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Bebop Spoken There

Charles McPherson: “Jazz is best heard in intimate places”. (DownBeat, July, 2024).

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16590 (and counting) posts since we started blogging 16 years ago. 483 of them this year alone and, so far, 29 this month (July 14).

From This Moment On ...

July

Fri 19: Luis Verde with the Dean Stockdale Trio @ The Lit & Phil, Newcastle. 1:00pm. SOLD OUT!
Fri 19: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 19: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 19: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 19: Luis Verde with the Dean Stockdale Trio @ Traveller’s Rest, Darlington. 8:00pm. Opus 4 Jazz Club.
Fri 19: Zoë Gilby Trio @ Seventeen Nineteen, Hendon, Sunderland. 7:30pm.

Sat 20: Snake Davis & Helen Watson Duo @ Chopwell Community Centre NE17 7HZ. 7:30pm. £17.50.

Sun 21: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm.
Sun 21: Salty Dog @ The Globe, Newcastle. 3:00pm.
Sun 21: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free. Sun 21: The Big Easy @ The White Room, Stanley. 5:00pm.
Sun 21: Ben Crosland Quartet @ The Globe, Newcastle. 8:00pm.

Mon 22: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 23: Nomade Swing Trio @ Newcastle House Hotel, Rothbury. 7:30pm. £10.00. Tickets from Tully’s of Rothbury or at the door (cash only). A Coquetdale Jazz event.

Wed 24: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 24: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 24: The Ronnie Scott’s Story @ The Fire Station, Sunderland. 7:30pm.
Wed 24: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.
Wed 24: Milne-Glendinning Band @ Cafédral, Owengate, Durham. 9:00pm. £9.00. & £6.00. A Durham Fringe Festival event.

Thu 25: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Free. Ragtime piano. A ‘Jar on the Bar’ gig.
Thu 25: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Garry Hadfield (keys); Noel Dennis (tpt); Richie Emmerson (tenor sax); Adrian Beadnell (bass).
Thu 25: Milne-Glendinning Band @ Cafédral, Owengate, Durham. 9:00pm. £9.00. & £6.00. A Durham Fringe Festival event.

Tuesday, September 24, 2019

CD Review: Peter Eldridge and Kenny Werner – Somewhere


Peter Eldridge (vocal); Kenny Werner (piano); Matt Aronoff (bass); Yoron Israel (drums) + 20 piece string orchestra conducted by Eugene Friesen.
(Review by James Henry)

"Somewhere" is a gentle, soothing offering from Peter Eldridge, Kenny Werner and a string orchestra, the culmination of an idea shared by  Eldridge and Werner that began about 10 years ago.  It would be terribly easy to combine Eldridge’s crooning baritone voice, Werner’s gentle piano fills and a string orchestra to recreate Frank Sinatra or Nat King Cole: thankfully, this CD doesn’t seek to do this. "Somewhere" is a fresh interpretation of song, strings, and soothing, gentle jazz; it is an antidote to the troubled times in which we live.   

Kenny Werner is an accomplished jazz pianist, composer and educator, possibly best known for his seminal book “Effortless Mastery, Liberating the Master Musician Within”, the closest thing I know to a jazz self-improvement book.   Peter Eldridge is a crooner of the old sort, with a wonderful vocal range, and a glorious deep lower register.  Werner and Eldridge are faculty members at Berklee Music College in Boston, and draw on other Berklee musicians for this album, notably the cellist Eugene Friesen who conducts the 20 piece string orchestra, itself recruited from the Berklee World Strings.

The album is for the most part a collection of Werner and Eldridge originals, but with one or two more familiar pieces. You Don’t Know Me is worlds away from the standard made famous by Ray Charles, and brings the best out of Eldridge’s deep baritone.  I’m so Glad You’re Mine is jazzy in a minor way.   That Which Can’t Be Explained has a more theatrical feel and juxtaposes Eldridge’s lyric and a complex string motif. Autumn in Three, a Werner/Eldridge original, swings and swirls seasonally in waltz time, with an evocative string arrangement and a nice rhythm section feature, bringing drummer Yoron Israel and bassist Matt Aronoff to the fore.

The mood slows and mellows with Minds of their Own, setting Eldridge’s words to Ivan Lin’s tune, and a midnight, clubby feel. Less Than Lovers, an Eldridge tune, is lifted by an Aaron Copeland-like string arrangement from Werner.  Difficult takes Eldridge’s music into territory normally occupied by Tom Lehrer, but with a dark, infatuated lyric.

Ballad for Trane features an extended tenor saxophone solo from George Garzone (another Berklee faculty member), and then we return to more familiar ground with a medley of Somewhere (Bernstein/Sondheim) and A Time for Love (Mancini). Untitled Lament (Werner) has an elegiac feel and we finish with a gentle lullaby,  Day is Done (Prayer for Diego), co-written by Eldridge and one of his song writing students Mitchell Proctor. Unexpectedly and splendidly, this sleepy song morphs into rocking bowed cello solo, before gently playing out.

Peter Eldridge and Kenny Werner’s Somewhere is very different, very soothing and very good.  Besides offering a safe place to the listener, there is a pleasing depth, which rewards multiple listenings.    
 James H

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