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Bebop Spoken There

Greg Osby: “I have my own style, my own attitude, my own opinions about things. I'm not a follower". DownBeat, February, 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16221 (and counting) posts since we started blogging 16 years ago. 103 of them this year alone and, so far, 47 this month (Feb. 18).

From This Moment On ...

February 2024

Wed 21: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 21: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 21: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 22: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 22: Student Performances @ King’s Hall, Newcastle University. 4:00pm. Free. Inc. Remi Coulthard-Boardman (voice).
Thu 22: Crooners @ Darlington Hippodrome. 7:30pm. £30.00., £27.00., £24.00., £18.00.
Thu 22: Merlin Roxby @ Prohibition Bar,
Newcastle. 8:00pm. Ragtime piano. A ‘Jar on the Bar’ gig.
Thu 22: Soznak @ The Schooner, South Shore Road, Gateshead. 8:00pm.
Thu 22: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests Kevin Eland (trumpet); Josh Bentham (sax); Garry Hadfield (keys); Ron Smith (bass).
Thu 22: Vieux Carré Jazzmen @ Carlisle Jazz Club (Carlisle Rugby Club), Warwick Road, Carlisle CA1 1LW. 8.30pm. £10.

Fri 23: Mark Williams Trio @ The Gala, Durham. 1:00pm. £8.00.
Fri 23: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 23: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 23: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 23: Salty Dog Trio @ The Greenhouse, Tynemouth. 7:00pm. £8.00. (£6.00. adv.). CANCELLED!
Fri 23: Crooners @ The Maltings, Berwick upon Tweed. 7:30pm. £30.00., £28.00.
Fri 23: Strictly Smokin' Big Band w Dennis Rollins @ Glasshouse, Gateshead. 8:00pm.

Sat 24: NUJO Jazz Jam @ Cobalt Studios, Newcastle. 7:00pm (doors). Free (donations). A Newcastle University Jazz Orchestra event, all welcome.
Sat 24: Bradley Creswick’s Western Swingfonia @ Hexham Abbey, Hexham. 7:30pm. £15.00. A fundraiser for Hexham Abbey.
Sat 24: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 25: Musicians Unlimited @ The Park Inn, Hartlepool. 1:00pm. Free.
Sun 25: More Jam @ The Globe, Newcastle. 2:30pm. Free.
Sun 25: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 25: Lindsay Hannon: Tom Waits for No Man + Lee Maddison @ Laurels, Whitley Bay. 4:00pm (3:30pm doors). £11.00., £8.80. inc. bf. SOLD OUT!
Sun 25: Bex Burch + Rachel Musson @ The Globe, Newcastle. 8:00pm. £11.00. Two solo performances. JNE.
Sun 25: Jazz Jam @ Fabio's, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society event. All welcome.

Mon 26: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 27: Ruth Lambert Quartet @ The Black Swan, Newcastle. 8:00pm (7:00pm doors). £12.00., £10.00. (adv.).

Monday, September 09, 2019

Northern Monkey Brass Band @ Gala Studio, Durham City – Sept. 6

Graham Hardy, Alastair Lord (trumpets); Sue Ferris (tenor sax); David Gray, Kieran Parnaby (trombones); Graham Wilson (tuba); Adam Sinclair (snare drum); Brendan Murphy (bass drum).
(Review/photos by Brian Ebbatson)

Graham Hardy’s NMBB’s return to Durham’s Gala kicked off this autumn’s Lunchtime Jazz series with their customary energy and pzazz.  The band entered the Studio from all corners with the familiar trumpet calls, punchy trombone blasts, sax and tuba echoes, before the snare and bass drums signalled the switch into their signature opener Loose in the Banana Patch, itself rolling straight into The A-Team theme.

For some in the audience this was perhaps, at first thought, not their usual music, but the infectious energy, the driving rhythms, and the pure musicianship of all the players soon had the audience responding with enthusiasm not just to each number but to every solo.

Although Northern Monkey are inspired by – and pay due tribute to – the traditional as well as contemporary New Orleans and New York street bands, they equally acknowledge their North East and contemporary musical roots, all mixed up with many of Graham’s own compositions and arrangements. And altogether they fulfil the programme promise to play their music “in a way you’ve never heard”.

The opener was followed by Graham’s The Sly Capuchin, one of four tracks from the Northern Monkey Business CD, featuring a lengthy trombone solo from “Growling” David Gray. We never heard the story behind this. There are records of Greyfriars in Durham and Hartlepool, but I don’t know if they were Capuchins. Or had Graham been captivated by a Capuchin monkey at a zoo somewhere?

Next came Water of Tyne, for me the star number, Alastair leading on the theme with Graham playing counter-melody behind, then bass and snare drums launch into a syncopated marching beat, leading with upbeat solos by Sue, David and Hardy. Truly of both worlds, although I missed the actual words, evocatively sung by George Welch on their CD.

Philip Oakley and Giorgio Moroder’s 1980’s Electric Dreams, took us back to that era, whilst Monkey Blood and High on Life  are more Hardy compositions from their 2019 Northern Monkey Business CD and their early EP-CD respectively. Other Hardy numbers were Ninja Princess (for Kuku, a New York trumpeter friend of Graham), and Always Forward, featuring a brilliant percussion duet by Adam and Brendan.  
 
In between came Sports Direct Infirmary Blues, with Graham’s languid muted intro, Sue’s mournful sax and David’s wailing trombone, as much a tribute to the New Orleans tradition as a blues for familiar tribulations on the Tyne.

Graham had delayed introducing the band members – there were three deps in Sue Ferris on sax, Kieran Parnaby on second trombone and Graham Wilson on tuba – “until they had done something” (a solo), but all players performed as if they were regulars and were enthusiastically applauded by the capacity audience before and after the encore of Stevie Wonder’s Superstition.

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