Bebop Spoken There

Ron Carter quoting Sonny Rollins: ''What we call jazz - that's keeping the world in equilibrium. I don't care what kind of music you like out here today. It all comes from jazz.'' (DownBeat August, 2026)

The Things They Say!

This is a good opportunity to say thanks to BSH for their support of the jazz scene in the North East (and beyond) - it's no exaggeration to say that if it wasn't for them many, many fine musicians, bands and projects across a huge cross section of jazz wouldn't be getting reviewed at all, because we're in the "desolate"(!) North. (M & SSBB on F/book 23/12/24)

Postage

18799 (and counting) posts since we started blogging 18 years ago. 663 of them this year alone and, so far this month (Aug. 12) 32.

Reviewers wanted

Whilst BSH attempts to cover as many gigs, festivals and albums as possible, to make the site even more comprehensive we need more 'boots on the ground' to cover the albums seeking review - a large percentage of which never get heard - report on gigs or just to air your views on anything jazz related. Interested? then please get in touch. Contact details are on the blog. Look forward to hearing from you. Lance

From This Moment On

August

Thu 13: Vieux Carré Hot 4 @ The Millstone, Mill Rise, South Gosforth, Newcastle. 1:00pm. Free.
Thu 13: Eva Fox & the Sound Hounds @ The Black Swan, Newcastle. 7:30pm. Free.
Thu 13: 58 Jazz Collective @ The Blacksmith’s Arms, Stranton, Hartlepool. 8:00pm. Free. CANCELLED! Back on Aug. 27.
Thu 13: Paul Skerritt @ Angels' Share, St George's Terrace, Jesmond, Newcastle NE2 2SX. 8:00pm. Free. Booking advised (0191 200 1975). Skerritt w. backing tapes.

Fri 14: Classic Swing @ Cullercoats Crescent Club. 1:00pm. Free.
Fri 14: Rendezvous Jazz @ The Monkseaton Arms. 1:00pm. Free.
Fri 14: New Orleans Preservation Jazz Band @ The Oxbridge Hotel, Stockton. 1:00pm. £5.00.
Fri 14: John Settle Quartet @ Bishop Auckland Methodist Church. 1:00pm. £9.00. John Settle (vibes); Rick Laughlin (piano); Mick Shoulder (double bass); Tim Johnston (drums).
Fri 14: Bold Big Band @ Pilgrim, Newcastle. 8:00pm. £8.00 + bf.

Sat 15: Tees Bay Swing Band @ Blacksmith’s Arms, Hartlepool. 1:30pm. Free. Open rehearsal.
Sat 15: Jake Leg Jug Band @ The White Room, Stanley. 7:45pm. £16.26.

Sun 16: Vintage Explosion @ Cliffe Park, Roker, Sunderland SR6 8DB. 5:00-10:30pm. £44.00 (inc. bf).

Mon 17: Friends of Jazz @ Cullercoats Crescent Club. 1:00pm. Free.

Tue 18: Jam session @ The Black Swan, Newcastle. 7:30pm. Free. House trio: Joe Steels, Paul Grainger, Abbie Finn.

Wed 19: Vieux Carré Hot 4 @ Cullercoats Crescent Club. 1:00pm. Free.
Wed 19: Take it to the Bridge @ The Globe, Newcastle. 7:30pm. Free.

Monday, July 01, 2019

CD Review: Bill Frisell, Thomas Morgan - Epistrophy

Bill Frisell (guitar); Thomas Morgan (double bass).
(Review by Chris).

A curious ECM offering in the seldom-heard format of a guitar/double bass duo, recorded live at the Village Vanguard, NYC. The guitar is in the experienced hands of the veteran ECM house guitarist of the 80s, Bill Frisell, the bass in the capable hands of the younger Thomas Morgan, whose prolific output includes a lush contribution to the recent stylish Avec Le Temps with Giovanni Guidi

The album comprises varied covers, with the title track and Pannonica by Thelonious Monk at the core. Epistrophy emerges from seemingly random off-kilter plucking and strumming, and epitomizes Frisell’s sophisticated, oblique approach here. Billy Strayhorn’s Lush Life and All in Fun by Kern/Hammerstein  are of an even older vintage and receive a more delay-laden treatment, as does a stately version of You Only Live Twice, all well received by the audience.  Paul Motian’s Mumbo Jumbo is more free fiddly fretwork, with tricky timing tossed in for good measure.

Overall, not a groundbreaking release, more of a low key listen for the guitar geek or dinner party. I have to say I was disappointed, not having listened much to Frisell since the 80’s when I had him down as the unpredictable one of three US “fusion” guitarists (with Abercombie and Scofield). Nowadays he has a reputation for “noodling”, but back in the day he was less restrained and his oblique lines meshed excitingly in contrast with angular and more brutal bandmates, such as on the excellent 1988 Look Out For Hope.   

I won’t be making the trip, but he plays London's Cadogan Hall in October - I’m sure he’ll be compelling live. 
Chris Kilsby
Available now on ECM 2626
Buy/see here. 

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