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Bebop Spoken There

Dee Dee Bridgewater: "We found out that the estate doesn't allow any lyrics to Coltrane's music" - (DownBeat April, 2020).

Archive.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

COVID-19

In the current climate we are doing our best to keep everyone up to date. All gigs, as we all know, are off.

However, good old YouTube has plenty to offer both old and new to help us survive whilst housebound. Plus now is a good time to stock up on your CDs.

Also, keep an eye out for live streaming sessions.

Alternatively, you could do as they do in Italy and sing from your balcony.

Today

As we all know there are no live gigs taking place in the immediate future. However, any links to jazz streaming that are deemed suitable - i.e. with a professional approach - will be considered for posting.

Thursday, September 05, 2019

CD Review: John Coltrane - Blue World

John Coltrane (tenor/soprano sax); McCoy Tyner (piano); Jimmy Garrison (bass); Elvin Jones (drums).
(Review by Lance).

How many more previously undiscovered gems are there hidden in the vaults? Tubbs, Miles, Trane, there seems to be an untapped lode of riches buried deep. Trane fans hit paydirt last year with the 1963 recording Both Directions at once: The Lost Album which reached #21 on the Billboard 200 chart.

Unlike Both Directions which contained original compositions, Blue World, recorded a year later, comprises reworkings of previous Coltrane classics the intention being to use them as a soundtrack to a Canadian film Le chat dans le sac (trans. The cat in the bag). As it happened, only 10 minutes of the 37 minutes was actually used in the film.  

8 tracks and 5 of them alternate takes: Naima (x 2); Village Blues (x 3) + Blue World; Like Sonny; Traneing In. This in no way detracts, after the theme statements the solos take on a life of their own, each take offering some variation and I'd be reluctant to name the definitive one - like how am I going to tell him when we meet up in the Heaven branch of Birdland that he blew a bum note on one of the takes?

I don't think he ever blew a bummer! Having said that, when I first heard Trane with Eric Dolphy at Newcastle City Hall in 1961 I thought every note signified the end of music as an enjoyable listening experience. My first encounter with the new wave, avante garde, free form, call it what you will! Fortunately, either the music or I have mellowed - probably both - and, compared to some of today's more outré offerings, not life threatening at all and I can do nothing other than to recommend this CD wholeheartedly (LP/digital etc. also available).
Release date Sept. 27 on Impulse.
Lance

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