Total Pageviews

Bebop Spoken There

Ambrose Akinmusire: “ I am certainly always aware of what the masses are doing. And when I see too many people going one way, I'm going another way - even when I don't know what's over that way". DownBeat, March, 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16233 (and counting) posts since we started blogging 16 years ago. 115 of them this year alone and, so far, 59 this month (Feb. 23).

From This Moment On ...

February 2024
Tue 27: Meditative Soundscapes - Improvised Music @ Earthlings - Healing Cafe, Buckingham St., Newcastle NE4 5QR. 7:00-8:30pm. Feat. Johannes Dalhuijsen, Richard Herdman, Nick Bagnall & Michael Olatunji.
Tue 27: Ruth Lambert Quartet @ The Black Swan, Newcastle. 8:00pm (7:00pm doors). £12.00., £10.00. (adv.).

Wed 28: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 28: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 28: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 29: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 29: Gateshead Jazz Appreciation Society @ Gateshead Central Library, Gateshead. 2:30pm.
Thu 29: Student Performances @ King’s Hall, Newcastle University. 4:00pm. Free. Inc. Olly Styles (saxophone).
Thu 29: ’58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:00pm. Free.
Thu 27: Student Jazz Jam @ The Globe, Newcastle. 7:30pm.
Thu 29: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests: Richie Emmerson (tenor sax); Josh Bentham (alto sax); Graham Thompson (keys); Adrian Beadnell (bass).

March
Fri 01: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 01: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 01: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 01: Wind Ensemble + Big Band + Jazz Combo + R&B Band @ Boiler House, Newcastle University. 5:30pm. Free.
Fri 01: Joseph Carville Trio @ Saltburn Community Hall. 7:30pm.
Fri 01-Sun 03: Great North Big Band Jazz Festival @ Park View Community Centre, Chester-le-Street. From 8:00pm Friday. Weekend ticket: £20.00.
Fri 01: TBC @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig. Blind Pig Blues Club.
Fri 01: Great North Big Band Jazz Festival @ Park View Community Centre, Chester-le-Street. £10.00. Day 1/3. Musicians Unlimited + Festival Band.

Sat 02: Great North Big Band Jazz Festival @ Park View Community Centre, Chester-le-Street. 11:00am. £15.00.. Day 2/3. Senior bands in competition.
Sat 02: Frog & Henry @ St Augustine's Parish Centre, Darlington. 12:30pm.£10.00. Darlington New Orleans Jazz Club. Superb Anglo-American band!
Sat 02: Play Jazz! workshop @ The Globe, Newcastle. 1:30pm. Tutor: TBC. £25.00. Enrol at: www.jazz.coop.
Sat 02: The Vieux Carré Hot 4 @ Repas7 by Night, 7 West St, Berwick TD15 1AS, 07900 627562. Tapas Specials from 5.00pm - showtime 8.00pm.
Sat 02: Durham University Big Band @ Durham Students' Union, New Elvet, Durham. 7:30pm. £8.00.
Sat 02: Tom Remon & Laurence Harrison @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.
Sat 02: Rendezvous Jazz @ The Red Lion, Earsdon. 8:00pm. £3.00. The band’s 25th anniversary gig!
Sat 02: John Logan @ The Dyvels, Corbridge. 8:00pm. Rat Pack-style swing.

Sun 03: Great North Big Band Jazz Festival @ Park View Community Centre, Chester-le-Street. 11:00am. £10.00.. Day 3/3. School & Youth bands in competition.
Sun 03: Smokin’ Spitfires @ the Cluny, Newcastle. 12:45pm. £7.50.
Sun 03: Alan Law Trio plays Ahmad Jamal’s At the Pershing: But Not for Me & more @ Central Bar, Gateshead. 2:00pm. £10.00. The music of Ahmad Jamal.
Sun 03: Alice Grace & Ben Helm @ St Francis’ Church, High Heaton, Newcastle. 2:00-5:00pm. £12.00. (children free admission). A Children’s Society fundraiser. Two x 30 mins sets. Refreshments available, child-friendly event with participation of children encouraged!
Sun 03: Sax Choir @ The Globe, Newcastle. 2:00-5:00pm. Free (donations). Monthly workshop, all welcome (participant and/or listener).
Sun 03: 4B @ The Ticket Office, Whitley Bay Metro Station. 3:00pm. Free.
Sun 03: ’58 Jazz Collective @ St George’s Venue, Park Road, Hartlepool. 3:30pm (refreshments from 2:30pm). £6.00.
Sun 03: Down for the Count: A Century of Swing @ The Fire Station, Sunderland. 7:00pm.
Sun 03: SH#RP Collective @ The Globe, Newcastle. 8:00pm.
Sun 03: Remy CB @ Blues & Bourbon, Nelson St., Newcastle. 9:00pm. Free. Newcastle University music student Remy Coulthard Boardman.

