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Bebop Spoken There

Poncho Sanchez: "When I perform it's my life story." - (DownBeat October 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Wednesday September 18

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Vieux Carré Jazzmen - Cullercoats Crescent Club, 1 Hudleston, Cullercoats NE30 4QS. Tel: 0191 253 0242. 1:00pm. Free admission.

Evening

Alexys de Alfaro - Revoluçion de Cuba, Cloth Market, Newcastle NE1 1EE. Tel: 0191 917 7076. 6:00pm. Free.

Take it to the Bridge - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. £1.00.

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CANCELLED

Archipelago + Freese Trio - Bobik's, Punch Bowl Hotel, Jesmond Road, Jesmond, Newcastle NE2 3JY. Tel: 0191 284 0490. 7:30pm. £5.00.

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Levee Ramblers NOJB w. Jim McBriarty (clarinet) & Bob Wade (trumpet) - Springwell Village Community Venue, Fell Road, Springwell, Gateshead NE9 7RP. 8:15pm. £3.00.

Blues/Folk

Moonshine Sessions - Billy Bootleggers, Nelson St, Newcastle NE1 5AN. 8:30pm. Free.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Thursday, July 18, 2019

Music stars get behind new Sage Gateshead development

New era for Sage Gateshead announced ahead of this weekend’s 14th SummerTyne Americana Festival
(Press release)

“I'm delighted to hear that Sage Gateshead has been successful in this bid. Sage One is a special room to play and I have some wonderful memories performing there. This new project should provide an even more dynamic live experience for both the artist and audience." - Sting 

A bespoke seating system, which will enable the quick removal of seats to create space for a part standing audience, has been given the go-ahead at renowned music venue Sage Gateshead.
The major project has been made possible thanks to £1.2 million from National Lottery funding through Arts Council England’s capital programme. This has been matched by generous donations of £800,000 from individuals and trusts from the North East and across the country.
The £2 million project will allow the installation of a new seat mechanism, which has never been used anywhere else before, giving the North East venue the flexibility to provide standing space on level one of their main concert hall (Sage One) - beyond the existing standing pit - as well as continuing to offer the option of a fully seated hall.  The system will also enable the seats to be put back in again at speed.
Removal of the seats has only been done twice before at Sage Gateshead, once for MS Life Conference and again for BBC 6 Music Festival, taking up hours of labour by a large workforce, but loved by fans of the bands who played there including Maximo Park, Royal Blood, Hot Chip and The Charlatans.
Once the seats are removed, the capacity of the hall will increase from a current maximum of 1650 to 2000, allowing the venue to add to its already diverse programme, including more indie, dance and prom style performances. 
In addition to adapting the seating in Sage One, the project will also include a major refurbishment of the building’s iconic concourse – a focal point for many festivals, free events and a place to relax, play and work. The concourse is open to the public seven days a week throughout the day and the aim is to improve facilities so that even more people can use the building each year.
The Arts Council’s capital funding is intended to support organisations to develop their buildings and facilities in order to produce and present outstanding work. Widely regarded as a ‘performers’ venue,’ thanks to the quality of the acoustics, the news of a forthcoming ‘seats out’ option will not only achieve this goal, it has also been met with excitement within artist circles. Sting said of the project:
“I'm delighted to hear that Sage Gateshead has been successful in this bid. Sage One is a special room to play and I have some wonderful memories performing there. This new project should provide an even more dynamic live experience for both the artist and audience."

Tyne & Wear rising star of the indie scene, Sam Fender, has responded to the news with excitement:
“I’ve played some of the smaller rooms a couple of times but to think that Sage One will now offer standing room is amazing. Alongside the acoustics and bigger capacity, the seats out option will make Sage One a dream venue and even more artists will come to the toon.”
Paul Smith from Maximo Park said: “The atmosphere is undoubtedly more lively when people aren’t sitting down, as we found out when we played without the seats. Other large venues simply don’t sound (or look) as good as Sage One, so it will be great to get a broader range of acts (and audiences) into this incredible venue.”
Smoove & Turrell said: “We would be buzzing if the seats in Hall One could be removable as this would please all of our fans who have always expressed a preference to dance at our gigs.”
Ross Millard from The Futureheads said: “Sage Gateshead is an amazing venue to perform in, but the option of playing a show to a standing audience would always be preferable for a band like ours. As a musician who has played live shows for almost 20 years, my experience is that for a lot of performers/bands, standing shows generate an energy and line of communication with the audience that you simply can’t achieve in a seated venue.”
Abigail Pogson, Managing Director of Sage Gateshead, said: “We know that musicians and audiences love making and hearing music in Sage Gateshead. In 15 short years, it has become a flagship music venue for the North and is internationally recognised. Since opening our doors in 2004, we have been privileged to welcome some of the world’s greatest musicians to our festivals and stages, as well as playing a part in nurturing and supporting the next generation of musicians and running a huge music education programme.
“This capital work will help us to present and support an even wider range of musicians with events and festivals which reach an even wider audience and will also benefit the wider community. Foster + Partners created an iconic building for Tyneside 15 years ago and we can’t wait to complete this work to take our already great facilities to a new level.”
Jane Tarr, Director of Skills and Workforces, Arts Council England said: “Our capital funding is all about helping organisations to develop the buildings and facilities they need to produce and present excellent work. I’m delighted that our funding will help Sage Gateshead to install a seating system that will allow it greater flexibility in its programme and to stage a broader variety of artists and events which will be enjoyed by both the local community and visitors.”

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Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance