For the past fifteen years we've been updating the world about jazz in the north east of England and updating the north east of England about jazz in the world. WINNER of the Jazz Media Category in the 2018 All Party Parliamentary Jazz Awards. Contact lanceliddle@gmail.com
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Bebop Spoken There
The Things They Say!
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!
Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"
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From This Moment On ...
June
Sat 03: Newcastle Record Fair @ Northumbria University, Newcastle NE8 8SB. 10:00am-3:00pm. Admission: £2.00.
Sat 03: Pedigree Jazz Band @ St Augustine's Parish Centre, Darlington. 12:30pm.
Sat 03: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. Tutor: Sue Ferris. £25.00. Enrol at: www.jazz.coop.
Sat 03: Abbie Finn Trio @ The Vault, Darlington. 6:00pm. Free.
Sat 03: Rendezvous Jazz @ Red Lion, Earsdon. 8:00pm. £3.00.
Sat 03: Papa G's Troves @ Prohibition Bar, Newcastle. 8:00pm. A 'Jar on the Bar' gig.
Sun 04: Smokin' Spitfires @ The Cluny, Newcastle. 12:45pm.
Sun 04: Central Bar Quintet @ Central Bar, Gateshead. 2:00-4:00pm. £5.00. The Central Bar Quintet plays Sonny Rollins' Saxophone Colossus. Featuring Lewis Watson.
Sun 04: 4B @ The Exchange, North Shields. 3:00pm.
Sun 04: Struggle Buggy + Michael Littlefield @ Tyne Bar, Newcastle. 4:00pm. Free. Acoustic blues.
Sun 04: Swinging at the Cotton Club: Harry Strutters' Hot Rhythm Orchestra @ The Fire Station, Sunderland. 7:30pm.
Sun 04: Richard Jones Trio @ The Globe, Newcastle. 8:00pm.
Sun 04: Jam No. 18 @ Fabio's Bar, Saddler Street, Durham. 8:00pm. Free. All welcome. A Durham University Jazz Society event.
Mon 05: Harmony Brass @ Cullercoats Crescent Club. 1:00pm.
Tue 06: Paul Skerritt @ The Rabbit Hole, Hallgarth St., Durham DH1 3AT. 7:00pm. Paul Skerritt's (solo) weekly residency.
Tue 06: Jam session @ Black Swan, Newcastle Arts Centre. 7:30pm. House trio: Stu Collingwood (piano); Paul Grainger (double bass); Sid White (drums).
Wed 07: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 07: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 07: 4B @ The Exchange, North Shields. 7:00pm.
Wed 07: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.
Thu 08: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free. CANCELLED! BACK ON JUNE 15.
Thu 08: Easington Colliery Brass Band @ The Lubetkin Theatre, Peterlee. 7:00pm. £10.00.
Thu 08: Faye MacCalman + Blue Dust Archive @ Cobalt Studios, Newcastle. 7:00pm.
Thu 08: Dilutey Juice + Ceramic @ The Ampitheatre, Sea Road, South Shields. 7:00pm. Free. A South Tyneside Festival event.
Thu 08: Lara Jones w. Vigilance State @ Lubber Fiend, Blandford Square, Newcastle. 7:00pm.
Thu 08: Michael Littlefield @ the Harbour View, Roker, Sunderland. 8:00pm. Free. Country blues.
Thu 08: Tees Hot Club @ Dorman's Club, Middlesbrough. 9:00pm.
Fri 09: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 09: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 09: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 09: Castillo Nuevo @ Revolución de Cuba, Newcastle. 5:30-8:30pm.
Fri 09: Emma Rawicz @ Sage Gateshead. 8:00pm.
Tuesday, September 17, 2019
Newcastle Jazz Festival - Past and Present
Blog Archive
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2019
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989
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September
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78
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- Jazz in the Afternoon @ Cullercoats Crescent Club ...
- Mercury nominees, big band legends and UK debuts: ...
- The Things We Did Last Summer
- BBC playing the changes
- CD Review: Enrico Rava, Joe Lovano - Roma
- Kurt Rosenwinkel Bandit 65 @ Sage Gateshead - Sept...
- Situations Vacant
- House of the Black Gardenia @ The Old Coal Yard - ...
- CD Review: Ethan Iverson Quartet with Tom Harrell ...
- 2019 British Jazz Awards - Voting now open.
- Scarborough Jazz Festival 2019. Sunday Sept. 22. E...
- CD Review: Loz Speyer's Time Zone - Clave Sin Embargo
- CD Review: Playing the Room - Avishai Cohen, Yo...
- Scarborough Jazz Festival 2019. Sunday, September...
- Pannonica @ The Jazz Cafe - September 25
- Alter Ego @ Prohibition Bar, Newcastle - September 24
- CD/Tour details: Mario Chiara Argirò - Hidden Seas
- Fabled @ The Bridge Hotel, Newcastle - Sept. 22
- Roll on 2020
- CD Review: Peter Eldridge and Kenny Werner – Somew...
