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Bebop Spoken There

Jackie Paris: "A singer's got to be able to tell a story. Frank Sinatra and Nat Cole are best at that; Mel Tormé too. I like to take a lyric that means something and sing it right to the person it was meant for." - (DownBeat October 11, 1962).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Tuesday September 17

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Classic Swing - The Ship Inn, Front Street, Monkseaton NE25 8DP. 0191 251 3677. 1:00pm - 3:00pm. Free.

Evening

Jazz

Acoustic Infusion with the Mighty Horns - Forum Music Centre, Borough Road, Darlington DL1 1SG. Tel: 01325 363135. 7:30pm (doors 7:00pm). £5.00. Rick Laughlin & co.

Strictly Smokin’ Sessions - Black Swan Bar, Newcastle Arts Centre, Westgate Road, Newcastle NE1 1SG. Tel: 0191 222 9882. 8:00pm. £8.00. & £6.00.

River City Jazzmen - Block & Tackle, Blackthorn Way, Ashington NE63 8NW. Tel: 01670 819845. 8:00pm. £4.00. Guest: Don Armstrong (reeds). Note earlier start.

Blues

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To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, September 12, 2019

CD Review: Binker Golding - Abstractions of Reality Past and Incredible Feathers


Binker Golding (tenor sax); Joe Armon-Jones (piano); Daniel Casimir (double bass); Sam Jones (drums)
(Review by Russell)

Binker Golding continues to carry all before him. The saxophonist's partnership with Moses Boyd has elevated the Londoner to, at least in the jazz world, stratospheric heights. If Kamasi Washington is the current big noise in the States, Golding is making one hell of a racket this side of the Atlantic. 

Abstractions of Reality Past and Incredible Feathers is Golding's latest recording and it comes courtesy of the Binker Golding Quartet or, as the bandleader appears to favour, the Binker Golding band. Regular sparring partner Boyd isn't involved, the quartet's drummer is Sam Jones, Joe Armon-Jones plays piano and Daniel Casimir is Golding's double bass anchor.


This new Gearbox Records' recording continues Golding's preferred method of putting out no-edit material (studio or live album), warts 'n' all. All seven tracks are Golding compositions, the production credit is his, similarly 'art direction amd inlay design'. Echoes of Coltrane's Giant Steps, seventies' funk-to-fusion, hip-hop and hard-blowin' tenor sax are all in the mix over some forty six or so minutes. Pianist Joe Armon-Jones could be the next 'big thing'. Busy on the London scene, in-demand Armon-Jones matches Golding pound-for-pound and the bass and drums - Casimir and Sam Jones - could be thought of as the latter-day Jimmy Garrison and Elvin Jones.

Coltrane, Brecker, the influences are there but, make no mistake, Binker Golding is his own man.

Abstractions of Reality Past and Incrdible Feathers is available now in CD format on Gearbox Records (GB1555). The album, with a gatefold cover, is also available on 180g vinyl. The album launch at Ronnie Scott's on Wednesday 18 is a sell out (Sarah Tandy replaces Joe Armon-Jones). Golding will be touring the album without the services of Joe Armon-Jones as the pianist has a fractured wrist.    
Russell

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance