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Bebop Spoken There

George "Big Nick" Nicholas: "This band [George Adams-Don Pullen Quartet] is a bitch on roller skates, baby. They'll run you over if you ain't ready" (JazzTimes April, 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

14250 (and counting) posts since we started blogging 14 years ago. 469 of them this year alone and, so far, 69 this month (May 19).

From This Moment On ...

May.

Wed 25: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 25: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 25: Four @ The Exchange, North Shields. 7:00pm.
Wed 25: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 26: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 26: Deep Pope + Garner & Pope @ Cobalt Studios, Newcastle. 7:00pm. £7.00.
Thu 26: 58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm.
Thu 26: Knats @ Hoochie Coochie, Newcastle. 8:00pm.
Thu 26: Jeremy McMurray & the Pocket Orchestra @ Arc, Stockton. 8:00pm.
Thu 26: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 26: Tees Hot Club @ Dorman’s Club, Middlesbrough. 9:00pm.

Fri 27: Alice Grace Quartet @ The Gala, Durham. 1:00pm.
Fri 27: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 27: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 27: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 27: Fergus McCreadie Trio @ The Witham, Barnard Castle. 7:30pm.

Sat 28: Whitley Bay Carnival: Northern Monkey Brass Band (1:00-1:45pm & 4:00-4:45pm); Baghdaddies (2:00-2:45pm & 5:00-5:45pm) @ Spanish City Plaza Arena, Whitley Bay. Northern Monkey Brass Band (2:30-2:45pm) @ Rainbow Corner (Marine Ave.), Whitley Bay.
Sat 28: Jack Logan & the Swing Section @ Prohibition Bar, Newcastle. 8:00pm.

Sun 29 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 29: Musicians Unlimited @ Hartlepool United Supporters’ Club, Hartlepool. 1:00pm.
Sun 29: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 29: Groovetrain @ Tyne Bar, Newcastle. 4:00pm. Free.
Sun 29: Zoë Gilby Quartet @ Allendale Village Hall, Northumberland. 7:30pm.
Sun 29: Two of a Mind: Sue Ferris-Steve Summers Quartet @ The Globe, Newcastle. 8:00pm. £10.00 adv., £12.00. door.
Sun 29: Cedric Burnside @ Cluny, Newcastle. Superb Mississippi hill country blues!

Mon 30: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Tue 31: Jam session @ Black Swan, Newcastle. 7:30pm. House trio: Stu Collingwood, Paul Grainger, Rob Walker.

Tuesday, September 24, 2019

CD Review: Peter Eldridge and Kenny Werner – Somewhere


Peter Eldridge (vocal); Kenny Werner (piano); Matt Aronoff (bass); Yoron Israel (drums) + 20 piece string orchestra conducted by Eugene Friesen.
(Review by James Henry)

"Somewhere" is a gentle, soothing offering from Peter Eldridge, Kenny Werner and a string orchestra, the culmination of an idea shared by  Eldridge and Werner that began about 10 years ago.  It would be terribly easy to combine Eldridge’s crooning baritone voice, Werner’s gentle piano fills and a string orchestra to recreate Frank Sinatra or Nat King Cole: thankfully, this CD doesn’t seek to do this. "Somewhere" is a fresh interpretation of song, strings, and soothing, gentle jazz; it is an antidote to the troubled times in which we live.   

Kenny Werner is an accomplished jazz pianist, composer and educator, possibly best known for his seminal book “Effortless Mastery, Liberating the Master Musician Within”, the closest thing I know to a jazz self-improvement book.   Peter Eldridge is a crooner of the old sort, with a wonderful vocal range, and a glorious deep lower register.  Werner and Eldridge are faculty members at Berklee Music College in Boston, and draw on other Berklee musicians for this album, notably the cellist Eugene Friesen who conducts the 20 piece string orchestra, itself recruited from the Berklee World Strings.

The album is for the most part a collection of Werner and Eldridge originals, but with one or two more familiar pieces. You Don’t Know Me is worlds away from the standard made famous by Ray Charles, and brings the best out of Eldridge’s deep baritone.  I’m so Glad You’re Mine is jazzy in a minor way.   That Which Can’t Be Explained has a more theatrical feel and juxtaposes Eldridge’s lyric and a complex string motif. Autumn in Three, a Werner/Eldridge original, swings and swirls seasonally in waltz time, with an evocative string arrangement and a nice rhythm section feature, bringing drummer Yoron Israel and bassist Matt Aronoff to the fore.

The mood slows and mellows with Minds of their Own, setting Eldridge’s words to Ivan Lin’s tune, and a midnight, clubby feel. Less Than Lovers, an Eldridge tune, is lifted by an Aaron Copeland-like string arrangement from Werner.  Difficult takes Eldridge’s music into territory normally occupied by Tom Lehrer, but with a dark, infatuated lyric.

Ballad for Trane features an extended tenor saxophone solo from George Garzone (another Berklee faculty member), and then we return to more familiar ground with a medley of Somewhere (Bernstein/Sondheim) and A Time for Love (Mancini). Untitled Lament (Werner) has an elegiac feel and we finish with a gentle lullaby,  Day is Done (Prayer for Diego), co-written by Eldridge and one of his song writing students Mitchell Proctor. Unexpectedly and splendidly, this sleepy song morphs into rocking bowed cello solo, before gently playing out.

Peter Eldridge and Kenny Werner’s Somewhere is very different, very soothing and very good.  Besides offering a safe place to the listener, there is a pleasing depth, which rewards multiple listenings.    
 James H

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