- Preview: Kurt Rosenwinkel @ Sage Gateshead (Saturd...
- Sunday Jazz @ Middlesbrough - It's Started!
- Rick Laughlin's Electet @ Dormans Jazz Club,Middle...
- CD Review: Mark Kavuma - The Banger Factory
- Strictly Smokin' Sessions II @ The Black Swan - Se...
- Barnhart goes to the movies @ St Augustine's, Darl...
- The Sumner Suite @ The Gosforth Hotel
- CD Review: Hendrik Meurkens - Cobb's Pocket
- Nick Pride & the Pimptones @ Hoochie Coochie Septe...
- Mark Williams Trio @ The Merry Monk, Bishop Auckla...
- RIP Harold Mabern
- Dave Rae's Levee Ramblers New Orleans Jazz Band @ ...
- CD/LP Review: Doc Bowling & his Blues Professors -...
- The Rockin' Turner Brothers
- CD Review: Mark Sherman - My Other Voice.
- CD Review: Moy Eng, Wayne Wallace – The Blue Hour
- Barnhart goes to the movies!
- Newcastle Jazz Festival - Past and Present
- Bruce Adams with the Paul Edis Trio @ Blaydon Jazz...
- Andy Hudson Recalls the First Soho Jazz Festival.
- CD Review: Dave Miller Trio - Just Imagine
- CD Review: Patrick Barnitt – Sway
- We Are Soznak Family @ Monument, Newcastle - Septe...
- Tonite (Sunday15)! Blaydon's Big Birthday Bash!
- Paper Moon Trio @ Prohibition Bar - September 14
- Paul Edis Trio @ The Lit & Phil, Newcastle - Septe...
- Newcastle Festival of Jazz and Improvised Music 2019
- Preview: The Vinyl Revival (JG Windows, Newcastle)
- Solitude
- CD Review: Binker Golding - Abstractions of Realit...
- CD Review: Ricardo Peixoto - Scary Beautiful
- CD Review: Mette Juul - Change
- CD Review:O'Higgins & Luft Play Monk & Trane
- Preview: A late night in Hexham (September 21)
- Jackie Paris
- CD Review: Lynne Arriale Trio - Give Us These Days
- Northern Monkey Brass Band @ Gala Studio, Durham C...
- Preview: Bruce Adams @ Blaydon Jazz Club
- Preview: Darlington Rhythm & Blues Festival (Sunda...
- Artephis @ The Globe Jazz Bar, Newcastle – Septemb...
- Showtime keeps on runnin' on Great North Run Day!
- Jeff Barnhart & John Hallam @ Darlington New Orlea...
- Hokum Hotshots 50 Not Out! @ Prohibition Bar - Sep...
- CD Review: Dred Scott - Dred Scott Rides Alone
- CD Review: BATL Quartet - Live
- Test match commentary on Radio 5
- CD Review: John Coltrane - Blue World
- Ambleside Days by David Forman
- Frog and Henry @ the Black Swan - Sept. 4
- Preview: Frog and Henry @ the Black Swan - Tonight!
- Jam Session @ the Black Swan - Sept. 3
- Radio Riches on Radio 3
- Sloth Racket @ The Bridge Hotel, Newcastle - Septe...
- Ambleside Days Festival 2019: Tim Garland Weather ...
- CD Review: Diego Figueiredo - Come Closer.
- Ambleside Days Festival Tommy Smith – Embodying th...
- CD Review: Vasilis Xenopoulos - Dexterity
- CD Review: The Casimir Connection - Cause and Effect
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September
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5 comments :
Dave - the original Newcastle Jazz Festivals hosted a galaxy of stars that could never be repeated - they're almost all dead now. However, that was 24 plus years ago and jazz audiences, sadly, have declined in numbers as has sponsorship. So, whereas Wes' event is a more ambitious undertaking having pulled the sponsors, that in no way should be held against the lower key Tyne Bank event.
As you pointed out, no one appears to own the rights to the name so where's the problem?
In my eyes, the problem lies in nitpicking over issues like this. Surely we all want to see jazz in whatever style, or under whatever banner prosper? If someone had come up with NJF in, say 1996, then it could be seen as riding on the coattails but, 24 years on? Hardly!
Personally, I'm delighted to see Wes' event go from strength to strength and would like to think that, with the support of influential figures such as yourself, the NEW Newcastle Jazz Festival can do the same.
At the end of the day, we're (hopefully) all playing from the same lead sheet.
Let's hear what others think...
