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Bebop Spoken There

Tineke Postma: “ I had a huge crush on him [Sting] when I was a teenager ". Jazzwise, June 2024.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.

Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST!

Holly Cooper, Mouthpiece Music: "Lance writes pull quotes like no one else!"

Simon Spillett: A lovely review from the dean of jazz bloggers, Lance Liddle...

Josh Weir: I love the writing on bebop spoken here... I think the work you are doing is amazing.

Postage

16476 (and counting) posts since we started blogging 16 years ago. 356 of them this year alone and, so far, 68 this month (May 24).

From This Moment On ...

May

Sun 26: Tyne Valley Youth Big Band @ The Sele, Hexham. 12:30pm. Free. A Northumberland Jazz Festival event.
Sun 26: Bellavana @ Spanish City Plaza, Whitley Bay. 1:00pm. Whitley Bay Carnival (outdoor stage).
Sun 26: Musicians Unlimited @ Jackson’s Wharf, Hartlepool. 1:00pm. Free.
Sun 26: Alice Grace @ The Sele, Hexham. 1:30pm. Free. Alice Grace w. Joe Steels, Paul Susans & John Hirst.
Sun 26: Bryony Jarman-Pinto @ Queen’s Hall, Hexham. 3:00pm. A Northumberland Jazz Festival event.
Sun 26: Ruth Lambert Trio @ The Juke Shed, North Shields. 3:00pm. Free.
Sun 26: 4B @ The Ticket Office, Whitley Bay. 3:00pm. Free.
Sun 26: Clark Tracey Quintet @ Queen’s Hall, Hexham. 6:00pm. A Northumberland Jazz Festival event.
Sun 26: Saltburn Big Band @ Saltburn Community Hall. 7:30pm.
Sun 26: Ruth Lambert Quartet @ The Globe, Newcastle. 8:00pm.
Sun 26: SARÃB @ The Glasshouse, Gateshead. 8:00pm.

Mon 27: Harmony Brass @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 28: Bold Big Band @ The Black Swan, Newcastle. 8:00pm.

Wed 29: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 29: Darlington Big Band @ Darlington & Simpson Rolling Mills Social Club, Darlington. 7:00pm. Free. Rehearsal session (open to the public).
Wed 29: Jazz Night @ The Tannery, Hexham. 7:00-9:00pm. Free. The first night of a new jam session!
Wed 29: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Thu 30: Vieux Carré Jazzmen @ The Holystone, Whitley Road, North Tyneside. 1:00pm. Free.
Thu 30: Merlin Roxby @ Prohibition Bar, Newcastle. 8:00pm. Ragtime piano. A ‘Jar on the Bar’ gig.
Thu 30: Tees Hot Club @ Dorman’s Club, Middlesbrough. 8:30pm. Guests Josh Bentham (sax); Neil Brodie (trumpet); Garry Hadfield (keys); Adrian Beadnell (bass);

Fri 31: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 31: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 31: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 31: Castillo Nuevo Trio @ Revoluçion de Cuba, Newcastle. 5:30pm. Free.
Fri 31: Borealis @ The Witham, Barnard Castle. 7:30pm. CANCELLED!
Fri 31: Redwell @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

June

Sat 01: Enrico Tomasso’s Swing Company @ St Augustine's Parish Centre, Darlington. 12:30pm. Darlington New Orleans Jazz Club.
Sat 01: Play More Jazz! workshop @ The Globe, Newcastle. 1:30pm. Tutor: Steve Glendinning.
Sat 01: Hop, Skiffle & Jump: The Story of Skiffle @ 1719, Hendon, Sunderland. 6:00-9:00pm.
Sat 01: Lindsay Hannon’s Tom Waits for No Man @ Dry Water Arts, Amble. 7:00pm. £15.00.
Sat 01: John Garner & John Pope @ Victoria Tunnel, Ouseburn, Newcastle. 7:00pm.
Sat 01: Milne-Glendinning Band @ Prohibition Bar, Newcastle. 8:00pm. A ‘Jar on the Bar’ gig.

Sunday, September 08, 2019

Artephis @ The Globe Jazz Bar, Newcastle – September 7. A joint venture by Jazz North East and the Jazz Co-op in connection with Jazz North 'Northern Line'

Aaron Wood (trumpet, flugelhorn, electronics); James Girling (guitar); Ali Roocroft (keyboard); Alasdair Simpson (bass guitar); Matt Brown (drums)
(Review by Ann Alex/ Photos courtesy of Ken Drew).
Well, what a brilliant evening of music is all I can say, and I'm sure the full house Globe audience would agree! This was listed as 'contemporary progressive jazz' so I was unsure if I'd latch onto it, but by the second piece I was hooked. See the quotation currently shown in the Bebop Spoken There box above, something about harming musicians by categorising them, how true in this case. This was simply (but not simple) great music, describe it how you will.
Mostly original pieces and the first tune Feroz (composed by Aaron Wood) took a while to bed down in my brain; it began with grooves and a trumpet line, then a keys one, a slowing down into snatches, guitar and trumpet call and response, trumpet leads, then all play to a sudden stop, the kind of sudden stop you get from many rock bands nowadays.

Tabula Rasa (comp. Girling) began with a beautiful cool, calm 'landscape' type of feeling tune on keys, building up to a heavier, louder sound as the whole band joined the theme, with steady drumbeats towards the ending.

I hope these descriptions give readers some 'feel' for the music played. The next piece was Chagrin; Know Her (comp. Girling) and was mainly drums led. The first set concluded differently and more traditionally with a boppy number Inner Urge (Joe Henderson), which could have been sung by the likes of Sheila Jordan, and with solos all round.

I was kindly supplied with the set list during the interval and my informant declared that he would announce the tunes in the second set, which he did in an amiable manner, so full marks for communication as well as music. So he first announced Glow (comp. Aaron Wood) a slow build-up of layers of sound with a skilled guitar prog rock type solo which took me back to 1970's evenings of music and wine.

 Treading Water was influenced by a musical partita (sounds more like an Italian meal) and ended with an interesting gruff-sounding guitar. Herbie Hancock's Eye Of The Hurricane ended with a superb drum solo; February (comp Girling) was loud and wild like that month's weather and Quinoa (comp. Girling) started with rumbles, then a strong tune and 'growling' guitar. That tune came about when Girling visited a quinoa-growing region of the world and realised the problems that the farmers had to deal with.

We all demanded an encore, which was the band's take on Caravan, over a strong Latin beat.
Then we all went home, very musically satisfied.
Ann Alex

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