Total Pageviews

Bebop Spoken There

Ethan Iverson: "I asked Bertha [Hope] if she ever used the word "contrafact" to describe the process of writing new tunes over old changes, and she replied, "Of course not. The only people who used that word went to a university to learn about jazz."" - (Jazz Times March 2020).

Archive.

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

COFID- 19

In the current climate we are doing our best to keep everyone up to date. All gigs, as we all know, are off.

However, good old YouTube has plenty to offer both old and new to help us survive whilst housebound. Plus now is a good time to stock up on your CDs.

Also, keep an eye out for live streaming sessions.

Alternatively, you could do as they do in Italy and sing from your balcony.

Today

As we all know there are no live gigs taking place in the immediate future. However, any links to jazz streaming that are deemed suitable - i.e. with a professional approach - will be considered for posting.

Wednesday, November 14, 2018

Jam Session @ The Black Swan - Nov. 13

(Review by Lance).

Such is the nature of jam sessions that the standard of performance is variable and if I say that this week didn't quite have the pizzazz of two weeks ago there was still plenty to savour, not least the house rhythm section who ensured that everyone got the best of support.

Showtime (David Gray) arrived wearing a hat that became a mute or was it vice versa? Whatever, he didn't pale by comparision with the trombone players I'd already heard that day on CD.

Elliott Todd, from Manchester, and George Sykes from, musically speaking, Vermont appeared to struggle early on but, once the instruments were warmed up, got into their stride later on.
The vocalists tended to be under amplified and Poppy's fluting would have benefitted from closer proximity to the mic.

On drums, Mo gave Mark a well-earned break as did John Pope who, as always, brought scales of the unexpected into his solos when he spelled Paul on bass. However, it was Marcus Tham who took everyone by surprise when he gave the hardworking Jeremy a break. His delicate approach providing a suitable alternative to Jeremy's powerhouse playing. There's room for both.

The Metro was calling me from the Central Station so I missed out on what may well have been the highlight of the evening with les tout ensemble jamming for fifteen minutes on Strasbourg/St Denis. A tale of two metros.
Lance.
Photos.
Jeremy McMurray (keys); Paul Grainger (bass); Mark Robertson (drums) + Debra Milne (vocals); Elliott Todd (trumpet); David Gray (trombone); Poppy (flute/vocal); John Pope (bass); Marcus Tham (piano); Hazem Mohammed (drums).

No comments :

Blog Archive