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Bebop Spoken There

George "Big Nick" Nicholas: "This band [George Adams-Don Pullen Quartet] is a bitch on roller skates, baby. They'll run you over if you ain't ready" (JazzTimes April, 2022)

The Things They Say!

Hudson Music: Lance's "Bebop Spoken Here" is one of the heaviest and most influential jazz blogs in the UK.

Rupert Burley (Dynamic Agency): "BSH just goes from strength to strength".

'606' Club: "A toast to Lance Liddle of the terrific jazz blog 'Bebop Spoken Here'"

The Strictly Smokin' Big Band included Be Bop Spoken Here (sic) in their 5 Favourite Jazz Blogs.
Ann Braithwaite (Braithwaite & Katz Communications) You’re the BEST! --

Postage

14250 (and counting) posts since we started blogging 14 years ago. 469 of them this year alone and, so far, 69 this month (May 19).

From This Moment On ...

May.

Wed 25: Vieux Carré Jazzmen @ Cullercoats Crescent Club. 1:00pm.
Wed 25: Darlington Big Band @ Darlington & Simpson Rolling Mills Club, Darlington. 7:00pm. Rehearsal session (open to the public).
Wed 25: Four @ The Exchange, North Shields. 7:00pm.
Wed 25: Take it to the Bridge @ The Globe, Newcastle. 7:30pm.

Thu 26: Vieux Carré Jazzmen @ The Holystone, North Tyneside. 1:00pm.
Thu 26: Deep Pope + Garner & Pope @ Cobalt Studios, Newcastle. 7:00pm. £7.00.
Thu 26: 58 Jazz Collective @ Hops & Cheese, Hartlepool. 7:30pm.
Thu 26: Knats @ Hoochie Coochie, Newcastle. 8:00pm.
Thu 26: Jeremy McMurray & the Pocket Orchestra @ Arc, Stockton. 8:00pm.
Thu 26: Maine Street Jazzmen @ Sunniside Social Club, Gateshead. 8:30pm.
Thu 26: Tees Hot Club @ Dorman’s Club, Middlesbrough. 9:00pm.

Fri 27: Alice Grace Quartet @ The Gala, Durham. 1:00pm.
Fri 27: Classic Swing @ Cullercoats Crescent Club. 1:00pm.
Fri 27: New Orleans Preservation Jazz Band @ Oxbridge Hotel, Stockton. 1:00pm.
Fri 27: Rendezvous Jazz @ The Monkseaton Arms, Monkseaton. 1:00pm.
Fri 27: Fergus McCreadie Trio @ The Witham, Barnard Castle. 7:30pm.

Sat 28: Whitley Bay Carnival: Northern Monkey Brass Band (1:00-1:45pm & 4:00-4:45pm); Baghdaddies (2:00-2:45pm & 5:00-5:45pm) @ Spanish City Plaza Arena, Whitley Bay. Northern Monkey Brass Band (2:30-2:45pm) @ Rainbow Corner (Marine Ave.), Whitley Bay.
Sat 28: Jack Logan & the Swing Section @ Prohibition Bar, Newcastle. 8:00pm.

Sun 29 Vieux Carré Hot 4 @ Spanish City, Whitley Bay. 12 noon.
Sun 29: Musicians Unlimited @ Hartlepool United Supporters’ Club, Hartlepool. 1:00pm.
Sun 29: Foundry Jazz Ensemble @ The Exchange, North Shields. 3:00pm.
Sun 29: Groovetrain @ Tyne Bar, Newcastle. 4:00pm. Free.
Sun 29: Zoë Gilby Quartet @ Allendale Village Hall, Northumberland. 7:30pm.
Sun 29: Two of a Mind: Sue Ferris-Steve Summers Quartet @ The Globe, Newcastle. 8:00pm. £10.00 adv., £12.00. door.
Sun 29: Cedric Burnside @ Cluny, Newcastle. Superb Mississippi hill country blues!

Mon 30: Jazz in the Afternoon @ Cullercoats Crescent Club. 1:00pm.

Tue 31: Jam session @ Black Swan, Newcastle. 7:30pm. House trio: Stu Collingwood, Paul Grainger, Rob Walker.

Wednesday, November 21, 2018

CD Review: Flavio Lira - Coffee Gold Sugar Cane

(Review by Max G)

Hailing from Brazil, Flavio Lira is based in New York City, active in a wide variety of genres and musical forms. This policy is present throughout the album which Lira refers to as ‘a rhythmic fusion of samba, baiao, regional folklore, tumbao, clave, Partido Alto, jazz influence from the north, classical fugue, and more.’

This sounds like an ambitious mix, and perhaps an album which brings together 38 different musicians from 15 different countries might struggle to maintain a clear identity if each of their musical personalities is simultaneously foregrounded. However, the album’s identity retains a central core of, in the broadest terms, Latin influence.


The album is also defined by Lira’s dense arrangements, featuring a mass of different instruments and timbres. For example, on the album’s second track, his highly original and complex arrangement of All the Things You Are. However, in this track, the constant chopping and changing of sounds, feels, and his intense melodic interplay and elaborations at times become overwhelming. The same could also be said of Sol no Frio

Whilst Lira’s ambition, which leads him to attempt the broad synthesis of styles and musical backgrounds he describes, should undoubtedly be applauded, perhaps that ambition should be reined in slightly.

Despite these criticisms, the album does definitely have some nice moments. 5 to 9 grooves really naturally, with a great vibes solo from Ryan Fedak. I personally am often suspicious of attempts to cross the classical-jazz divide. However, the album’s concluding Bass Fugue is executed with originality and showcases Lira’s excellent bass playing – something which perhaps could be more prominent through the album as a whole.

Overall, this is a fun, thoroughly enjoyable album. But just perhaps not quite a classic.
Max G.

Coffee Gold Sugar Cane is available on Interrobang Records.

Flavio Lira (bass); Ryan Fedak (vibraphone); Anibal Cruz (piano); Takafumi Nikaido (congas, cajon); Graciliano Zambonin (drums); Kan Yanabe (pandiero, tamborim, clave); Edmar Colon (alto sax, bari sax); Gaciliano Zambonin (drums);  Nella Rojas (vocals); Yoshie Nakayama (trombone); Jon Weidley (trumpet); Juan Ruiz (alto sax); Anggie Obin (flute); Nacho Gonzaled (guitar); Julio Santos (pandeiro); Martin Musaubach (Rhodes, organ); Yaure Muniz (trumpet); Xito Lovell (trombone); Howard Levy (harmonica); Kevin Scollins (guitar); Eduardo Mercuri (guitar); Naty Hernandez (vocals); Valentine Komissarouk (vocals); Vitor Goncalvez (e-piano); Livio Almeida (soprano sax); Laura Crespo (bongo, guiro); Thiago Vitori (synths, pads); Clay Steininger (guitar); Alexi Tsiganov (piano); Raphael Lehnen (bombo leguero); Catherine Bent (cello); Leandro Pellengrino (guitar); Fernando Brandao (flute); Keisel Jiminez (tishbales, congas, vocals); Ronaldo Andrade (surdo, cavaco, banjo, vocals); Bruno Brandalise (trombone).

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