Mon 04: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 05: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Joe Steels, Paul Grainger, Michael Mather.

Thursday, September 26, 2019

Scarborough Jazz Festival 2019. Sunday, September 22. Afternoon Session: Alec Dankworth's Spanish Accents and Bonsai.

Alec Dankworth's Spanish Accents:
Graciela Rodriquez (vocal), Jesus Olmedo (dance), Roland Sutherland (flute), Mark Lockheart (saxes), Phil Robson (guitar), Alec Danworth (double bass), Demi Garcia Sabat (drums).
(Review/photos by Steve T).

Dog-sitter problems meant we had to forfeit the first band of the session but arrived just in time for this impressive lineup. The thought of some sketches of Spain and Tijuana moods was mouth-watering but also presented problems of translation, comprehension and no doubt spelling, so apologies in advance for going with his translations.

The first piece translated as In Your Latte and brought the first of many fine solos from flautist Roland Sutherland. The instrument is still a relative rarity in jazz which always keep them interesting.

The second piece was Drinking Water and introduced featured vocalist Graciela Rodriquez and brought the first solo from Phil Robson, demonstrating why he's one of the country's leading jazz guitarists. The choice of guitar over piano seemed appropriate and proved to be a masterstroke. 

Rodriquez upped the ante for the first of two pieces from Cuban album and film the Buena Vista Social Club, giving a more deep-throated and impassioned performance.

Dankworth announced Oye Como Va as a piece made famous by its creator Tito Puente, though Santana probably made it far more famous. This stuck with the original, but with lyrics in English.

Two original instrumentals were followed by a Spanish folk song translated as Four Wheel Drive, featuring an unsuccessful attempt to replicate the sound of bagpipes - apparently commonplace in Spanish music - with a flute. Once it got going, it reminded me of an early Jethro Tull song called Fatman, with some great flute, the drummer playing with his hands and dancer Olmedo adding castanets.

The announcement of the final piece as Sudusa by Abdullah Ibrahim met with approval from the audience and proved the high point of the set for me, the leader conceding it's more African than Spanish, though there do seem to be many historic links between Spain and Africa, just across the Med.

Bonsai
Rory Ingham (trombone), Dominic Ingham (violin, vocal), Toby Comeau (keyboards), Joe Lee (bass guitar), Jonny Mansfield (drums).

Just time for a quick latte while listening to northeast guitarist James Birkett and his trio, with guests on keyboards, harmonica and an assortment of singers, before it was back in for the next band, only to find it had changed from the original programme.
      
They'd been scheduled to open the day's session but had presumably swapped with the New Jazz Extempore, who were due to close the afternoon session.

I was intrigued by the unusual frontline of trombone and violin and it worked a treat. Compere Alan Barnes described them as a cracking little band and - for once - he wasn't joking.

Hop and the Hip Replacement found the trombone embellished with effects while the violin played it straight, and the set was at its best when both frontline instruments played.

Dominic handled most of the vocals and was fine rather than remarkable, though struggled outside his range. A bit folky, a bit proggy, one small moan would be that there was too much singing and I liked it better when he was playing violin.

A number of people began to drift away, though I suspect more to extend the break before the next session than as a reflection of the band, but we took the opportunity to move right to the front.

Once again the final piece was my favourite, this one called The Crescent. It featured several tempo changes, 'bone and violin in unison during the faster passages, intricate drumming, an into-it bass player and a keyboardist in the centre keeping it all together. 

An extended trombone solo increased the anticipation of a final violin showcase, but the tension was prolonged by a restrained bass solo, with light touch cymbals and keys before the 'bone came back in, Dominic scatting along before his violin joined the trombone ahead of his inevitable solo.

They'd have probably benefited from going on first or playing the previous set, but nevertheless did themselves proud.     
Steve T

No comments :

Blog Archive