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Bebop Spoken There

Greg Osby: “I have my own style, my own attitude, my own opinions about things. I'm not a follower". DownBeat, February, 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16221 (and counting) posts since we started blogging 16 years ago. 103 of them this year alone and, so far, 47 this month (Feb. 18).

From This Moment On ...

February 2024

Wed 21: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 21: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 21: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 22: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 22: Student Performances @ King’s Hall, Newcastle University. 4:00pm. Free. Inc. Remi Coulthard-Boardman (voice).
Thu 22: Crooners @ Darlington Hippodrome. 7:30pm. £30.00., £27.00., £24.00., £18.00.
Thu 22: Merlin Roxby @ Prohibition Bar,
Newcastle. 8:00pm. Ragtime piano. A ‘Jar on the Bar’ gig.
Thu 22: Soznak @ The Schooner, South Shore Road, Gateshead. 8:00pm.
Thu 22: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests Kevin Eland (trumpet); Josh Bentham (sax); Garry Hadfield (keys); Ron Smith (bass).
Thu 22: Vieux Carré Jazzmen @ Carlisle Jazz Club (Carlisle Rugby Club), Warwick Road, Carlisle CA1 1LW. 8.30pm. £10.

Fri 23: Mark Williams Trio @ The Gala, Durham. 1:00pm. £8.00.
Fri 23: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 23: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 23: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 23: Salty Dog Trio @ The Greenhouse, Tynemouth. 7:00pm. £8.00. (£6.00. adv.). CANCELLED!
Fri 23: Crooners @ The Maltings, Berwick upon Tweed. 7:30pm. £30.00., £28.00.
Fri 23: Strictly Smokin' Big Band w Dennis Rollins @ Glasshouse, Gateshead. 8:00pm.

Sat 24: NUJO Jazz Jam @ Cobalt Studios, Newcastle. 7:00pm (doors). Free (donations). A Newcastle University Jazz Orchestra event, all welcome.
Sat 24: Bradley Creswick’s Western Swingfonia @ Hexham Abbey, Hexham. 7:30pm. £15.00. A fundraiser for Hexham Abbey.
Sat 24: Papa G’s Troves @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sun 25: Musicians Unlimited @ The Park Inn, Hartlepool. 1:00pm. Free.
Sun 25: More Jam @ The Globe, Newcastle. 2:30pm. Free.
Sun 25: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 25: Lindsay Hannon: Tom Waits for No Man + Lee Maddison @ Laurels, Whitley Bay. 4:00pm (3:30pm doors). £11.00., £8.80. inc. bf. SOLD OUT!
Sun 25: Bex Burch + Rachel Musson @ The Globe, Newcastle. 8:00pm. £11.00. Two solo performances. JNE.
Sun 25: Jazz Jam @ Fabio's, Saddler St., Durham. 8:00pm. Free. A Durham University Jazz Society event. All welcome.

Mon 26: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 27: Ruth Lambert Quartet @ The Black Swan, Newcastle. 8:00pm (7:00pm doors). £12.00., £10.00. (adv.).

Saturday, September 28, 2019

CD Review: Ethan Iverson Quartet with Tom Harrell - Common Practice

Tom Harrell (trumpet); Ethan Iverson (piano); Ben Street (bass); Eric McPherson (drums).
(Review by Lance)

Maybe I shall hear it Sunday,
Maybe Monday, maybe not
Still I'm sure to hear it one day
Maybe Tuesday will be my good news day.

As it happened, Friday turned out to be my good news day...

Over the years I've been impressed by the volume of CDs issued by Herr Eicher on his ECM label most of which have received rave reviews in DownBeat, Jazzwise - even within these pages - and yet, somehow, Cupid's arrow has, in the main, landed short of my heart - until now that is.

The arrival of an ECM package automatically puts my brain into delegating mode and, for once, that delegated reviewer turns out to be me!

Recorded live at NYC's Village Vanguard in 2017, this is as close to perfection as you'll get. Only two originals which is indeed a rarity for an ECM album (paradoxically, the previous ECM issue reviewed by Chris also contains some standards) but, so what? Let's hear what guys can do with other peoples music - you don't compose a tune you can't do something with yourself!

My adaptation of Ira Gershwin's words are no coincidence as the first number is, in fact, The Man I Love and Harrell handles Ira's brother George's melody with ease. The tone is round and full - like Chet Baker with balls - and the lyricism comparable. I can see why our man Noel Dennis digs both Tom and Chet, he sort of draws them together.

Wee, which if memory serves me right also sails under the title of Allen's Alley - and Google says I am right - is a bebop belter. Fats Navarro guides Tom down the alley before launching him into the brave new world that was.

Every trumpet player who ever lived has had a crack at I Can't Get Started and few, if any, have surpassed Bunny Berigan's 1937 version. Tom doesn't try, instead he offers a laid back reading before giving way to some reflective piano from Iverson.

Iverson, needless to say, is mega effective behind the trumpet ace. His dark chords beneath Harrell's take on Sentimental Journey give it an almost Monkian feel.

Out of Nowhere bounces along merrily and Polka Dots and Moonbeams gets deserved vocal applause from the audience. The album notes draw parallels between  this one and the versions by Lester Young - the virtues of spareness and song are in both. Of course, it's wise not to take too many liberties with a song about 'a pug-nosed dream' otherwise you might end up becoming pug-nosed yourself! 

All the Things You Are; I'm Getting Sentimental Over You and I Remember You complete the GASbook material and Iverson's two originals - Philadelphia Creamer and Jed From Teaneck - provide some blues to make this album just about perfect. Bass and drums don't seek the spotlight, they didn't need to - their presence was felt.

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