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Bebop Spoken There

Stan Woodward: ''We're part of the British jazz scene, but we don't play London jazz. We play Newcastle jazz. The Knats album represents many things, but most importantly that Newcastle isn't overlooked". (DownBeat, April 2025).

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

17945 (and counting) posts since we started blogging 17 years ago. 266 of them this year alone and, so far, 22 this month (April 8).

From This Moment On ...

April 2025.

Sat 12: Jason Isaacs @ STACK, Seaburn. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Sat 12: Rob Heron & the Tea Pad Orchestra + House of the Black Gardenia + King Bees @ Cluny 2, Newcastle. 6:30pm (doors). £18.00. SOLD OUT!
Sat 12: Bright Street Big Band @ Washington Arts Centre. 6:30pm. £12.00. Event includes swing dance taster session, DJ dance session. Bright Street Big Band on stage 7:30-8:15pm & 8:45-9:30pm. SOLD OUT!
Sat 12: Milne Glendinning Band @ The Vault, Darlington. 7:00pm. Free.
Sat 12: Imelda May @ The Glasshouse, Gateshead. 7:30pm. £42.20. SOLD OUT!
Sat 12: Swunk @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Sun 13: Daniel John Martin with Swing Manouche @ Central Bar, Gateshead. 2:00pm. £10.00.
Sun 13: Paul Skerritt @ Hibou Blanc, Newcastle. 2:00pm. Free. Vocalist Skerritt working with backing tapes.
Sun 13: Hejira: A Celebration of Joni Mitchell @ Wylam Brewery, Newcastle. 8:00pm (7:00pm doors). £22.50.
Sun 13: Wilkinson/Edwards/Noble + Chojnacki @ The Globe, Newcastle. 8:00pm. £13.20., £11.00. JNE.

Mon 14: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.
Mon 14: Zoë Gilby Quintet @ The Black Bull, Blaydon. 8:00pm. £10.00.

Tue 15: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Michael Young, Paul Grainger, Abbie Finn.

Wed 16: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 16: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 16: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free. CANCELLED!

Thu 17: Jazz Appreciation North East @ Brunswick Methodist Church, Newcastle NE1 7BJ. 2:00pm. £4.00. Subject: Only Six Standards.
Thu 17: Redwell @ Prohibition Bar, Newcastle. 8:00pm. Free. A ‘Jar on the Bar’ gig.

Fri 18: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 18: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 18: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 18: Jason Isaacs @ St. James’ STACK, Newcastle. 1:00-2:45pm. Free. Vocalist Isaacs working with backing tapes.
Fri 18: Jason Isaacs @ STACK, Seaburn. 3:30-5:30pm. Free. Vocalist Isaacs working with backing tapes.
Fri 18: Alexia Gardner @ Fika Gallery, Oldgate, Morpeth NE61 1LT. 7:00pm. Trio (Gardner, Alan Law, Jude Murphy).
Fri 18: Sarah Jane Morris & Tony Remy: The Sisterhood @ Cluny 2, Newcastle. 7:30pm (doors). £25.00.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

Saturday, September 28, 2019

CD Review: Ethan Iverson Quartet with Tom Harrell - Common Practice

Tom Harrell (trumpet); Ethan Iverson (piano); Ben Street (bass); Eric McPherson (drums).
(Review by Lance)

Maybe I shall hear it Sunday,
Maybe Monday, maybe not
Still I'm sure to hear it one day
Maybe Tuesday will be my good news day.

As it happened, Friday turned out to be my good news day...

Over the years I've been impressed by the volume of CDs issued by Herr Eicher on his ECM label most of which have received rave reviews in DownBeat, Jazzwise - even within these pages - and yet, somehow, Cupid's arrow has, in the main, landed short of my heart - until now that is.

The arrival of an ECM package automatically puts my brain into delegating mode and, for once, that delegated reviewer turns out to be me!

Recorded live at NYC's Village Vanguard in 2017, this is as close to perfection as you'll get. Only two originals which is indeed a rarity for an ECM album (paradoxically, the previous ECM issue reviewed by Chris also contains some standards) but, so what? Let's hear what guys can do with other peoples music - you don't compose a tune you can't do something with yourself!

My adaptation of Ira Gershwin's words are no coincidence as the first number is, in fact, The Man I Love and Harrell handles Ira's brother George's melody with ease. The tone is round and full - like Chet Baker with balls - and the lyricism comparable. I can see why our man Noel Dennis digs both Tom and Chet, he sort of draws them together.

Wee, which if memory serves me right also sails under the title of Allen's Alley - and Google says I am right - is a bebop belter. Fats Navarro guides Tom down the alley before launching him into the brave new world that was.

Every trumpet player who ever lived has had a crack at I Can't Get Started and few, if any, have surpassed Bunny Berigan's 1937 version. Tom doesn't try, instead he offers a laid back reading before giving way to some reflective piano from Iverson.

Iverson, needless to say, is mega effective behind the trumpet ace. His dark chords beneath Harrell's take on Sentimental Journey give it an almost Monkian feel.

Out of Nowhere bounces along merrily and Polka Dots and Moonbeams gets deserved vocal applause from the audience. The album notes draw parallels between  this one and the versions by Lester Young - the virtues of spareness and song are in both. Of course, it's wise not to take too many liberties with a song about 'a pug-nosed dream' otherwise you might end up becoming pug-nosed yourself! 

All the Things You Are; I'm Getting Sentimental Over You and I Remember You complete the GASbook material and Iverson's two originals - Philadelphia Creamer and Jed From Teaneck - provide some blues to make this album just about perfect. Bass and drums don't seek the spotlight, they didn't need to - their presence was felt.

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