26: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 27: Jamie McCredie @ The Globe, Newcastle. 8:00pm.

Fri 28: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free. THIS WEEK ONLY JAMES BIRKETT (guitar)!
Fri 28: Luis Verde Quartet @ The Gala, Durham. 1:00pm. £8.00. SOLD OUT!
Fri 28: Spilt Milk @ St. James’ STACK, Newcastle. 7:00-9:00pm. Free. Nolan Brothers (vocal harmonies).
Fri 28: Castillo Nuevo Orquesta @ Pilgrim, Newcastle. 7:30pm (doors). £8.00.
Fri 28: Knats @ Lubber Fiend, Newcastle. 7:30pm. £11.50. (inc bf.). Album launch gig. Support act TBC.
Fri 28: Black is the Color of My Voice @ The Gala, Durham. 7:30pm. Apphia Campbell’s one-woman show inspired by the life of Nina Simone, performed by Florence Odumosu.
Fri 28: Great North Big Band Jazz Festival: Musicians Unlimited @ Park View Community Centre, Chester-le-Street. 8:00pm. £10.00. (Weekend ticket £20.00., available on the door). Day 1/3. Musicians Unlimited in concert.
Fri 28: Redwell @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

MARCH 2025

Sat 01: Great North Big Band Jazz Festival @ Park View Community Centre, Chester-le-Street. 11:00am. £15.00. Day 2/3.
Sat 01: TJ Johnson Band @ St Augustine’s Parish Centre, Darlington. 12:30pm. £10.00.
Sat 01: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. £25.00. Tutor: Steve Glendinning. Get your funk on! Enrol at: learning@jazz.coop.
Sat 01: Shunyata Improvisation Group @ The Watch House, Cullercoats. 2:00-3:30pm. Free.
Sat 01: Ray Stubbs R&B All Stars @ Billy Bootleggers. Ouseburn, Newcastle. 4:00pm. Free.
Sat 01: Struggle Buggy @ The Peacock, Sunderland. 6:00pm. Blues band.
Sat 01: Edison Herbert Trio @ The Vault, Darlington 7:00pm. Free.
Sat 01: Rendezvous Jazz @ Red Lion, Earsdon. 8:00pm. £3.00.
Sat 01: Jack & Jay’s Vintage Songbook @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Thursday, September 26, 2019

Scarborough Jazz Festival 2019. Sunday, September 22. Afternoon Session: Alec Dankworth's Spanish Accents and Bonsai.

Alec Dankworth's Spanish Accents:
Graciela Rodriquez (vocal), Jesus Olmedo (dance), Roland Sutherland (flute), Mark Lockheart (saxes), Phil Robson (guitar), Alec Danworth (double bass), Demi Garcia Sabat (drums).
(Review/photos by Steve T).

Dog-sitter problems meant we had to forfeit the first band of the session but arrived just in time for this impressive lineup. The thought of some sketches of Spain and Tijuana moods was mouth-watering but also presented problems of translation, comprehension and no doubt spelling, so apologies in advance for going with his translations.

The first piece translated as In Your Latte and brought the first of many fine solos from flautist Roland Sutherland. The instrument is still a relative rarity in jazz which always keep them interesting.

The second piece was Drinking Water and introduced featured vocalist Graciela Rodriquez and brought the first solo from Phil Robson, demonstrating why he's one of the country's leading jazz guitarists. The choice of guitar over piano seemed appropriate and proved to be a masterstroke. 

Rodriquez upped the ante for the first of two pieces from Cuban album and film the Buena Vista Social Club, giving a more deep-throated and impassioned performance.

Dankworth announced Oye Como Va as a piece made famous by its creator Tito Puente, though Santana probably made it far more famous. This stuck with the original, but with lyrics in English.

Two original instrumentals were followed by a Spanish folk song translated as Four Wheel Drive, featuring an unsuccessful attempt to replicate the sound of bagpipes - apparently commonplace in Spanish music - with a flute. Once it got going, it reminded me of an early Jethro Tull song called Fatman, with some great flute, the drummer playing with his hands and dancer Olmedo adding castanets.

The announcement of the final piece as Sudusa by Abdullah Ibrahim met with approval from the audience and proved the high point of the set for me, the leader conceding it's more African than Spanish, though there do seem to be many historic links between Spain and Africa, just across the Med.

Bonsai
Rory Ingham (trombone), Dominic Ingham (violin, vocal), Toby Comeau (keyboards), Joe Lee (bass guitar), Jonny Mansfield (drums).

Just time for a quick latte while listening to northeast guitarist James Birkett and his trio, with guests on keyboards, harmonica and an assortment of singers, before it was back in for the next band, only to find it had changed from the original programme.
      
They'd been scheduled to open the day's session but had presumably swapped with the New Jazz Extempore, who were due to close the afternoon session.

I was intrigued by the unusual frontline of trombone and violin and it worked a treat. Compere Alan Barnes described them as a cracking little band and - for once - he wasn't joking.

Hop and the Hip Replacement found the trombone embellished with effects while the violin played it straight, and the set was at its best when both frontline instruments played.

Dominic handled most of the vocals and was fine rather than remarkable, though struggled outside his range. A bit folky, a bit proggy, one small moan would be that there was too much singing and I liked it better when he was playing violin.

A number of people began to drift away, though I suspect more to extend the break before the next session than as a reflection of the band, but we took the opportunity to move right to the front.

Once again the final piece was my favourite, this one called The Crescent. It featured several tempo changes, 'bone and violin in unison during the faster passages, intricate drumming, an into-it bass player and a keyboardist in the centre keeping it all together. 

An extended trombone solo increased the anticipation of a final violin showcase, but the tension was prolonged by a restrained bass solo, with light touch cymbals and keys before the 'bone came back in, Dominic scatting along before his violin joined the trombone ahead of his inevitable solo.

They'd have probably benefited from going on first or playing the previous set, but nevertheless did themselves proud.     
Steve T

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