I agree with Lance. The audience for jazz has declined steadily since I started playing it In public (1971) and we should all pull together rather than indulge in the sort of "mouldy figs vs. Boppers" infighting that characterised the late 1940's. Having appeared in some of Andy Hudson's original NJFs, and also Mike Hart's original Edinburgh JFs too, I think that a good (big) Jazz Festival needs: (i) Headliners - nowadays this tends to mean very modern players (obviously), but please don't cut out the old or young players from older styles of jazz, (ii) smaller venues with accessible charges for quality local bands of semi-pros (as we used to call 'em) and amateurs to play. To me this is just as important as the Headliners in the big venues, and, as Lance's Blog tells us every day, these guys are around, as witness the small but perfectly formed Festival in Byker recently which provoked these comments. On a more personal note, I would appreciate some cross-fertilisation with, for instance, the Whitley Bay Classic Jazz Party, which is revered across the world for the quality of the Classic Jazz it puts on, but which rarely if ever reaches the dizzy heights of the Sage. If this music is only available to old folks like me who can afford to book a weekend at the party, it will surely die. I'm sure that fans of John Tavener, Philip Glass and Alban Berg, for instance, wouldn't want their developments in classical music to be listened to, to the exclusion of Mozart, Beethoven, Delius and Rachmaninov.
I was at a family wedding the day of the Newcastle Jazz Festival but, having seen most of the bands a number of times, it was of limited interest anyway.
At the risk of being simplistic, the forthcoming festival seems to be mostly local musicians playing jazz and imports more on the pure improvisational side, which is often a stretch even for jazzers, and I wouldn't like to see the emergence of a free-er is better discourse. There's no shame in preferring the Second Great Quintet to Albert Ayler.
Yazz Ahmed perhaps ticks all the boxes and, having seen her at Cheltenham a few years back, she's well worth catching, but it's hard to imagine a James Moody or a John McLaughlin (still alive) turning up at either festival.
I'm from the sticks so I don't do the Toon/Gatesheed divide (Durham is on both sides of the Wear) so it seems to me the Sage is the modern day equivalent and has attracted acts of the highest calibre still available to us.
Newcastle and the North East are doing pretty well for jazz and I've really enjoyed the last few years, getting to know the bands, the musicians and the venues. Darlo has at least a couple of scenes, a couple of Micks are trying to get things happening in Bishop, Durham has Heather, Nick, Carlo and Ali, Ushaw ought to be one of the best festivals in the country, Ambleside isn't too far away and nor is Scotland.
Since Dave has kicked a hole in the cree to let them pesky felines in, with a Jazz North East, a Jazz Co-op, a Jazz Cafe, Lord Paul, Sir Lance, Queen Roz and with Dave Clark and his lovely wife worth at least Five, a Festival in the Toon, where you can walk between gigs, have to choose between gigs, and can get sloshed at gigs without a credit card, doesn’t seem a stretch We could also have an annual awards night, a radio station and who knows what else! It would require everybody working together, so it'll likely never happen.
Purely coincidental, but I've just been through my basket (trying to cull it) and I came across a comment against Albert Ayler's Spirits Rejoice which describes it as 'horrific noise' so hold that thought re Miles' SGQ while I investigate.
I’m not sure whether Steve Andrews thinks – wrongly of course – that Wes’s Festival of Jazz and Improvised Music omits young players, smaller venues and quality local bands. It may just be that he feels that most big festivals are guilty of these omissions in which case I’m not sure of the relevance of his point to the present argument. After all, I think I made clear my attitude to the bands which appeared at the Tyne Bank event. In the circumstances I was surprised to find Steve telling me off for engaging in “mouldy figs vs. Boppers” – style infighting. It’s not different types of jazz I’m arguing about, it’s the names of festivals. Of course Steve, as you say, we should all pull together and if there’s one thing that Wes Stevenson is excellent at doing it is working together with partners or associates : he has no less than nine in the October 2019 festival and that’s really the cause of his success and not as Lance puts it “having pulled the sponsors” of which there are only two, Arts Council England and British Society Of Aesthetics for the improvisation workshop.
Steve’s appeal for the Sage to feature Classic Jazz in its programme so that younger people get to hear the music is possibly unnecessary since sooner or later they – the Sage – will surely catch on to what’s already happening in the music scene around them. I refer to the influx of bands from New Orleans and mainland Europe playing Classic / Vintage style jazz in several Newcastle music venues to young dancing audiences. We have our own such ensemble in The House of the Black Gardenia. Coincidentally on Desert Island Discs this week Thom Yorke of Radiohead selected the Sidney Bechet track “Blue Horizon” which he explained he always includes when playing a dance set as a DJ. Sounds like younger people might be ahead of Steve on this one.
Returning to the subject of names of festivals, touched on above, I wonder how Darlington Jazz Festival would feel if a Darlington Festival of Jazz and Improvised Music were to emerge? Ditto DJazz and ditto Ushaw Jazz Festival? Especially if, as in Newcastle, they only got to hear about the new festival on the night before its press launch. That was an extreme situation which it is to be heartily hoped will not recur elsewhere. But even without that, might not Darlo / Durham / Ushaw feel some sense of reservation about the similarity of the names, in the same way that the manufacturer of a “product” would object to another “product” copying its name? Surely the new festival should be willing to discuss a suitable name and dates for itself with the existing one and thus avoid having any bad effects on the audience which it has built up.
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