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Bebop Spoken There

Giovanni Guidi: "So many jazz albums today are all original compositions, and five minutes after the record is finished, you can't remember a single song. I think it's a problem." - (JazzTimes Oct. 2019).

Archive

Daily: July 6 - October 27

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden - Baltic Centre for Contemporary Art, Gateshead Quays, South Shore Road, Gateshead NE8 3BA. Tel: 0191 478 1810. Screenings at intervals during the day. Part of Akomfrah's exhibition Ballasts of Memory. Exhibition (daily) July 6 - October 27. 10:00am-6:00pm. Free.

Today Thursday October 17

Afternoon

Jazz

Precarity John Akomfrah’s film (2017, 46 mins) about Buddy Bolden (see above).

Vieux Carré Jazzmen - Holystone, Whitley Road, Holystone NE27 0DA. Tel: 0191 266 6173. 1:00pm. Free.

Evening

Jazz

Aurora - St James' & St Basil's Church, Fenham Hall Drive, Fenham, Newcastle NE4 9EJ. 7:30pm. £8.00. (£4.00. student). Zoë Gilby, Noel Dennis & co play the music of Tom Harrell.

No Fox - The Globe, Railway Street, Newcastle NE4 7AD. 7:30pm. £6.00. (£3.00. student).

Maine Street Jazzmen - Sunniside Social Club, Hollywell Lane, Sunniside, Gateshead NE16 5NJ. Tel: 0191 488 7347. 8:30pm. Free.

Darlington Big Band - Dorman’s Club, Oxford Road, Middlesbrough TS5 5DT. Tel: 01642 823813. 8:30pm. Free.

New Orleans Preservation Jazz Band - Oxbridge, Oxbridge Lane, Stockton on Tees TS18 4AW. 8:30pm. £2.50.

Gerry Richardson Jazz Quartet - Hoochie Coochie, 54 Pilgrim Street, Newcastle NE1 6SF. Tel: 0191 222 0130. 8:30pm (doors 7:00pm). Free.

Blues/Soul/Funk

Holy Moly & the Crackers - Georgian Theatre, Green Dragon Yard, Stockton TS18 1AE. Tel: 01642 674115. 7:30pm. £12.00.

To the best of our knowledge, details of the above events are correct but may be subject to alteration.

Saturday, July 06, 2019

Blind Pig Blues Club: Struggle Buggy @ Prohibition Bar, Newcastle - July 5


Struggle Buggy: Lee Bates (guitar, kazoo, vocals); Billy Newton (harmonica, vocals); Paul Summerson (bass guitar); Keith Smith (drums)
(Review by Russell)

The most authentic blues in town! That's the Blind Pig Blues Club's forthright claim and at the end of an evening featuring Struggle Buggy supported by Michael Littlefield's solo set those who were present would readily endorse it! 

Lee Bates and Billy Newton have worked together as a duo for a good few years and Struggle Buggy is their four-piece band comprising bassist Paul Summerson and drummer Keith Smith. The set list ranged from Blind Boy Fuller (I'm a Rattlesnakin' Daddy and Flyin' Airplane Blues) to Memphis Minnie (Kissing in the Dark) to Washboard Sam (I'm Gonna Keep My Hair Parted in the Middle). Bates, playing a National Steel, took the majority of the vocals with Newton singing Sonny Boy's Early in the Morning

Bates and Newton are students of the blues; musicians, labels, recording dates, all at their fingertips. The subject matter often dark, lyrical innuendo ever-present, yet Struggle Buggy's frontmen successfully engaged with the Prohibition Bar audience with their unfailing good humour as the rhythm section - Paul Summerson (bass) and, the model of restraint, Keith Smith (drums) - did what a good rhythm section should do - lay it down and keep it there, in-the-pocket. 

The Panic is On (Depression-era blues), Tampa Red's Black Hearted Woman, a Mess Around from the Memphis Jug Band (Bates blowing 1920s' kazoo) and Tear it Down (King David's Jug Band) with audience 'jazz hands' participation, this was authentic blues alright with a most welcome relaxed, inclusive approach courtesy of Bates, Newton and co..                 

Michael Littlefield (guitar, vocals)

Earlier, Michael Littlefield opened this month's Blind Pig Blues Club session with a solo (guitar/vocals) set. The King Bees' frontman is the 'real deal', as 'authentic' a musician as you could wish to hear. Guitar and voice, the young man has got it big style. The traditional (19th century?) Make Me a Pallet on Your Floor for openers, Robert Johnson's 32-20 BluesYou Got Me Dizzy from the Jimmy Reed songbook and a Nassau String Band cut (Bellamina), no less! Tyneside is lucky to have such an accomplished performer, Littlefield is the coming generation, make no mistake, fingers crossed he'll be around for years to come. 

Next month's Blind Pig presents, all the way from Edinburgh, Geriatric Jones and Kid Thomas. August 2nd, doors at eight, first set at nine. Admission free, but, but, but, do make a donation!    
Russell

1 comment :

Patti said...

This was a great blues night - Michael is the real deal - he can cross from Mississippi John Hurt to Robert Johnson seamlessly - singing and guitar styles. Gently melodic, to the raw emotion of RJ ...... this was it, in our very own Prohibition Bar!

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About this blog - contact details.

Bebop Spoken Here -- Here, being the north-east of England -- centred in the blues heartland of Newcastle and reaching down to the Tees Delta and looking upwards to the Land of the Kilt.
Not a very original title, I know; not even an accurate one as my taste, whilst centred around the music of Bird and Diz, extends in many directions and I listen to everything from King Oliver to Chick Corea and beyond. Not forgetting the Great American Songbook the contents of which has provided the inspiration for much great jazz and quality popular singing for round about a century.
The idea of this blog is for you to share your thoughts and pass on your comments on discs, gigs, jazz - music in general. If you've been to a gig/concert or heard a CD that knocked you sideways please share your views with us. Tell us about your favourites, your memories, your dislikes.
Lance (Who wishes it to be known that he is not responsible for postings other than his own and that he's not always responsible for them.)
Contact: lanceliddle@gmail.com I look forward to hearing from you.

Submissions for review

Whilst we appreciate the many emails, texts, messages and other communications we receive requesting album/gig reviews on BSH, regrettably, we are unable to reply to all of them other than those we are able to answer with a positive response.
Similarly, CDs received by post will only be considered if accompanied by sufficient background material.
Finally, bear in mind that this is a jazz-based site when submitting your album.
Lance